Harry Potter The Ultimate (1-8) and The Lord of the Rings Ultimate (1-3) and The Hobbit Ultimate (1-3) Soundtrack Collectionseeders: 0
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Harry Potter The Ultimate (1-8) and The Lord of the Rings Ultimate (1-3) and The Hobbit Ultimate (1-3) Soundtrack Collection (Size: 2.08 GB)
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[big]0 HARRY POTTER Music of the Harry Potter films The music of the Harry Potter film series was recorded and released in conjunction with the post-production and releases of each of the eight corresponding films. Harry Potter and the Philosopher's Stone (2001), composed and conducted by John Williams (1) and orchestrated by Conrad Pope and Eddie Karam Harry Potter and the Chamber of Secrets (2002), composed by John Williams (2), adapted and conducted by William Ross, and orchestrated by Conrad Pope and Eddie Karam Harry Potter and the Prisoner of Azkaban (2004), composed and conducted by John Williams (3) and orchestrated by Conrad Pope and Eddie Karam Harry Potter and the Goblet of Fire (2005), composed by Patrick Doyle Harry Potter and the Order of the Phoenix (2007), composed by Nicholas Hooper (1) Harry Potter and the Half-Blood Prince (2009), composed by Nicholas Hooper (2) Harry Potter and the Deathly Hallows − Part 1 (2010), composed and conducted by Alexandre Desplat (1), and orchestrated by Conrad Pope Harry Potter and the Deathly Hallows − Part 2 (2011), composed and conducted by Alexandre Desplat (2), and orchestrated by Conrad Pope[1][2] Other musicians associated with the film soundtracks include Jarvis Cocker, The Ordinary Boys and Nick Cave and the Bad Seeds. Musicians associated with the Harry Potter video game soundtracks include Jeremy Soule and James Hannigan. Throughout the series, each composer manages to create new themes for certain characters, items, locations, and ideas.  Principal leitmotifs First appearance in The Philosopher's Stone Hedwig's theme: The franchise's main theme. Harry's Wonderous World: A Suite that appears at the End Credits for the first, second, and eighth films of the series. The Quidditch Match: A sweeping theme that represents the Wizarding World's most popular sport. Diagon Alley: A theme to represent one of the most important locations in the Harry Potter series. Hogwarts Themes: Two themes to represent the main setting of the series. It prominently appears in the track "Leaving Hogwarts". Voldemort: Two themes that represent the franchise's main antagonist. Prominently appear in "The Face of Voldemort." Flying Theme: A face-paced theme, most heard in "Mr. Longbottom Flies" Friendship theme: A motif to represent the relationship between Harry, Ron, and Hermione. First appearance in The Chamber of Secrets Gilderoy Lockhart: A quirky theme to represent the cockiness and absurdity of the character of Gilderoy Lockhart. Fawkes the Phoenix: A theme to represent Dumbledore's most precious pet. It prominently appears during the film's finale. The Chamber of Secrets: A dark brooding theme that represents that title location. Dobby the House Elf: A whimsical theme to represent one of the film's main characters, Dobby. It is often compared to the middle part of Yoda's Theme from The Empire Strikes Back, also composed by Williams. Moaning Myrtle: A theme that represents one of the first victims in the Chamber of Secrets. The Spiders: A dark theme that represents the army of spiders in the dark forest. First appearance in The Prisoner of Azkaban A Window to the Past: The main theme of the film that represents the past, as well as Harry's parents. Double Trouble: The film's second main theme. Forward to Time Past: A theme representing Hermione's time turner. Buckbeak's flight: A theme for Hagrid's hypogriff. It plays when Harry flies over Hogwarts on Buckbeak. Hagrid the Professor: A theme for Hagrid. The Dementors Converge: A theme for the Dementors. The Knight Bus: A jazz-inspired theme for the Knight Bus. The Patronus Light: The Patronus theme. Finale: Sirus Black's Theme. First appearance in The Goblet of Fire The Quidditch World Cup: A theme for the biggest sports event in the Wizarding world. It is inspired by an Irish jig. The Dark Mark: A theme for Barty Crouch, Jr and the Death Eaters. Foreign Visitors Arrive: A theme for rival schools in the Tri-Wizard Tournament. Rita Skeeter's Theme: A motif that represents the slimy reporter. Neville's Waltz: A theme that represents love at Hogwarts. Harry in Winter: A theme for Harry, Cho, and their feelings for each other. Voldemort: A major theme for the return of the Darkest wizard of all-time. Death of Cedric: An emotional theme that represents lost love ones. First appearance in The Order of the Phoenix Fireworks: A theme that represents Fred and George Weasley. It also appears in the End Credits for the sixth film in the series. Professor Umbridge: A theme that represents the film's main antagonist. It also represents Umbridge's conniving, controlling, and creepy nature. Possession: A theme that represents Voldemort invading Harry's mind. Dumbledore's Army: A theme that represents the group that plans to rebel against Umbridge and Voldemort. It appears when Harry, Hermione, and the four Weasley siblings are discussing their