Charles Mingus - Debut Rarities - 4 vol [Flac Cue Log]s - 4 vol

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Charles Mingus - Debut Rarities - 4 vol [Flac Cue Log]s - 4 vol (Size: 840.29 MB)
 Back.jpg754.96 KB
 Bokklet front.jpg1.22 MB
 Booklet Back.jpg375.64 KB
 Cover.jpg57.1 KB
 Charles Mingus - Debut Rarities, Vol. 3.cue1.93 KB
 Charles Mingus - Debut Rarities, Vol. 3.flac262.69 MB
 Charles Mingus - Debut Rarities, Vol. 3.log6.96 KB
 Back.jpg963.84 KB
 Booklet Back.jpg712.65 KB
 Booklet Front.jpg1.39 MB
 Cover.jpg52.99 KB
 Charles Mingus - Debut Rarities, Vol. 4.cue1.98 KB
 Charles Mingus - Debut Rarities, Vol. 4.flac140.76 MB
 Charles Mingus - Debut Rarities, Vol. 4.log9.68 KB
 Back.jpg804.96 KB
 Booklet 1.jpg1.13 MB
 Booklet 2.jpg872.05 KB
 Booklet 3.jpg589.09 KB
 Booklet 4.jpg586.58 KB
 Cover.jpg58.13 KB
 Various Artists - Debut Rarities, Vol. 1.cue1.9 KB
 Various Artists - Debut Rarities, Vol. 1.flac237.06 MB
 Various Artists - Debut Rarities, Vol. 1.log9.38 KB
 Charles Mingus - Deubt Rarities Vol. 2.cue2.06 KB
 Charles Mingus - Deubt Rarities Vol. 2.flac185.55 MB
 Charles Mingus - Deubt Rarities Vol. 2.log9.74 KB


Description

Debut Rarities
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz musician, composer, bandleader, and civil rights activist.


Biography
One of the most important figures in twentieth century American music, Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer. Born on a military base in Nogales, Arizona in 1922 and raised in Watts, California, his earliest musical influences came from the church-- choir and group singing-- and from "hearing Duke Ellington over the radio when [he] was eight years old." He studied double bass and composition in a formal way (five years with H. Rheinshagen, principal bassist of the New York Philharmonic, and compositional techniques with the legendary Lloyd Reese) while absorbing vernacular music from the great jazz masters, first-hand. His early professional experience, in the 40's, found him touring with bands like Louis Armstrong, Kid Ory and Lionel Hampton.
Eventually he settled in New York where he played and recorded with the leading musicians of the 1950's-- Charlie Parker, Miles Davis, Bud Powell, Art Tatum and Duke Ellington himself. One of the few bassists to do so, Mingus quickly developed as a leader of musicians. He was also an accomplished pianist who could have made a career playing that instrument. By the mid-50's he had formed his own publishing and recording companies to protect and document his growing repertoire of original music. He also founded the "Jazz Workshop," a group which enabled young composers to have their new works performed in concert and on recordings.

Mingus soon found himself at the forefront of the avant-garde. His recordings bear witness to the extraordinarily creative body of work that followed. They include: Pithecanthropus Erectus, The Clown, Tijuana Moods, Mingus Dynasty, Mingus Ah Um, The Black Saint and the Sinner Lady, Cumbia and Jazz Fusion, Let My Children Hear Music. He recorded over a hundred albums and wrote over three hundred scores.
Although he wrote his first concert piece, "Half-Mast Inhibition," when he was seventeen years old, it was not recorded until twenty years later by a 22-piece orchestra with Gunther Schuller conducting. It was the presentation of "Revelations" which combined jazz and classical idioms, at the 1955 Brandeis Festival of the Creative Arts, that established him as one of the foremost jazz composers of his day.
In 1971 Mingus was awarded the Slee Chair of Music and spent a semester teaching composition at the State University of New York at Buffalo. In the same year his autobiography, Beneath the Underdog, was published by Knopf. In 1972 it appeared in a Bantam paperback and was reissued after his death, in 1980, by Viking/Penguin and again by Pantheon Books, in 1991. In 1972 he also re-signed with Columbia Records. His music was performed frequently by ballet companies, and Alvin Ailey choreographed an hour program called "The Mingus Dances" during a 1972 collaboration with the Robert Joffrey Ballet Company.
He toured extensively throughout Europe, Japan, Canada, South America and the United States until the end of 1977 when he was diagnosed as having a rare nerve disease, Amyotropic Lateral Sclerosis. He was confined to a wheelchair, and although he was no longer able to write music on paper or compose at the piano, his last works were sung into a tape recorder.
Il sito ufficiale di Charlie Mingus





