Faithless - Sunday 8PM/Saturday 3AM - 1999 (eac-flac) [rykker]

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Faithless - Sunday 8PM/Saturday 3AM - 1999 (eac-flac) [rykker] (Size: 725 MB)
 Faithless - Sunday 8pm.jpg28.81 KB
 12. God Is a DJ (radio edit).flac25.78 MB
 11. Hour of Need.flac29.06 MB
 Faithless - Sunday 8pm.log14.03 KB
 Faithless - Sunday 8pm.m3u796 bytes
 01. The Garden.flac25.43 MB
 GardenSpectro.png203.83 KB
 10. Killer's Lullaby.flac39.84 MB
 Sunday 8pm.cue1.96 KB
 04. Take The Long Way Home.flac47.92 MB
 Faithless - Saturday 3AM.log12.55 KB
 10. Why Go (radio mix).flac24.36 MB
 Faithless - Saturday 3AM.jpg8.9 KB
 Saturday 3 AM.cue2.14 KB
 09. Thank You.flac61.25 MB
 GardenSpectro.png186.47 KB
 Faithless - Saturday 3AM.m3u957 bytes
 05. Sunday 8pm (A Time for Lovin' mix).flac23.34 MB
 02. Killer's Lullaby (Nightmares on Wax mix).flac27.49 MB
 01. The Garden (End of Summer Intro).flac7.56 MB
 Faithless - Sunday 8PM Full Album.m3u2.15 KB


Description

Faithless - Sunday 8PM + Saturday 3AM - 1999
FLAC+LOG+CUE


TRACKLIST

Sunday 8PM

"The Garden" – 4:27
"Bring My Family Back" (Feat. Rachael Brown) – 6:22
"Hour Of Need" (Feat. Jamie Catto & Rachael Brown) – 4:36
"Postcards" (Feat. Dido) – 4:01
"Take The Long Way Home" – 7:13
"Why Go?" (Feat. Boy George) – 3:57
"She's My Baby" (Feat. Rachael Brown & Pauline Taylor) – 5:48
"God Is a DJ" – 8:01
"Hem Of His Garment" (Feat. Dido & Pauline Taylor) – 4:07
"Sunday 8PM" – 2:42
"Killer's Lullaby" – 6:10

Saturday 3AM
"The Garden (End of Summer Intro by Venom & Hempolics)" – 1:30
"Killer's Lullaby (Nightmares on Wax Mix)" – 5:24
"Take The Long Way Home (End of the Road Mix by Jan Driver & The Timewriter)" – 6:32
"Bring My Family Back (Paul van Dyk Mix)" (Feat. Rachael Brown) – 7:17
"Sunday 8PM (A Time For Lovin' Mix)" (by Rollo & Sister Bliss) – 4:08
"Hour Of Need (Skinny Mix by Matt Benbrook)" (Feat. Jamie Catto & Rachael Brown) – 3:47
"Postcards (Rewritten Mix by Rollo & Sister Bliss)" (Feat. Dido) – 3:32
"God Is A DJ (Yes He Is)" (by Jason Howes, Rollo & Sister Bliss) – 8:38
"Thank You" – 9:28
"Why Go? (Radio Mix by Rollo & Sister Bliss)" (Feat. Boy George) – 3:49

Year: 1999
Running Time: 115:12 (disc 1 - 60:51) (disc 2 - 54:11)


(review by NME)
Faithless shouldn't work. A dreamy aggregation of black and white, boy and girl, house and hip-hop, songs and grooves; a mad mish-mash of ideas and influences that ought to result only in records for post-This Life young professionals.

But no. Faithless are London's Massive Attack: a DJ-centric collective who incorporate the many elements of the capital's club musics into a living, breathing whole. The main difference is that while Massive rely heavily on Bristol's dub and reggae scenes for their musical base, Faithless tap into the euphoric, quasi-religious highs of house.

Faithless went from faceless dance bods to worldwide stars courtesy of the '97 hit 'Insomnia' and million-selling debut LP 'Reverence'. That record - the sound of different voices struggling to speak as one, which worked only sporadically, but on those occasions quite brilliantly - earned the band a big enough audience to spend the next year touring the globe. 'Sunday 8pm', a stronger and less scattershot album, is the document of those times.

The record slips easily from up-tempo spirituals (the Top Ten hit 'God Is A DJ') through downbeat reflections ('Why Go?', co-written with and featuring Boy George) and folksy flourishes ('Hem Of His Garment'). This is largely due to the unifying presence of rapper Maxi Jazz, who emerges here as a songwriter of rare poetical insight. 'Postcards' incorporates snatches of Erik Satie to accompany his brief missives home to Mrs Jazz from an American tour, and is well-observed, funny and poignant. 'Bring My Family Back' casts Maxi as a confused child, a depressed father and finally a crack house looking back to better days. 'Take The Long Way Home' taps into those unsettling paranoid late-night moments, and 'Killer's Lullaby' provides a disturbing signing-off.

There are times where their cheek and eclecticism get the better of them - 'Hour Of Need''s take on Beck's 'Odelay' template is too blatant, and a particularly unpleasant metaphor for female genitalia does needless damage to 'She's My Baby'. Otherwise 'Sunday 8pm' proves that Faithless have become one of Britain's better and more important bands. A reason to believe, in fact. (NME)




Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 14. October 2015, 7:35

Faithless / Sunday 8pm

Used drive  : TSSTcorpCDDVDW SU-208FB   Adapter: 1  ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache  : Yes
Make use of C2 pointers : No

Read offset correction   : 6
Overread into Lead-In and Lead-Out  : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations  : Yes
Used interface   : Native Win32 interface for Win NT & 2000
Gap handling    : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate   : 768 kBit/s
Quality    : High
Add ID3 tag   : No



Format    : FLAC
Format/Info : Free Lossless Audio Codec
Duration     : 4mn 26s
Bit rate mode    : Variable
Bit rate    : 798 Kbps
Channel(s)    : 2 channels
Sampling rate      : 44.1 KHz
Bit depth  : 16 bits
Stream size    : 25.4 MiB (100%)
Writing library   : libFLAC 1.3.1 (UTC 2014-11-25)


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Faithless - Sunday 8PM/Saturday 3AM - 1999 (eac-flac) [rykker]