Connie Francis Italian Classics][Mp3][320kbs][Hectorbusinspector]

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Connie Francis Italian Classics][Mp3][320kbs][Hectorbusinspector] (Size: 191.33 MB)
 26 - Connie Francis - Senza Mama.mp39.46 MB
 25 - Connie Francis - Mama.mp39.14 MB
 24 - Connie Francis - I Have But One Heart.mp38.23 MB
 23 - Connie Francis - Roman Guitar.mp37.86 MB
 22 - Connie Francis - Just Say I Love Him.mp37.85 MB
 20 - Connie Francis - Non Dimenticar.mp37.7 MB
 20 - Connie Francis - Non Dimenticar.mp37.7 MB
 21 - Connie Francis - Summertime In Venice.mp37.69 MB
 19 - Connie Francis - Ritorna A Me.mp37.66 MB
 17 - Connie Francis - Santa Lucia.mp37.63 MB
 Pic.jpg23.11 KB
 info.txt7.35 KB
 Torrent_downloaded_from_AhaShare.com.txt59 bytes
 Torrent downloaded from 1337x.org.txt33 bytes


Description

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Biography



Connie Francis is the prototype for the female pop singer of today.

At the height of her chart popularity in the late '50s and early '60s,

Connie Francis was unique as a female recording artist, amassing record

sales equal to and surpassing those of many of her post-rock era male

contemporaries. Ultimately, she branched into other styles of

music — big band, country, ethnic, and more. She still...

...More

Connie Francis is the prototype for the female pop singer of today.

At the height of her chart popularity in the late '50s and early '

60s, Connie Francis was unique as a female recording artist,

amassing record sales equal to and surpassing those of many of

her post-rock era male contemporaries. Ultimately, she branched

into other styles of music — big band, country, ethnic, and more.

She still challenges Madonna as the biggest-selling female recording

artist of all time. Like Madonna, Concetta Rosemarie Franconero comes

from an Italian American background. Francis started her music career

at three, playing an accordion bought for her by her contractor father

George. Her father's dream was not for his daughter to become a star,

but for Francis to become independent of men as an adult with her own

accordion school of music. At age ten, she was accepted on Startime,

a New York City television show that featured talented child singers

and performers. The show had no one else who played an accordion. Its

host, legendary TV talent scout Arthur Godfrey, had difficulty

pronouncing her name and suggested something "easy and Irish,"

which turned into Francis. After three weeks on Startime , the

show's producer and Francis' would-be manager advised her to dump

the accordion and concentrate on singing. Francis performed weekly

on Startime for four years.



After being turned down by almost every record label she approached,

16-year-old Francis signed a record contract with MGM, only because

one of the songs on her demo, "Freddy," also happened to be the name

of the president's son. "Freddy" was released in June 1955 as the

singer's first single. After a series of flop singles, on October 2, 1957,

she undertook what was to be her last session for MGM. Francis had recently

accepted a pre-med scholarship to New York University and was contemplating

the end of her career as a singer. Having recorded two songs, she thanked the

technicians and musicians, hoping not to have to have to record the third song

her father had in mind, an old tune from 1923. After a false start, she sang

it in one take. When Dick Clark played "Who's Sorry Now" on American Bandstand,

he told its eight million viewers that Connie Francis was "a new girl singer

that is heading straight for the number one spot."



"Who's Sorry Now" was the first of Francis' long string of worldwide hits. By

1967, she had sold 35 million world wide, with 35 U.S. Top 40 hits, and three

number ones ("Everybody's Somebody's Fool," "My Heart Has a Mind of Its Own,"

"Don't Break the Heart That Loves You," and "Stupid Cupid" ) to her credit.

1963's "In the Summer of His Years," written as a tribute to the assassinated

John F. Kennedy, remains one of the earliest known charity records, with proceeds

donated to dependents of the policemen shot during the incident.



Francis has an affinity for languages and was one of the first pop singers to

record her songs in other languages. 1961's title song from the movie Where the

Boys Are was recorded in six languages. She starred in four (nondescript) films,

sang voice-overs in movies for actresses who could not sing, and was a guest star

on innumerable TV shows. Music critics who didn't take kindly to Francis' pop music

years were eventually won over by her versatility. Her Italian and Jewish albums

transformed Francis from a teenage idol to a mature performer at leading night spots

around the world. She also has a long history as being a composer's first choice to

interpret songs that went on to become major hits for other artists, including

"Somewhere My Love," "Strangers in the Night," "Angel in the Morning," and "When

Will the Apples Fall."



1957's "Who's Sorry Now" was going to be her final session for MGM. She ended that

relationship in 1969, choosing not to renew her contract when MGM was taken over by

Polydor. She opted instead for domestic life with her third husband. Francis didn't

return to the recording studio until 1973 when the writers of "Tie a Yellow Ribbon,"

longtime friends, wrote "The Answer" especially for Francis. In 1974, her husband

encouraged her to return to the stage, with disastrous consequences. After her third

performance, she was raped at the hotel she was staying in. Ultimately, this incident

contributed to the end of her marriage. During 1975, nasal surgery temporarily robbed

her of her voice. She was on the comeback trail in 1981 when her brother, George, was

brutally murdered. It took seven years to determine that through all of those events,

she was also a manic depressive. She finally made her return to the stage and recording

in 1989 and



Connie Francis continues to sing to sold-out audiences. She has recorded more than 70 LPs.







1 Comm'e Bella a Stagione Connie Francis 1:52



2 That's Amore Connie Francis 2:17



3 Funiculi Funicula Connie Francis 2:24



4 Torero Connie Francis 2:33



5 Toward the End of the Day Connie Francis 2:39



6 Do You Love Me Like You Kiss Me Connie Francis 2:40



7 Ciao Ciao Bambino Connie Francis 2:52



8 The Lovliest Night of the Year Connie Francis 2:53



9 Tell Me You're Mine Connie Francis 2:54



10 Nights of Splendor Connie Francis 2:57



11 There's No Tomorrow Connie Francis 2:57



12 Come Back to Sorrento Connie Francis 2:57



13 Arriverderci Roma Connie Francis 2:58



14 You Alone Connie Francis 2:58



15 Anema e Core Connie Francis 3:06



16 Guaglione Connie Francis 3:11



17 Santa Lucia Connie Francis 3:12



18 Volare Connie Francis 3:15



19 Ritorna a Me Connie Francis 3:18



20 Non Dimenticar Connie Francis 3:19



21 Summertime In Venice Connie Francis 3:19



22 Just Say I Love Him Connie Francis 3:22



23 Roman Guitar Connie Francis 3:22



24 I Have But One Heart Connie Francis 3:33



25 Mama Connie Francis 3:57



26 Senza Mama Connie Francis 4:05



Format : MPEG Audio

File size : 4.34 MiB

Duration : 1mn 53s

Overall bit rate : 320 Kbps

Album : Italian Classics

Track name : Comm'e Bella A Stagione

Track name/Position : 1

Performer : Connie Francis

Recorded date : 2009

Writing library : LAME3.98



Audio

Format : MPEG Audio

Format version : Version 1

Format profile : Layer 3

Duration : 1mn 53s

Bit rate mode : Constant

Bit rate : 320 Kbps

Channel(s) : 2 channels

Sampling rate : 44.1 KHz

Stream size : 4.34 MiB (100%)

Writing library : LAME3.98



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Connie Francis Italian Classics][Mp3][320kbs][Hectorbusinspector]

All Comments

shawaddy
The best version of 'Mama' ever produced Thanks a lot Thanks a lot hectorbusinspector