Free - Free (2014) Universal Music Japan UICY-40086 FLAC Beolab1700

Free - Free (2014) Universal Music Japan UICY-40086 FLAC Beolab1700







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Free - Free (1969) [2014, Universal Music Japan, UICY-40086]

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Artist...............: Free

Album................: Free

Genre................: Indie

Source...............: CD

Year.................: 2014

Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520

Codec................: Free Lossless Audio Codec (FLAC)

Version..............: reference libFLAC 1.3.0 20130526

Quality..............: Lossless, (avg. compression: 53 %)

Channels.............: Stereo / 44100 HZ / 16 Bit

Information..........: CD IMAGE - LOG - CUE - SCANS



Posted by............: Beolab1700 on 15/09/2014



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Tracklisting

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01. I'll Be Creepin' 03:31

02. Songs Of Yesterday 03:37

03. Living In The Sunshine 03:58

04. Trouble On Double Time 03:27

05. Mouthful Of Grass 03:39

06. Woman 03:53

07. Free Me 05:27

08. Broad Daylight 03:19

09. Mourning Sad Morning 05:13



Bonus Tracks:



10. Broad Daylight (Single Version / Mono Mix) 03;11

11. The Worm (Single Version / Mono Mix) 03:06

12. I'll Be Creepin' (Single Version / Mono Mix) 02:50

13. Sugar For Mr Morrison (Single Version / Mono Mix) 03:02





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Free's second album was recorded with the band itself in considerable turmoil as principle songwriters Paul Rodgers and Andy Fraser demanded strict discipline from their bandmates, and guitarist Paul Kossoff, in particular, equally demanded the spontaneity and freedom that had characterized the group's debut. It was an awkward period that saw both Kossoff and drummer Simon Kirke come close to quitting, and only the intervention of label chief Chris Blackwell seems to have prevented it. Few of these tensions are evident on the finished album -- tribute, again, to Blackwell's powers of diplomacy. He replaced original producer Guy Stevens early into the sessions and, having reminded both warring parties where the band's strengths lie, proceeded to coax out an album that stands alongside its predecessor as a benchmark of British blues at the turn of the 1960s.



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