Bizet: Carmen and LArlesienne (2005) simfonic - CasTaN

Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as
Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his
operas in a career cut short by his early death, Bizet achieved few successes before his final
work, Carmen, which has become one of the most popular and frequently performed works in the
entire opera repertoire.

During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including
the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose
not to capitalise on this skill and rarely performed in public. Returning to Paris after almost
three years in Italy, he found that the main Parisian opera theatres preferred the established
classical repertoire to the works of newcomers. His keyboard and orchestral compositions were
likewise largely ignored; as a result, his career stalled, and he earned his living mainly by
arranging and transcribing the music of others. Restless for success, he began many theatrical
projects during the 1860s, most of which were abandoned. Neither of his two operas that reached
the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately
successful.
After the Franco-Prussian War of 1870–71, during which Bizet served in the National Guard, he
had little success with his one-act opera Djamileh, though an orchestral suite derived from his
incidental music to Alphonse Daudet's play L'Arlésienne was instantly popular. The production of
Bizet's final opera, Carmen, was delayed because of fears that its themes of betrayal and murder
would offend audiences. After its premiere on 3 March 1875, Bizet was convinced that the work was
a failure; he died of a heart attack three months later, unaware that it would prove a spectacular
and enduring success.

Bizet's marriage to Geneviève Halévy was intermittently happy and produced one son. After his death,
his work, apart from Carmen, was generally neglected. Manuscripts were given away or lost, and
published versions of his works were frequently revised and adapted by other hands. He founded no
school and had no obvious disciples or successors. After years of neglect, his works began to be
performed more frequently in the 20th century. Later commentators have acclaimed him as a composer
of brilliance and originality whose premature death was a significant loss to French musical theatre.