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Chemical_Brothers-Come_With_Us-2002-CHR (Size: 75.44 MB)
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Come With Us ░█ █░ 02. It Began In Africa ░█ █░ 03. Galaxy Bounce ░█ █░ 04. Star Guitar ░█ █░ 05. Hoops ░█ █░ 06. My Elastic Eye ░█ █░ 07. The State We're In (feat. Beth Orton) ░█ █░ 08. Denmark ░█ █░ 09. Pioneer Skies ░█ █░ 10. The Test (feat. Richard Ashcroft) ░█ █░ ░█ ███▀▀▀▀▀▀▀▀ ▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀ ▀▀▀▀▀▀▀▀███ █░▀ ▀▀ ▀▀▀ ▀▀▀ ▀▀ ▀░█ ███▀▀▀▀▀▀▀▀▀▀▀▀▀▀ - RELEASE NOTES - ▀▀▀▀▀▀▀▀▀▀▀▀▀▀███ █░ ░█ █░ Yes, here it is, the newest full album from Chemical ░█ █░ Brothers (no mere It Began In Africa single). Back to their ░█ █░ old styles, with some really keen new styles (first track ░█ █░ almost reminds me of Brainbug's style, but with more kick ░█ █░ and some kooky vocals). And if you're not sure if you want ░█ █░ to spend the moments to grab this before it hits stores ░█ █░ (Januart 28th or 29th), at least grab "Hoops" my fave track ░█ █░ (close second is My Elastic Eye, starting off sounding a bit ░█ █░ like Vespertine era Bjork). Other artists this album may ░█ █░ have been inspired by are Basement Jaxx, Rooty era with a ░█ █░ nice bouncy dance feel to parts of this album. For someone ░█ █░ else's words, here's a pretty good review (but Daft Punk as ░█ █░ Baroque Pop? And there are no vocals on 'Pioneer Skies' its ░█ █░ 'The Test' which features Ashcroft). ░█ █░ ░█ █░ "Tom and Ed return with their fourth album, 'Come With Us', ░█ █░ a joyous romp that strikes back to the heart of the Chemical ░█ █░ sound clash. ░█ █░ ░█ █░ Arriving on the arpeggio string arrangement of the title ░█ █░ track, you could be forgiven for thinking for an instant ░█ █░ that the Chemicals have followed Daft Punk into Baroque pop ░█ █░ territory. ░█ █░ ░█ █░ The thought is foolish and short lived. ░█ █░ ░█ █░ After their brief classical intermission, the Brothers dust ░█ █░ down their trademark surging beast of beats and spiralling ░█ █░ synth sounds, disinter a dark vocal sample, intoning "Behold ░█ █░ We're Coming Back", and deliver a scorching guitar and bass ░█ █░ synth laced 'Social' break beat. ░█ █░ ░█ █░ As an indication of what is to come it's powerful and ░█ █░ poignant, boldly re-stating the no-holds barred approach ░█ █░ that originally made the Chemical Brothers stand out. ░█ █░ ░█ █░ Lest it be forgotten, not only did the Chemicals break the ░█ █░ mould in the mid Nineties by being a dance outfit that ░█ █░ embraced indie acts, they also espoused an anything goes ░█ █░ philosophy that utilised rock guitar, thundering hip hop ░█ █░ drums, scorching acidic 303, African beats and, as they do ░█ █░ here, classical string arrangements. ░█ █░ ░█ █░ Rising through repeated aural assaults, break beat break ░█ █░ downs and a quirky Leo Nocentelli funky guitar line, 'Come ░█ █░ With Us' charges like a genetically modified funk rock rhino ░█ █░ into the tribal trance of last year's single, 'It Began In ░█ █░ Africa'. ░█ █░ ░█ █░ 'Africa' is competent but next to the engaging, ░█ █░ work-in-progress quirky funk of 'Galaxy Bounce', it seems ░█ █░ straight. All of which makes the appeal of the soon to be ░█ █░ released 'Star Guitar' single more odd. ░█ █░ ░█ █░ Combining a slightly tweaked house drum pattern with gushing ░█ █░ swells of trance synth lines and an ambient, occasionally ░█ █░ Balearic, feel, the formulae here is far from original. But ░█ █░ it's won applause wherever it's been played. Once again the ░█ █░ secret of its success is in the production, where the ░█ █░ endemic fragility of the song is given depth by the ░█ █░ contrastingly harsh drum sounds. ░█ █░ ░█ █░ But perhaps the greatest achievement of 'Come With Us' is ░█ █░ its stamina, with one of the most interesting contributions, ░█ █░ the multi textural 'Hoops', only coming half way through the ░█ █░ playing order. It may not be the obvious single, but it's ░█ █░ probably the album's finest moment. ░█ █░ ░█ █░ 'My Elastic Eye' again collides the delicate and ephemeral ░█ █░ with harsh electronica, and with more devastating effect ░█ █░ than the comparatively safe 'Star Guitar'. ░█ █░ ░█ █░ The theme of organic fragility jutted against electronic ░█ █░ energy is repeated in Beth Ortan's plaintive vocals on 'The ░█ █░ State We're In', in which she struggles against keyboards ░█ █░ and effects that in anybody else's studio would have been ░█ █░ too high in the mix. Here it seems to work. ░█ █░ ░█ █░ Juxtaposed to this comes 'Denmark', a bass driven disco ░█ █░ stomp that clatters along on early Nineties Knuckle's wood ░█ █░ blocks before the full drum kit takes over the percussion ░█ █░ and a bass drill pounds into the 'Pig Bag' bass line. ░█ █░ ░█ █░ Further pushing the boundaries, 'Pioneer Skies', an ░█ █░ awesomely large production for its length, sounds like pure ░█ █░ Pete Townshend circa his 'Who's Next' prog era. ░█ █░ ░█ █░ Finally the plodding drum rolls of 'Pioneer Skies', ░█ █░ (should be 'The Test', looks like a minor error on the editor's side) ░█ █░ featuring Richard Ashcroft, offer the album's largest olive ░█ █░ branch to the unrepentant unconverted. ░█ █░ ░█ █░ Unlike their recent offerings, 'Come With Us' doesn't rely ░█ █░ on collaborations to cross over into different markets. Nor ░█ █░ does it turn out tub-thumping dance music to capture the ░█ █░ club contingent. ░█ █░ ░█ █░ Rather, like their earlier offerings, it matches big sound ░█ █░ crowd-pleasing gimmicks with the cerebrally challenging and ░█ █░ adventurous. It exposes the unmatched raw nerve of Chemical ░█ █░ Brothers' production and spikes it with innovation. ░█ █░ ░█ █░ A subtly brutal and powerfully fragile masterpiece." -- Ben Osborne ░█ █░ ░█ █░ And if you're not sure if this is the real thing, there's ░█ █░ the CD (mail me a scanner if you want a scan). Dismiss this ░█ █░ as "merely a promo" if you want, but the CD is only stamped ░█ █░ with the "promo only" mark, as seen on anything sent to radio ░█ █░ stations. No covers, that's how I got it. Track names from ░█ █░ numerous websites (they match up, with vocals and 'Africa'). ░█ █░ Enjoy from Team CHR - taking time to do it right ░█ █░ ░█ █░ URLs >> ░█ █░ >> www.dotmusic.com/reviews/Albums/January2002/reviews23442.asp ░█ █░ review source, with links to sales and pretty pics. ░█ █░ >> http://the-raft.com/chemicalbros.html >> nice site w/info ░█ █░ >> www.astralwerks.com/chemical >> astralwerk's c.b. portal ░█ █░ ░█ ██▄▄▄▄▄▄▄▄ ▄ ▄█▄▄▄ ▄▄ ▄ ▄▓▄ ▄ ▄▄ ▄▄▄█▄ ▄ ▄▄▄▄▄▄▄▄██ ██▄▄▄▄▄▄▄▄ ▄ ▄█▄▄▄ ▄▄ ▄ ▄▓▄ ▄ ▄▄ ▄▄▄█▄ ▄ ▄▄▄▄▄▄▄▄██ ██▀ ▄ ▀ ▀ ▀ ▄ ▀██ █▌ ▀▓▀ ▄▄▓█▄▄ ▄▄▓█▄▄ ▀▓▀ ▐█ ██▄ ▄▄████████▄ A T T E N T I O N ▄████████▄▄ ▄██ █░██████████▀▀█▓▌▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▐▓█▀▀██████████░█ █░ ▀▀▓██▀▀ █ █ ▀▀██▓▀▀ ░█ █░ ░█ █░ CHROMANCE IS CURRENTLY LOOKING FOR DEDICATED RIPPERS, T1/T3 SHELL░█ █░ BOX OWNERS, T1/T3 (40GIG+) SITEOPS, HARDWARE SUPPLIERS. ░█ █░ IF YOU FEEL LIKE YOU ARE THE ONE FOR US, THEN CONTACT AN OP AT ░█ █░ #CHR ON EFNET, OR EMAIL US FOR AN APPLICATION FILE. ░█ █░ ░█ █░ IRC : #chr [EFNET] ░█ █░ WWW : http://www.chromance.com ░█ █░ Email : apply@chromance.com ░█ █░▀ ▀▀ ▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀▀ ▀▀ ▀░█ █░▀ ▀▀ ▀▀▀ Logo by creepah ▀▀ ▀▀ ▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ Related Torrents
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