plans, when the group practices their Patronus charms, and in the film's End Credits. Flight of the Order of the Phoenix: A theme that represents the title team. The Ministry of Magic: A quirky theme that plays when Arthur Weasley and Harry first enter the Ministry of Magic. Darkness Takes Over: A theme for Voldemort. The Kiss: A love theme for Harry and Cho. An excerpt of this song appears in the track "A New Beginning" from Harry Potter and the Deathly Hallows: Part 2. The Hall of Prophecies: A battle theme. Loved Ones and Leaving: A theme to represent the friendship of the film's main characters. First appearance in The Half-Blood Prince The Half Blood Prince Theme: A slow melancholy theme that represents the title character, later revealed to be Severus Snape. It appears in the film's Opening scene and in the Tale of the Prince scene in the Deathly Hallows: Part 2. In Noctem: A theme for Albus Dumbledore. It was slated to appear when he dies, but for unknown reasons doesn't make it in the final cut. Ginny's Theme: A theme for Harry's main love interest. Wizard Wheezes: A theme for the joke shop owned by Fred and George Weasley. However, it didn't make the final cut. Snape and the Unbreakble Vow: A dark theme that represents Snape's promise to Narcissa Malfoy. Living Death: A theme for Felix Felicius. Ron's Victory: A theme that represents Ron Weasley and his Quidditch match. Hermione's Theme: A theme that represents Hermione Granger and her love for Ron Weasley. It appears in the track "Harry & Hermione". Malfoy's Mission: A theme for Draco Malfoy. Into the Rushes: A theme for the Death Eaters. When Ginny Kissed Harry: A love theme for Harry Potter and Ginny Weasley. Slughorn's Confession: A theme that represents Horace Slughorn and plays when he confesses his true motives to Harry. The Friends: A theme that represents the friendship between Harry, Ron, and Hermione. It also represents the uncertainty of their future. Aram Poghosyan First appearance in The Deathly Hallows: Part 1 Obliviate: A theme that represents the loss of innocence of the Trio. It is also known as "The Trio Theme" or the film's main theme. Snape to Malfoy Manor: The Malfoy Manor theme. Sky Battle: Action theme that plays during the "Battle of Litte Winging". At the Burrow: A theme that represents that Weasley's home. Harry and Ginny: A love theme. Death Eaters: A theme for Lord Voldemort and his followers. The Will: A theme for Albus Dumbledore and his legacy. Dobby's theme: Another theme for the character. This one is more dark than Williams' theme. Ministry of Magic: A theme that represents the corruption of the Ministry. The Locket theme: A theme to represent Salazar Slytherin's locket. Bathilda Bagshot's theme: A motif to represent her creepy and myserious nature. The Deathly Hallows' theme: A theme for Voldemort's horcruxes. Lovegood: A theme for Luna Lovegood and her father Xenophilius. Bellatrix's Theme: A theme that represents her heartless and dark nature. First appearance in The Deathly Hallows: Part 2 Lily's Theme: The film's main theme. Gringots: A theme that represents the bank. Neville's Theme: A soft theme that represents Neville Longbottom. It also represents Neville's friendship with Harry. Statues: The film's main battle theme. Battlefield: A variation of the "Statues" theme. The Grey Lady: A theme for Helena Ravenclaw. The Diadem: A theme for Rowena Ravenclaw's most prized procession. Broomsticks and Fire: The flying and running battle theme. Courtyard Apocalypse: Another Battle theme. Severus and Lily: A theme to represent their old friendship. Neville the Hero: Another theme for Neville. This one represents his transition into a hero. 1 THE LORD OF THE RINGS Music of The Lord of the Rings film series The music of The Lord of the Rings film series was composed, orchestrated, conducted and produced by Howard Shore. Shore wrote many hours of music for The Lord of the Rings, 10 hours of which have been released in the Complete Recordings CD/DVD boxed sets. Additional music, including alternate and unused compositions, was released with the book The Music of the Lord of the Rings films in 2010. Shore composed the music in an emotional, operatic way, threading through the scores over 90 identified leitmotifs, which are categorized by the Middle-earth cultures to which they relate.[1] Shore began his work on the music for The Fellowship of the Ring in late 2000 and recorded the first pieces of music (the Moria sequence) in spring of 2001. Additional music for the extended DVD version was recorded in March 2002. A similar pattern was followed for The Two Towers and The Return of the King, with the final sessions taking place in Watford on March 20, 2004. The music was performed primarily by the London Philharmonic Orchestra and the London Voices, with the New Zealand Symphony Orchestra contributing some of the early Moria music. A wide variety of instrumental and vocal soloists, including members of the films' cast, contributed to the scores as well. The scores for The Fellowship of the Ring and The Return of the King won Academy Awards in 2002 and 2004. The latter film also won an Oscar statuette for Best Song, as well as the Golden Globe Award for Best Original Score and Best Original Song. Shore's music for The Lord of the Rings has become the most successful composition of his career and one of the most popular motion picture scores in history.  