Discographie

tracks
01 - WHAT IS THIS THING CALLED LOVE? 3:02
02 - DARN THAT DREAM 3:38
03 - YESTERDAYS {PIANO SOLO] 3:05
04 - BODY AND SOUL 3:34
05 - BLUE MOON 3:33
06 - BLUE TIDE 3:10
07 - DARN THAT DREAM (ALTERNATE TAKE) 3:37
08 - JEEPERS CREEPERS (TAKE 1) 3:37
09 - JEEPERS CREEPERS (TAKE 2) 3:03
10 - DAY DREAM (TAKE 1) 3:42
11 - DAY DREAM (TAKE 2) 2:38
12 - THEME FROM RHAPSODY IN BLUE (TAKE 1) 3:24
13 - THEME FROM RHAPSODY IN BLUE (TAKE 2) 2:39
14 - JET (TAKE 1) 2:44
15 - JET (TAKE 2) 2:35
THE CHARLES MINGUS DUO (#1-9): CHARLES MINGUS - bass,
SPAULDING GIVENS {NADI QAMAR} —piano
Recorded In Los Angeles; April 1951.
THE CHARLES MINGUS TRIO (#10-15):
CHARLES MINGUS — bass,
SPAULDING GIVENS — piano,
MAX ROACH — drums
Recorded in New York City; April 14,1953.
Digital remastering, 1992—Kirk Felton (Fantasy Studios, Berkeley)
TOTAL TIME 49:00



01 - PINK TOPSY 3:03
02 - MISS BLISS 3:03
03 - BLUE TIDE 3:08
04 - PINK TOPSY (ALTERNATE TAKE) 3:38
05 - ECLIPSE (ALTERNATE TAKE) 2:57
06 - ECLIPSE 2:54
07 - LATTER DAY SAINT 4:00
08 - CUNNINGBIRD 4:45
09 - THE JUMPIN' BLUES (JUMP THE BLUES AWAY) 4:52
10 - THE MASHER 3:33
11 - LATTER DAY SAINT (ALTERNATE TAKE 1) 5:22
12 - LATTER DAY SAINT (ALTERNATE TAKE 2) 3:46
13 - THE MASHER (ALTERNATE TAKE) 4:15
14 - LATTER DAY SAINT (ALTERNATE TAKE #?) 3:5i
THE CHARLES MINGUS OCTET (#1-6):
ERNIE ROYAL, WILLIE DENNIS, EDDIE CAINE, TEO MACERO, JOHN LEWIS,
JACKSON WILEY, KENNY CLARKE, JANET THURLOW (vocal).
Arranged by SPAULDING GIVENS [NADI QAMAR].
Recorded in New York City; October 28,1953.
THE JIMMY KNEPPER QUINTET (#7-14):
J0E MAINI, BILL TRIGLIA, CHARLES MINGUS, DANNIE RICHMOND.
Recorded in New York City; June 10,1957.
Digital remastering, 1992—Kirk Felton (Fantasy Studios, Berkeley)
TOTAL TIME 54:00



