Emerson Lake & Palmer - Love Beach (2014) Victor Entertainment Japan VICP78038 FLAC Beolab1700

Emerson Lake & Palmer - Love Beach (2014) Victor Entertainment Japan VICP78038 FLAC Beolab1700

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Emerson Lake & Palmer - 1978 Love Beach (7" Mini LP PT-SHM K2HD Victor Japan 2014)
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Artist...............: Emerson Lake & Palmer
Album................: 1978 Love Beach (7" Mini LP PT-SHM K2HD Victor Japan 2014)
Genre................: Rock
Source...............: CD
Year.................: 2015
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: CD IMAGE - LOG - CUE - SCANS

Posted by............: Beolab1700 on 11/03/2015

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Tracklisting
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01. All I Want Is You 02:35
02. Love Beach 02:46
03. Taste Of My Love 03:33
04. The Gambler 03:23
05. For You 04:28
06. Canario (From Fantasia Para Un Gentilhombre) 04:00
07. Memoirs Of An Officer And A Gentleman 20:20
a) Prologue / The Education Of A Gentleman
b) Love At First Sight
c) Letters From The Front
d) Honourable Company (A March)

Bonus Tracks:
08. Canario (Rehearsal 1978) 04:38
09. Taste Of My Love (Rehearsal 1978) 03:01
10. Letters From The Front (Rehearsal 1978) 08:54


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Love Beach is the seventh studio album by English progressive rock group Emerson, Lake & Palmer, released in 1978. It was the band's final album of original material until Black Moon (1992) and was produced to satisfy contractual obligations with the group's record company. It was a critical and commercial disappointment, charting at #55 on the Billboard 200, although it did eventually go gold.[1] The group was reportedly not satisfied with the album; drummer Carl Palmer even compared the cover photograph to the works of disco stars the Bee Gees.

Original pressings of Love Beach carried no producer's credit, but production and mixing of the album were largely carried out by Keith Emerson following contentious recording sessions in the Bahamas. According to Emerson, "everybody but me wanted to get the hell out of Nassau ... in the end I stuck the whole album together ... and sent it off to Atlantic". Wiki.

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