Craig Clevenger_The Contortionist's Handbook + Dermaphobia (Psychological; Thrillers)

Craig Clevenger is an American author of contemporary fiction. Born 1964 in Dallas, Texas, he grew up in Southern California where he studied English at California State University, Long Beach. He is the author of two novels, The Contortionist's Handbook and Dermaphoria, both released by MacAdam/Cage. His work has been classified by some as neo-noir and has received praise from such authors as Chuck Palahniuk and Irvine Welsh.

Clevenger lists among his influences Jim Thompson, James M. Cain, Edgar Allan Poe, Richard Matheson, Italo Calvino, Kōbō Abe, Steve Erickson, Mark Danielewski, Will Christopher Baer, Seth Morgan, James Ellroy, Michael Hogan, John O'Brien, Michael Ventura and Rupert Thomson.

Having recently left San Francisco, Clevenger has completed work on a third novel, Mother Howl, based on his short story The Fade.



Clevenger's second novel (after 2002's The Contortionist's Handbook) opens with a classic grabber: an amnesiac man awakes in jail with a woman's name—Desiree—on his lips. Prodded by a pushy police detective, that man (his name is Eric Ashworth, he's told) must sift through the contents of his drug-addled brain to explain his only memory: "A ball of fire rising from a flaming house. Nails melting like slivers of silent wax. Beams and shingles collapsing into a pile of burning dust...." Released on bail, Eric checks into a flophouse and attempts to separate his ongoing drug hallucinations from reality. To aid him in this quest he turns to the doubtful promise of yet another drug, a powerful hallucinogen known on the street as Skin, Cradle or Derma. Eric's trip toward understanding, as well as the reader's, twists through exotic visions that may or not be real. It's a long, painful process, but eventually Eric puts it all together and learns who he is—and the terrible thing that he's done. This is a sometimes brilliant, heavily stylized novel whose psychedelic prose and labyrinthine story line will enthrall some readers and enrage others. At one point Clevenger counsels both Eric and the reader: "Anything is possible and nothing is possible. They're the same thing." Yes, that's it exactly. (Oct.)
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Review

Gloriously shifty puzzle-fiction whose resolution is much less important than the kaleidoscopic journey towards it. --Kirkus Reviews

A sometimes brilliant, heavily stylized novel whose psychedelic prose and labyrinthine story line will enthrall. --Publishers Weekly

Dermaphoria advances Clevenger's dark art, powerfully evoking the paranoia of a man attempting to reconstruct his life. --San Francisco magazine



Clevenger's debut novel is a well-crafted but underplotted character study of a brilliant, damaged man who struggles with mental illness and substance abuse as he bounces in and out of prison and a series of hospitals around Los Angeles. Most of the novel takes place in the latter setting; some tense early scenes pit protagonist John Dolan Vincent against a psychiatrist known as "The Evaluator," who probes Vincent's psyche to see if his recent overdose of muscle relaxants was really a botched attempt to cure his migraine, as Vincent claims, or a suicide attempt. The twist is that Vincent has checked into the hospital under an assumed name; after each of his previous overdoses he has changed his identity to avoid being placed in a mental hospital. The psychiatric interview provides a decent vehicle for telling the story of Vincent's difficult family life and his decision to use his mathematical talent to assist a murky criminal network. The trouble is that Clevenger has little to offer to push his story forward besides Vincent's efforts to protect Keadra, the woman he falls in love with during a hospital stint, from the thugs who are trying to track him down. Clevenger is a solid writer who does some good work when it comes to creating a noirish atmosphere and smart, compelling characters, but the pace is uneven at best. The quality of the writing warrants a follow-up effort; hopefully, Clevenger will know what to do with his characters the next time around.
Copyright 2002 Reed Business Information, Inc.

From Booklist

John Vincent was born with an extra ring finger on one hand. To his constantly broke, jail-bound father, this was just something John had to live with. After years of ridicule by other children, his father gave him a magic book through which he learned some slight-of-hand tricks that helped him conceal his disfigurement from others. That, together with a sharp mind and a knack for replicating signatures and official documents, started John on a path of petty crime. Then he started getting inexplicable and untreatable migraines, which led to a history of drug abuse. As John started going in and out of hospitals for drug overdoses, he deftly learned how to change identities. This life of identity theft, drugs, and crime continues in a downward spiral, until he falls in love and meets his match. He starts to question his own identity, after rejecting it for so long, which eventually leads to some redemption. Clevenger cleverly creates a modern-day Mr. Ripley. Michael Spinella
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