Ball, Philip - 4 books on Patterns In Nature [Shapes, Flow, Branches, Self-Made Tapestry] (PDF)

By Philip Ball:
Shapes: Nature's Patterns: A Tapestry in Three Parts (2009, 320 pages): 978-0199604869
Flow: Nature's Patterns: A Tapestry in Three Parts (2009, 208 pages): 978-0199604876
Branches: Nature's Patterns: A Tapestry in Three Parts (2009, 240 pages): 978-0199604883
Patterns are everywhere in nature - in the ranks of clouds in the sky, the stripes of an angelfish, the arrangement of petals in flowers. Where does this order and regularity come from? It creates itself. The patterns we see come from self-organization. Whether living or non-living, scientists have found that there is a pattern-forming tendency inherent in the basic structure and processes of nature, so that from a few simple themes, and the repetition of simple rules, endless beautiful variations can arise.

Part of a trilogy of books exploring the science of patterns in nature, acclaimed science writer Philip Ball here looks at how shapes form. From soap bubbles to honeycombs, delicate shell patterns, and even the developing body parts of a complex animal like ourselves, he uncovers patterns in growth and form in all corners of the natural world, explains how these patterns are self-made, and why similar shapes and structures may be found in very different settings, orchestrated by nothing more than simple physical forces. This book will make you look at the world with fresh eyes, seeing order and form even in the places you'd least expect.

The Self-Made Tapestry: Pattern Formation in Nature (1999, 312 pages): 978-0198502432
For centuries, scientists have struggled to understand the origins of the patterns and forms found in nature. Now, in this lucid and accessibly written book, Philip Ball applies state-of-the-art scientific understanding from the fields of biology, chemistry, geology, physics, and mathematics to these ancient mysteries, revealing how nature's seemingly complex patterns originate in simple physical laws.

Tracing the history of scientific thought about natural patterns, Ball shows how common presumptions--for example, that complex form must be guided by some intelligence or that form always follows function--are erroneous and continue to mislead scientists today. He investigates specific patterns in depth, revealing that these designs are self-organized and that simple, local interactions between component parts produce motifs like spots, stripes, branches, and honeycombs. In the process, he examines the mysterious phenomenon of symmetry and why it appears--and breaks--in similar ways in different systems. Finally, he attempts to answer this profound question: why are some patterns universal? Illustrations throughout the text, many in full color, beautifully illuminate Ball's ideas.