Elina Garanca-Mozart Opera & Concert Arias (Opera Classical Vocal) @320seeders: 5
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Elina Garanca-Mozart Opera & Concert Arias (Opera Classical Vocal) @320 (Size: 142.52 MB)
Description Album: Elina Garanca-Mozart Opera & Concert Arias Release: 2005 Genre: Classical, Vocal Quality: MP3 Bitrate: 320 Kbps Time: 62:14 Min Size: 142 MB Tracklist: 1 Chi sà, chi sà, Qual sia K582 2 La clemenza di Tito, Act One: No. 2 Aria: Deh, se piacer mi vuoi (Vitellia) 3 Basta, vincesti ... Ah, non lasciarmi K486a/K295a 4 La finta giardiniera: Va pure as altri (Ramiro) 5 Alma grande e nobil core K578 6 Misero me!... Misero pargoletto K. 77 7 La finta giardiniera: Se l'augellin sen fugge (Ramiro) 8 Così fan tutte, Act One: No. 11 Aria: Smanie implacabili che m'agitate (Dorabella) 9 Ch'io mi scordi di te...Non temer, amato bene K505 10 Così fan tutte K588: Act I: Temerari! ... Come scoglio (Fiordiligi) The young Latvian mezzo Elina Garanca makes her recital debut on the label with a delightful programme of Mozart arias, interweaving five of Mozart’s brilliant and demanding concert arias, including the supremely taxing ‘Ch’io mi scordi di te’ with extracts from La finta giardiniera, La clemenza di Tito and Così fan tutte. Well-known for her engaging stage performances as Dorabella Elina has chosen also to include Fiordiligi’s dazzling ‘Come scoglio’. Elina Garanca is a relatively new entrant in the mezzo-soprano sweepstakes, but it is already apparent that her career is on a fast upward trajectory. (She has already recorded Adalgisa opposite Edita Gruberova, a set that is, alas, all but unlistenable except for her contribution.) The young mezzo, from Riga, Latvia (the country of origin of the great Hermann Jadlowker), is uncommonly pretty, possessing what appear to be the deepest blue eyes imaginable. But that Garanca is not just another pretty face is indicated by this Mozart recital, in which she not only sings Dorabella’s mezzo range “Smanie implacabili,” but also Fiordiligi’s brutally difficult soprano aria, “Come scoglio!” Ms. Garanca brings off this perfecta to perfection, negotiating all the fearsome runs and trills with aplomb. In an age of ubiquitous cookie-cutter vocalizing and generic, dull interpretations, Elina Garanca delights and surprises the listener by utilizing her rich, plummy tones with an unusually wide dynamic range (a hundred years ago singers like Ernestine Schumann-Heink and Louise Homer routinely sang this way). Soft, delicately held high notes, whispered passages, feathery trills, and, when needed, powerful dramatic emphasis are all arrows in her quiver to be used in this sublime music as she deems fit. A student of Virginia Zeani, Ms. Garanca has learned her vocal art very well. FANFARE: James Camner  And many similar posts in H33T & KAT, all active and seedeed. http://kickasstorrents.ee/user/radio957/uploads/ http://h33t.to/member/radio+957 DONT BE SEL  SEED FOR YOUR FRIENDS! Sharing Widget |