A I O - A Tribute To The Great Maestro Ennio Morriconeseeders: 1
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A I O - A Tribute To The Great Maestro Ennio Morricone (Size: 36.65 MB)
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Ennio Morricone ... All-In-One
A Tribute To The Great Maestro & Film Composer Includes: 1- Biography 2- Prizes & Awards 3- Soundtrack Filmography 4- Music Tour: 6 full CDs ... includes: a. Il Buono, Il Brutto, Il Cattivo (The Good, the Bad, and the Ugly) - 1966 b. Once Upon A Time In America - 1984 c. Cinema Paradiso - 1989 d. Ennio Morricone & Mireille Mathieu - 1974 e. Ennio Morricone & Dulce Pontes : Focus - 2004 f. Ennio Morricone & Lisa Gerrard : Fateless (Sorstalansag) - 2005 The Original Sound Tracks Lists: 1. Il Buono, Il Brutto, Il Cattivo - 1966 (The Good, the Bad, and the Ugly) 01. Il buono il brutto il cattivo (Titoli) 02. Il tramonto 03. Sentenza (Part I) 04. Fuga a cavallo (Part I - Short) 05. Fuga a cavallo (Part II) 06. Sentenza (Part II) 07. Il ponte di corde(part I) 08. Il forte 09. Inseguimento 10. Il deserto 11. La carozza dei fantasmi 12. A missione San-Antonio 13. Padre ramirez 14. Marcetta 15. La storia di un soldato 16. Fine di una spia 17. Il bandito monco 18. Due contro cinque 19. Marcetta senza speranza 20. Morte di un soldato 21. L'estasi dell'oro 22. Il triello 23. Fuga a cavallo (Full version) 24. Il ponte di corde (part ii-unused) 2. Once Upon A Time In America - 1984 01. Once Upon A Time In America 02. Poverty 03. Deborah's Theme 04. Childhood Memories 05. Amapola 06. Friends 07. Prohibition Dirge 08. Cockeye's Song 09. Amapola Part 2 10. Childhood Poverty 11. Photographic Memories 12. Friends 13. Friendship And Love 14. Speakeasy 15. Deborah's Theme - Amapola 3. Cinema Paradiso - 1989 01. Cinema Paradiso 02. Maturity 03. While Thinking About Her Again 04. Childhood And Manhood 05. Cinema On Fire 06. Love Theme 07. After The Destruction 08. First Youth 09. Love Theme For Nata 10. Visit To The Cinema 11. Four Interludes 12. Runaway, Search And Return 13. Projection For Two 14. From American Sex Appeal To The First Fellini 15. Toto And Alfredo 16. For Elena 4. Ennio Morricone & Mireille Mathieu - 1974 01- Un Jour Tu Reviendras 02- J Oublie La Pluite Et Le Soleil 03- La Califfa 04- L eblouissante Lumiere 05- Il Ne Reste Plus Rien 06- Je Me Souviens 07- La Donna Madre 08- Da Quel Sorriso Che Non Ride Piu 09- La Marche De Sacco Et Vanzetti 10- Melodie 5. Ennio Morricone & Dulce Pontes : Focus - 2004 01. Cinema Paradiso (Tema de Amor de Cinema Paradiso) 02. Rose Among Thorns {From the Mission} 03. Renascer {From Moses} 04. No Ano Que Vem {From Come Maddalena} 05. Your Love {From Once Upon a Time in the West} 06. Amalia Por Amor 07. Nosso Mar {From Metti Una Sera a Cena} 08. Antiga Palavra 09. Luz Prodigiosa {From Luz Prodigiosa} 10. Ballad of Sacco E Vanzetti {From Sacco E Vanzetti} 11. Someone You Once Knew {From Per le Antiche Scale} 12. Voo 13. I Girasoli 14. House of No Regrets {From Chi Mai} 15. Barco Abandonado {From Per le Antiche Scale} 6. Ennio Morricone & Lisa Gerrard : Fateless (Sorstalansag) - 2005 01. Sorstalansag I 02. Visszateres Az Eletbe 03. A Tabor 04. Meg Mindig Otthon 05. A Drama Kezdete 06. Egy Dal 07. Az Asztalnal 08. A Lelek Lerombolasa 09. A Magany Dallama 10. Visszateres Es Emlekezes 11. Egy Belso Hang 12. Tukorbe Nezve 13. A Magany Dallama II 14. Hang Nelul 15. Sorstalansag II In Brief: Born in 1928 to a musical family in Rome, Morricone has become a master of film music. Since scoring his first feature in 1961 called “Il Federale” and directed by Luciano Salce, he has produced over 400 soundtracks - a herculean average of almost one per month. As a child prodigy, Morricone began composing music as a six-year-old. At age 12, his parents Lobera Ridolfi and Mario Morricone (a jazz trumpeter) enrolled him in a four-year harmony program at Accademia di Santa Cecilia, a Roman music conservatory. Being a notable fast-learner, the young Morricone finished the program in a mere two years (or an amazing six months if one believes some reports!) and graduated with honors while finding time to study the trumpet as well. As a result, later he went on to perform as a trumpet player in Roman night clubs before composing and arranging scores for RAI television by the mid-1950s and working for RCA record company from the late 50s through mid- 1960s, arranging songs for the likes of Mario Lanza, Renato Rascel and Rita Pavone. Mr. Morricone first came to international prominence with a haunting score that whined and whistled through the parched and dusty streets of Sergio Leone's landmark "spaghetti" Western, "A Fistful of Dollars" in 1964, the first of six collaborations between the two. The list of collaborations includes the very famous and rousing theme of "The Good, the Bad, and the Ugly" (1966-Italy; 1968-USA). This Leone-Morricone collaboration numbers among the closest and most significant in film history. One cannot imagine seeing Leone's Cinemascope close-ups or landscapes without hearing Morricone's music that added layers of emotional meaning. The composer greatly enhanced the operatic feel of the films by often providing memorable leitmotivs for Leone's pistol-packing trios, most famously in "Once Upon a Time in the West" (1969). Morricone has also worked extensively with such notable Italian filmmakers as Bernardo Bertolucci ("1900", 1977), Pier Paolo Pasolini ("The Decameron", 1971), Gillo Pontecorvo ("Burn!", 1969) and Dario Argento ("Four Flies on Gray Velvet", 1971) and some other great European directors such as Carlos Saura and Pedro Almodovar. He has also lent his formidable skills to a host of Hollywood and international productions, earning Oscar nominations for Best Original Score for Terrence Malick's "Days of Heaven" (1978), Rolan Joffe’’s "The Mission" (1986), Brian De Palma’’s "The Untouchables" (1987), Barry Levinson's "Bugsy" (1991) and with Giuseppe Tornatore’’s ““Malena”” but has never won the award. Ennio Morricone's work has often been cited for its wit, invention and quirkily experimental instrumentation. He combined electric guitars and harmonicas with orchestras long before such pairings became fashionable and has also favored unconventional percussion (e.g., church bells, bullwhips cracking and pistol shots) and vocalists that chant, whistle and/or hum. Without a doubt Mr. Morricone is one of the greatest film music composers of all time. Thanks Team Pachino Sharing Widget |