01 - [UNTITLED ORIGINAI. BLUES] (TAKE 1) 3:55
02 - STELLA BY STARLIGHT (TAKE 4) 3;57
03 - STELLA BY STARLIGHT (TAKE 5) 3:53
04 - [UNTITLED ORIGINAL COMPOSITION] (TAKE 3) 5:17
05 - [UNTITLED ORIGINAL COMPOSITION] (TAKE 5) 4:34
06 - AUTUMN IN NEW YORK (TAKE 1) 5:29
07 - AUTUMN IN NEW YORK (TAKE 2) 5:05
08 - LONG AGO AND FAR AWAY (TAKE 2) 3:24
09 - LONG AGO AND FAR AWAY (TAKE 4) 3:11
10 - LONG AGO AND FAR AWAY (TAKE 5) 3:17
11 - [UNTITLED ORIGINAL BLUES] (TAKE 2) 4:00
12 - JOLDI (TAKE 4) 5:24
13 - JOLDI (TAKE 5) 5:08
CHARLES MINGUS—bass (EXCEPT ON SELECTIONS #12 AND 13) CLARENCE SHAW—trumpet
PEPPER ADAMS—baritone saxophone
SHAFI HADI—tenor saxophone
WADE LEGGE OR WYNTON KELLY—piano
HENRY GRIMES—bass (#12 AND 13 ONLY)
DANNIE RICHMOND—drums
Recorded in New York City; September 1957.
Digital remastering, 1993 — Phil De Lancie (Fantasy Studios, Berkeley)
TOTAL TIME 58:00



01 - PORTRAIT (TAKE 1 ) 3:11
02 - PORTRAIT (TAKE 2) 3:10
03 - I'VE LOST MY LOVE (TAKE 1 ) 3:01
04 - I'VE LOST MY LOVE (TAKE 2) 3:01
05 - EXTRASENSORY PERCEPTION 2:48
06 - EXTRASENSORY PERCEPTION (ALTERNATE TAKE) 2:42
07 - PRECOGNITION 2:43
08 - MAKE BELIEVE 3:04
09 - PARIS IN BLUE 3:12
10 - MONTAGE 2:54
11 - (MEDLEY) YOU GO TO MY HEAD 2:42
12 - CAN YOU BLAME ME 2:48
13 - YOU AND ME 2:47
14 - BEBOPPER 2:40
15 - CUPID 2:46

CHARLES MINGUS—bass
wlth
LEE KONITZ—alto saxophone
PAIGE BROOK—flute, alto saxophone
PHYLLIS PINKERTON, JOHN MEHEGAN, or HANK JONES—piano
GEORGE KOUTZEN or JACKSON WILEY—cellos
AL LEVITT or MAX ROACH—drums
JACKIE PARIS, BOB BENTON, or HONEY, RICHARD, GEORGE,
and GEORGE GORDON, JR.—vocals
Recorded In New York City
(April 12 and September 16,1952, and April 29,1953)
Digital remastering, 1994—Kirk Felton (Fantasy Studios, Berkeley)
TOTAL TIME 43:00



::-> Content & info <-::

Artist Name : Charlie Mingus
Album Title : The Charles Mingus Octet - The Jimmy Knepper Quintet - Debut Rarities Vol. 1 ((flac)
Format - Music: FLAC
Total Tracks : 15
Disc Number : 1/4
Various Artists - Debut Rarities, Vol. 1.flac
Various Artists - Debut Rarities, Vol. 1.cue
Various Artists - Debut Rarities, Vol. 1.log
Covers
SIZE: 241 MB



Artist Name : Charlie Mingus
Album Title : The Charles Mingus Duo & Trio with Spaulding Givens & Max Roach - Debut Rarities Vol. 2 (flac)
Format - Music: FLAC
Total Tracks : 14
Disc Number : 2/4
Charles Mingus - Deubt Rarities Vol. 2.flac
Charles Mingus - Deubt Rarities Vol. 2.cue
Charles Mingus - Deubt Rarities Vol. 2.log
Covers
SIZE: 190 MB



Artist Name : Charlie Mingus
Album Title : The Charles Mingus Group - Debut Rarities Vol. 3 (flac)
Format - Music: FLAC
Total Tracks : 13
Disc Number : 3/4
Charles Mingus - Debut Rarities, Vol. 3.flac
Charles Mingus - Debut Rarities, Vol. 3.cue
Charles Mingus - Debut Rarities, Vol. 3.log
Covers
SIZE: 265 MB


Artist Name : Charlie Mingus

Album Title : The Charles Mingus Groups - Debut Rarities Vol. 4 (1952) (flac)
Format - Music: FLAC
Total Tracks : 15
Disc Number : 4/4
Charles Mingus - Debut Rarities, Vol. 4.flac
Charles Mingus - Debut Rarities, Vol. 4.cue
Charles Mingus - Debut Rarities, Vol. 4.log
Covers
SIZE: 143 MB

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