[AUDIOBOOK] HOW MUSIC GOT FREE - Stephen Witt

Review
“The richest explanation to date about how the arrival of the MP3 upended almost everything about how music is distributed, consumed and stored. It’s a story you may think you know, but Mr. Witt brings fresh reporting to bear, and complicates things in terrific ways. . . . [How Music Got Free] has the clear writing and brisk reportorial acumen of a Michael Lewis book.”
—Dwight Garner, The New York Times

“[W]hip-smart, superbly reported and indispensable.”
—The Washington Post

“Witt’s book is more than just a simple history — or defense — of file sharing, a development most people associate with Napster, but which, according to Witt, involved a much more wide-ranging—and fascinating—story.”
—The Seattle Times

“Brilliantly written. . . . Fascinating. . . . Highly entertaining. . . . Full of surprises.”
—The Guardian

“An enthralling account of how technology has turned the music business upside down . . . This is a terrific, timely, informative book.”
—Nick Hornby, The Sunday Times (UK)

“Compelling . . . . An accomplished first book.”
—The Economist

“Witt uncovers the largely untold stories of people like the German entrepreneurs who invented the mp3 file and Dell Glover, the compact disc factory worker who leaked some of the biggest albums of the aughts, leaving record label execs frustrated and scared.”
—Business Insider

“[Witt] organizes his narrative around alternating chapters that each focus on a separate protagonist: an engineer, an executive, and a criminal: Universal chairman Doug Morris and two nemeses Morris didn’t even know he had: German engineer Karlheinz Brandenburg, and music pirate Dell Glover, a Polygram/Universal employee at the Tennessee CD manufacturing plant.”
—The Daily Beast

“How Music Got Free is the result of five years of tunnel-vision focus on the history of digital music.”
—The Village Voice

“[A] fascinating account of the rise of music piracy. . . . An engrossing story. . . . The year's most important music book.
—The Independent (UK)

“A virtuosic, briskly readable account of when the music industry was briefly, seemingly, brought to its knees. . . . There's a lot to learn from the music business' antagonistic relationship with the technology that defined it, and Witt lays it all out on the page.”
—The Portland Mercury

“The story of how the Internet brought the imperious music business to its knees has never been told more succinctly and readably than it is here. . . . How Music Got Free cries out for a movie treatment like The Social Network.”
—BookPage

“A riveting detective story . . . Witt’s exposé of the business of mainstream music will intrigue fans and critics of pop culture and anyone who has bought a compact disc, downloaded an MP3, or used a streaming music service.”
—Library Journal

“A propulsive and fascinating portrait of the people who helped upend an industry and challenge how music and media are consumed.”
—Kirkus Reviews

“Like Bond meets 28 Days Later . . . Witt tells a thrilling tale, with a cast of music biz bigwigs, painstaking German boffins, and pirates and petty thieves. Witt’s writing reminded me of all my favourite modern essayists: Remnick, Franzen and John Jeremiah Sullivan. I loved it.”
—Colin Greenwood, Radiohead

“How Music Got Free is as much a story about greed, friendship, genius and stupidity as it is about music piracy. And it tells an amazing story of a part of the Internet (not to mention the criminal underground) that I took for granted. I burned through it--you will too.”
—Christian Rudder, author of Dataclysm


About the Author
Stephen Witt was born in New Hampshire in 1979 and raised in the Midwest. He graduated from the University of Chicago with a degree in mathematics in 2001. He spent the next six years playing the stock market, working for hedge funds in Chicago and New York. Following a two-year stint in East Africa working in economic development, he graduated from Columbia University’s Graduate School of Journalism in 2011. He lives in Brooklyn, New York.