1972 - The Bar-Kays - Do You See What I See [Remastered 1996][mp3@320] [mrtude42] [H33t]

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The Bar-Kays - Do You See What I See?
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Artist...............: The Bar-Kays
Album................: Do You See What I See?
Genre................: Funk / Soul
Source...............: CD
Year.................: 1972
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: LAME 3.82
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Information..........: http://www.allmusic.com/album/release/too-hot-to-stop-mr0000754889
Ripped by............: Mrtude42 on 6/20/2013
Posted by............: Mrtude42 on 6/20/2013
Included.............: NFO, M3U
Covers...............: Front

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Tracklisting
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1. The Bar-Kays - Be Yourself [03:37]
2. The Bar-Kays - Copy Kat [02:21]
3. The Bar-Kays - Do You See What I See [06:32]
4. The Bar-Kays - God Is Watching [03:53]
5. The Bar-Kays - I Can't Turn You Loose [03:56]
6. The Bar-Kays - I Was Made To Love Her [05:01]
7. The Bar-Kays - In The Hole [02:55]
8. The Bar-Kays - It Ain't Easy [03:33]
9. The Bar-Kays - Love Pollution [03:27]
10. The Bar-Kays - Medley [10:58]
11. The Bar-Kays - Memphis At Sunrise [03:22]
12. The Bar-Kays - People Unite To Save Humanity [04:56]
13. The Bar-Kays - You're Still My Brother [03:31]
14. The Bar-Kays - You're The Best Thing That Ever Happened To Me[04:50]
15. The Bar-Kays - Your Good Thing (Is About To End) [04:41]

Playing Time.........: 01:07:39
Total Size...........: 156.64 MB

NFO generated on.....: 6/20/2013 8:09:15 AM


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Review from allmusic.com
by Jason Ankeny

The Bar-Kays spent much of 1976 as the opening attraction supporting the
Parliament-Funkadelic traveling circus, and the P-Funk influence seeps into
every pore of Too Hot to Stop. While lacking the cosmic reach and freak-show
genius of George Clinton, this is nevertheless The Bar-Kays' last stab at
greatness, delivering hard-driving funk with all the energy and conviction of
their classic Stax sides. The grooves here are vacuum-packed, exhibiting the
telepathic interplay born solely from years of collaboration. Indeed, the
quality of the performances more than makes up for Too Hot to Stop's often
pedestrian melodies, although to its credit the band covers a wide stretch of
ground spanning from breakneck funk ("Whitehouseorgy") to slow jams
("You're So Sexy") to ballads ("Summer of Our Love").
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