Chris Thomas King - Cry Of The Prophets [1990][EAC,log,cue. FLAC]

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leechers: 8
Added on September 16, 2013 by dickthespicin Music > Lossless
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Chris Thomas King - Cry Of The Prophets [1990][EAC,log,cue. FLAC] (Size: 292.76 MB)
 01 - Angel Lady.flac5.37 MB
 02 - Heart And Soul.flac29.81 MB
 03 - Wanna Die With A Smile On My Face.flac23.73 MB
 04 - Help Us, Somebody.flac37.18 MB
 05 - Dance To The Music Till My Savior Comes.flac27.51 MB
 06 - I'm Gonna Make It.flac35.1 MB
 07 - Alpha-Omega.flac30.5 MB
 08 - All Nite Long.flac24.77 MB
 09 - Last Real Man.flac31.39 MB
 10 - I Need You.flac26.52 MB
 11 - Cry Of The Prophets.flac20.8 MB
 ChrisThomas - Cry Of The Prophets.log11.36 KB
 ChrisThomas - Cry Of The Prophets.m3u8843 bytes
 Cry of the Prophets.cue2.23 KB
 folder.jpg67.25 KB
 list.m3u840 bytes


Description



Artist: Chris Thomas King
Release: Cry Of The Prophets
Released: 1990
Label: Sire
Catalog#: 7599-261862
Format: FLAC / Lossless / Log (100%) / Cue
This CD is lossy-sourced; therefore not a transcode.
[color=blue]Country:
USA
Style:blues

01 - Angel Lady
02 - Heart And Soul
03 - Wanna Die With A Smile On My Face
04 - Help Us, Somebody
05 - Dance To The Music Till My Savior Comes
06 - I'm Gonna Make It
07 - Alpha-Omega
08 - All Nite Long
09 - Last Real Man
10 - I Need You
11 - Cry Of The Prophets

Like many second-generation musicians, Chris Thomas King came into his own while expanding on traditional musical horizons that were inherited from his father. Born and bred in the Delta tradition, King’s success as a bluesman was virtually guaranteed while he performed under the umbrella of his father’s genre, but when he embarked on artistic directions of his own, he was systematically disowned by major record labels. Unwilling to sacrifice his artistic style, he introduced hip-hop undertones and deejay-distorted electronica into his musical repertoire. Branded as a rebel with a cause, he fled to Denmark to cool his heels in the more liberal environment that flourished in Europe. Upon returning to the United States in 1994, he started his own independent record label, established himself as an actor, and won three Grammy Awards by 2003.

After his 1986 album debut, King toured Europe and Texas, then settled in Austin for four years. He signed with Hightone Records and in 1990 released a standard acoustic style album called Cry of the Prophets. This follow-up album incorporated elements not previously associated with Depression-era Delta blues—hip-hop and electronica-style deejay scratching. High-tone nixed the album under pressure from its parent company, Warner Bros., who objected to the gansta rap and hip-hop influences. King disagreed, arguing that these styles are the essence of modern blues because the sentiment is the same. Warner refused to release the recording.

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Chris Thomas King - Cry Of The Prophets [1990][EAC,log,cue. FLAC]