Baraka (1992) [DVDrip (XviD)]

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Added on April 2, 2008 by in Movies > Documentary
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Description

Baraka (1992) is a Todd-AO (70 mm) purely cinematic visual film directed by Ron Fricke, cinematographer for Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio.



Often compared to Koyaanisqatsi, Baraka's subject matter has some similarities—including footage of various landscapes, churches, ruins, religious ceremonies, and cities thrumming with life, filmed using time-lapse photography in order to capture the great pulse of humanity as it flocks and swarms in daily activity. The film also features a number of long tracking shots through various settings, including one through former concentration camps at Auschwitz (in Nazi-occupied Poland) and Tuol Sleng (in Cambodia) turned into museums honoring their victims: over photos of the people involved, past skulls stacked in a room, to a spread of bones. In addition to making comparisons between natural and technological phenomena, such as in Koyaanisqatsi, Baraka searches for a universal cultural perspective: for instance, following a shot of an elaborate tattoo on a bathing Japanese yakuza mobster with one of Native Australian tribal paint.



The movie was filmed at 152 locations of 24 countries: Argentina, Australia, Brazil, Cambodia, China, Ecuador, Egypt, France, Hong Kong, India, Indonesia, Iran, Israel, Italy, Japan, Kenya, Kuwait, Nepal, Poland, Saudi Arabia, Tanzania, Thailand, Turkey, and the United States. It contains no dialogue. Instead of a story or plot, the film uses themes to present new perspectives and evoke emotion purely through cinema. The film was the first in over twenty years to be photographed in the 70mm Todd-AO format.



The title Baraka is a word that means blessing in many different languages. The score provided by Brendan Perry and Lisa Gerrard (from Dead Can Dance) and Michael Stearns is noticeably different from the minimalist one provided by Philip Glass for Koyaanisqatsi. Notable music was also contributed by the band Brother. The film was produced by Mark Magidson, who also produced and directed the film Toward the Within, a live concert performance by Dead Can Dance. A sequel to Baraka, Samsara, is currently in production and expected to be released in 2008.



Directed by Ron Fricke

Produced by Mark Magidson

Written by Constantine Nicholas

Genevieve Nicholas

Music by Michael Stearns, Dead Can Dance

Release date(s) 1992

Running time 96 min

Language None



http://www.imdb.com/title/tt0103767/
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Length.......................: 01h 36m 37s

Resolution...................: 624 x 352

Codec........................: XviD, 2 Pass mode

Bitrate......................: Avg. 895 kBit/s

Format.......................: MP3

Channels.....................: 2 Channels (Surround Stereo)

SampleRate...................: 48000 Hz

Bitrate......................: 96 kBit/s



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Baraka (1992) [DVDrip (XviD)]

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H3N
Thanks :)
Thumbs Up! Way Up! :)
thx
Thank you so much
great documentary. Wish it had a narration to explain what was going on. Still pretty awesome stuff.
Ce n’est pas parce qu’il est « non-verbal » qu’un film ne raconte rien. Ce n’est pas parce que les péripéties classiques ne surviennent jamais qu’il ne se passe rien. Ron Fricke, chef opérateur surdoué, créa avec Baraka une sorte de pont entre le cinéma expérimental contemplatif et un cinéma plus conventionnel. Ce n’est pas pour rien que George Lucas fit appel à ses services pour quelques plans de Star Wars épisode III. Baraka peut même être considéré comme un grand film sur la foi en le cinéma. D’ailleurs, il s’ouvre sur toute une série de plans de croyants. De tous horizons, leur ferveur religieuse dépasse le type de divinité célébrée. Juifs, bouddhistes, animistes, tous, au fil des plans, construisent une seule et même puissance introspective. Baraka parle avant tout de foi : celle en l’Homme, en la nature, en la beauté du quotidien. Le silence est d’or, pas la moindre parole ne sera échangée. Tout juste a-t-on droit au rituel Kecak où le geste et la coordination des chants rappellent le ballet et l’opéra. D’ailleurs, plus qu’un rituel, c’est une histoire de chasse au démon que racontent ces habitants de Java. Si leurs chants nous demeurent incompréhensibles, la puissance crescendo de la traque ne peut échapper à la caméra de Fricke qui fait de cette tradition hindouiste un spectacle merveilleux.
This is not because it is "non-verbal" a film tells nothing. This is not because conventional incidents never occur that nothing happens. Ron Fricke, chief gifted operator with Baraka created a bridge between the contemplative experimental cinema and a more conventional cinema. It is not for nothing that George Lucas called on his services for shots of Star Wars Episode III. Baraka can even be considered a great film about faith in cinema. Moreover, it opens a whole series of shots of believers. From all backgrounds, religious fervor than the type of deity celebrated. Jews, Buddhists, animists, everyone over plans, build a single power introspective. Baraka talking of faith: that in man, in nature, the beauty of everyday life. Silence is golden, not a single word will be entered. We just did the ritual right Kecak where gesture and coordination songs remind ballet and opera. Moreover, more than a ritual, it is a story of hunting the demon that tell the people of Java. If their songs remain incomprehensible to us, power crescendo of stalking can not escape the camera Fricke makes this Hindu tradition a wonderful show.
thank you!!!