Grateful Dead – 1970 - Workingman’s Dead (2014 MFSL SACD) [FLAC@88.2khz24bit]

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Added on June 23, 2016 by miok2cupin Music > Lossless
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Grateful Dead – 1970 - Workingman’s Dead (2014 MFSL SACD) [FLAC@88.2khz24bit] (Size: 675.14 MB)
 01 - Uncle John's Band.flac89.17 MB
 02 - High Time.flac93.68 MB
 03 - Dire Wolf.flac58.78 MB
 04 - New Speedway Boogie.flac76.09 MB
 05 - Cumberland Blues.flac63.15 MB
 06 - Black Peter.flac102.39 MB
 07 - Easy Wind.flac92.94 MB
 08 - Casey Jones.flac87.02 MB
 folder.jpg207.57 KB
 Grateful Dead – 1970 - Workingman’s Dead (2014 MFSL SACD) [FLAC@88.2khz24bit].txt6.61 KB
 Back.jpg1.18 MB
 Front.jpg1.12 MB
 Gatefold Inside.jpg2.58 MB
 Gatefold Outside.jpg2.23 MB
 Insert In.jpg1.94 MB
 Insert Out.jpg1.99 MB
 SACD.jpg548.77 KB
 foo_dr.txt1.21 KB
 Lossless Audio Checker.html123.76 KB
 Lossless Audio Checker.log1.47 KB


Description

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Grateful Dead – 1970 - Workingman’s Dead

(2014 MFSL SACD) [FLAC@88.2khz24bit]



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Grateful Dead

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Wikipedia:
The Grateful Dead was an American rock band formed in 1965 in Palo Alto, California. Ranging from quintet to septet, the band is known for its unique and eclectic style, which fused elements of country, folk, bluegrass, blues, reggae, rock, improvisational jazz, psychedelia, and space rock, for live performances of lengthy instrumental jams, and for their devoted fan base, known as "Deadheads". "Their music," writes Lenny Kaye, "touches on ground that most other groups don't even know exists." These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world". The band was ranked 57th by Rolling Stone magazine in its The Greatest Artists of all Time issue. The band was inducted into the Rock and Roll Hall of Fame in 1994 and their Barton Hall Concert at Cornell University (May 8, 1977) was added to the National Recording Registry of the Library of Congress. The Grateful Dead have sold more than 35 million albums worldwide.
The Grateful Dead was founded in the San Francisco Bay Area amid the rise of the counterculture of the 1960s The founding members were Jerry Garcia (guitar, vocals), Bob Weir (guitar, vocals), Ron "Pigpen" McKernan (keyboards, harmonica, vocals), Phil Lesh (bass, vocals), and Bill Kreutzmann (drums). Members of the Grateful Dead had played together in various San Francisco bands, including Mother McCree's Uptown Jug Champions and the Warlocks. Lesh was the last member to join the Warlocks before they became the Grateful Dead; he replaced Dana Morgan Jr., who had played bass for a few gigs. Drummer Mickey Hart and nonperforming lyricist Robert Hunter joined in 1967. With the exception of McKernan, who died in 1973, and Hart, who took time off from 1971 to 1974, the core of the band stayed together for its entire 30-year history. The other official members of the band are Tom Constanten (keyboards 1968–1970), Keith Godchaux (keyboards 1971–1979), Donna Godchaux (vocals 1972–1979), Brent Mydland (keyboards, vocals 1979–1990), and Vince Welnick (keyboards, vocals 1990–1995). Pianist Bruce Hornsby was a touring member from 1990 to 1992, as well as guesting with the band on occasion before and after. The band and its fans—Deadheads—are closely associated with the hippie movement and were seen as an American cultural institution for many years. Former members of the Grateful Dead, along with other musicians, toured as the Dead in 2003, 2004, and 2009 after touring as the Other Ones in 1998, 2000, and 2002. There are many contemporary incarnations of the Dead, with the most prominent touring acts being Furthur, Phil Lesh & Friends, RatDog, and the Rhythm Devils with drummers Hart and Kreutzmann. The group performed together again in 2015, with Trey Anastasio of Phish, to mark their fiftieth anniversary, in what the band announced would be their final concerts.




