Discovery - LP [2009] [Album] KompletlyWyred DHZ Inc Release

Discovery - LP [2009] [Album] KompletlyWyred DHZ Inc Release





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Discovery - LP

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Artist...............: Discovery

Album................: LP

Genre................:

Source...............: NMR

Year.................:

Ripper...............: NMR

Codec................: FhG

Version..............: MPEG 1 Layer III

Quality..............: CBR 192, (avg. bitrate: 192kbps)

Channels.............: Stereo / 44100 hz

Tags.................: , ID3 v2.2

Information..........:



Ripped by............: NMR

Posted by............: KompletlyWyred.com DHZ Inc on 13/06/2009

News Server..........:

News Group(s)........:



Included.............: NFO, PLS





Release date: 6-7-2009

Format: CD

Number of Discs: 1





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Tracklisting

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1. (00:03:16) Discovery - Orange Shirt

2. (00:03:47) Discovery - Osaka Loop Line

3. (00:02:08) Discovery - Can You Discover?

4. (00:02:25) Discovery - I Wanna Be Your Boyfriend (ft. Angel Deradoorian)

5. (00:02:58) Discovery - So Insane

6. (00:02:24) Discovery - Swing Tree

7. (00:02:53) Discovery - Carby (ft. Ezra Koenig)

8. (00:03:12) Discovery - I Want You Back

9. (00:02:19) Discovery - It's Not My Fault (It's My Fault)

10. (00:02:13) Discovery - Slang Tang



Playing Time.........: 00:27:37

Total Size...........: 44.52 MB



NFO generated on.....: 13/06/2009 15:53:43



Release Notes:



Fans of bookish, polo-shirt'd, sea-breezed Ivy League indie-pop, get

ready to get your party on. Or, um, something like that. It's time to

discover Discovery. That's the side project of Vampire Weekend's

keyboardist/arranger/producer type, Rostam Batmanglij, and Ra Ra Riot

frontman Wes Miles. Where their main bands 'whose respective debut

discs, Vampire Weekend and The Rhumb Line, were two of 2008's best

albums' play preppy, jangling, twee tunes, Discovery do something

distinctly different.



Taking inspiration from the chromed-out gleam of modern R&B production,

Batmanglij takes charge of sinuous keyboards, boinging beats, and

massive synth crashes; approximating disposable pop fodder with an

expert ear. Miles ¿who normally spends his lyrical time making

bibliophilic connections to e.e. cummings and Virginia Woolf¿ sings

simple refrains in a near-falsetto that's pitched even higher by the

obligatory autotune. It's brightly-colored, saturated-sounding,

fluttery electro fluff that's stylistic lightyears away from Upper West

Side Soweto.





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