Workingman’s Dead (2014 MFSL SACD)


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Artist: Grateful Dead
Title: Workingman’s Dead
Format: SACD, Hybrid, Album, Limited Edition, Numbered, Reissue, Remastered
Producer: Bob Matthews, Betty Cantor, Grateful Dead
Release Date: June 14, 1970, (MFSL SACD 2014)
Recorded: February 1970 at Pacific High Recording, San Francisco
SACD Mastering: Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA.
Label: Mobile Fidelity Sound Lab
Catalog: UDSACD 2137
Barcode: 8 21797 21376 9
ASIN: B00Q583A5S
Genre: Rock, Classic Rock, Folk Rock, Country Rock
Duration: 36:01

Wikipedia:
Workingman's Dead is the fourth Grateful Dead studio album. It was recorded in February 1970 and originally released on June 14, 1970. The album and its studio follow-up, American Beauty, were recorded back-to-back using a similar style, eschewing the psychedelic experimentation of previous albums and focusing on Americana-styled songcraft. In 2003, the album was ranked number 262 on Rolling Stone magazine's list of the 500 greatest albums of all time. The album was voted by readers of Rolling Stone as the best album of 1970, in front of Crosby, Stills, Nash and Young's Déjà Vu and Van Morrison's Moondance.

AllMusic Review by Fred Thomas:
As the '60s drew to a close, it was a heavy time for the quickly crumbling hippie movement that had reached its apex just a few years earlier in 1967’s Summer of Love. Death and violence were pervasive in the form of the Manson murders, fatalities at the Altamont concert, and the ongoing loss of young lives in Vietnam despite the best efforts of anti-war activists and peace-seeking protesters. Difficult times were also upon the Grateful Dead, unofficial house band of San Francisco’s Summer of Love festivities and outspoken advocates of psychedelic experimentation both musical and chemical. The excessive studio experimentation that resulted in their trippy but disorienting third album, Aoxomoxoa, had left the band in considerable debt to their record label, and their stress wasn't helped at all by a drug bust that had members of the band facing jail time. The rough road the Dead were traveling down seemed congruent with the hard changes faced by the youth counterculture that birthed them. Fourth studio album Workingman's Dead reflects both the looming darkness of its time, and the endless hope and openness to possibility that would become emblematic of the Dead as their legacy grew. For a group already established as exploratory free-form rockers of the highest acclaim, Workingman’s Dead's eight tunes threw off almost all improvisatory tendencies in favor of spare, thoughtful looks at folk, country, and American roots music with more subdued sounds than the band had managed up until then. The songs also focused more than ever before on singing and vocal harmonies, influenced in no small way by a growing friendship with Crosby, Stills, Nash & Young. The band embraced complex vocal arrangements with campfire-suited folk on "Uncle John's Band" and the psychedelic cowboy blues of “High Time.”



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01. Uncle John’s Band - 4:42
02. High Time - 5:13
03. Dire Wolf - 3:13
04. New Speedway Boogie - 4:05
05. Cumberland Blues - 3:15
06. Black Peter - 5:42
07. Easy Wind - 4:59
08. Casey Jones - 4:24



Personnel:

Grateful Dead:

Jerry Garcia – lead guitar, pedal steel guitar, banjo, vocals, lead vocals on all songs except where noted
Bob Weir – guitar, vocals, co-lead vocals on "Cumberland Blues"
Pigpen (Ron McKernan) – keyboards, harmonica, vocals, lead vocals on "Easy Wind"
Phil Lesh – bass, vocals
Bill Kreutzmann – drums, percussion
Mickey Hart – drums, percussion

Additional Musicians:

David Nelson – acoustic guitar on "Cumberland Blues"



Note:
This is not my rip
My thanks to the original uploader



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Grateful Dead – 1970 - Workingman’s Dead (2014 MFSL SACD) [FLAC@88.2khz24bit]

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excellent thanks
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