Principal leitmotifs First appearance in The Fellowship of the Ring "The History of the Ring": a minor-key string melody plays over the Lord of the Rings title card for all three films. Shore hints in the production commentary for the film that it is a theme pertaining, in fact, to Gondor. "The Seduction of the Ring": sung by the boy choir "The Shire and the Hobbits", also known as "Concerning Hobbits": the theme for the Shire. On the soundtrack, it starts with a solo tin whistle, followed by a solo fiddle and then the complete orchestra repeating the same phrase. The track then quietens down and the solo tin whistle plays a second melody, again followed by the orchestra. The track ends with the violin and then the tin whistle repeating the first theme. There are four settings: "The Rural Setting": usually heard only in the Shire "The Pensive Setting": a reflective version of the theme "The Hymn Setting": first heard when Frodo and Sam set out "A Hobbit's Understanding": used when the Hobbits come to understand the hardships and struggles of their journey "The Black Rider": a dark piece which features almost all flats. Middle-earth motif Isengard: usually accompanied by a 5/4 rhythm in the percussion. Rivendell: a theme formed by a series of arpeggios, usually in strings and often with choral accompaniment. Lothlórien: a soft, ethereal chorus accompanied by cellos. A more hard-edged, brass-driven version of the theme appears in the second film during the battle of Helm's Deep. Nazgûl motif "The Evil of the Ring": played on the rhaita, associated with Sauron and Mordor. "The Fellowship" theme: a heroic, sweeping piece using principally brass and orchestra. It is heard in various versions during the first film, but after "The Bridge of Khazad-dûm," the last time that the entire Fellowship is together, it can only be heard infrequently and sparingly throughout the next two films until the remainder of The Fellowship charge the Black Gate "For Frodo". First appearance in The Two Towers "Gollum's Menace": featuring the cimbalom. Éowyn's theme: using open fifth intervals (lacking the third of the chord – this means that the chords cannot be defined as major or minor). "The Rohan Fanfare": featuring the hardanger fiddle. "Evenstar": a slow, serene piece. "The White Rider in Nature": A sweeping, full-orchestra crescendo with heavy strings. Nature's Reclamation (commonly referred to by fans as the Nature theme), played during the "The Last March of the Ents" part of the movie, probably used as a way of interpreting the Ents' march as Nature's way of fighting back.[citation needed] The theme was first heard while Gandalf was trapped in Isengard when a moth serving as a messenger for the Eagles arrived at the pinnacle of Orthanc; the moth and the Eagles represent nature here as well. A more heroic and robust brass version is heard in the third film when the Rohirrim leave Edoras for Dunharrow and also during Théoden's "Ride now!" speech before the Rohirrim charge at Pelennor Fields; it is possible this is meant to show the union between Men and Nature via the horses of Rohan. First appearance in The Return of the King Realm of Gondor Theme: the basic version of this was established during the Council of Elrond in the The Fellowship of the Ring, and also existed in the Extended Edition of The Two Towers DVD. It occurs in several variants, including Realm of Gondor in Decline and Realm of Gondor in Ascension. Minas Tirith/Silver Trumpets Theme: the basic version of this was established during a scene with Aragorn and Boromir in Lothlórien in The Fellowship of the Ring. Flute solo by Sir James Galway. Mithrandir/Grey Havens theme: featured in "Into the West" by Annie Lennox. 2 THE HOBBIT Music of The Hobbit film series "The Hobbit soundtrack" redirects here. For the soundtrack of the 2003 video game, see The Hobbit (2003 video game). The music of The Hobbit film series is composed and produced by Howard Shore, who scored all three The Lord of the Rings films. The music for The Hobbit: An Unexpected Journey was performed and recorded by the London Philharmonic Orchestra as it was for The Lord of the Rings. However, the music for The Hobbit: The Desolation of Smaug and The Hobbit: The Battle of the Five Armies was performed and recorded by the New Zealand Symphony Orchestra. The soundtrack album for The Hobbit: An Unexpected Journey received nominations for various awards and peaked in the top ten album charts in multiple countries.  Principal leitmotifs First appearance in An Unexpected Journey Bilbo's theme: A variation on the 'Shire theme'; a harmonious motif to represent Bilbo Baggins, the main protagonist. This theme is surprisingly absent from The Desolation of Smaug Erebor theme: A rising motif using three-horn calls that represents the homeland of the Dwarves. Arkenstone theme: A choral motif that accompanies the Arkenstone, the most valuable jewel in the Dwarves' possession. The Woodland Realm theme: a choral motif which accompanies Thranduil and the elves as they greet Thror during the prologue. Thorin's theme: A hopeful motif representing Thorin Oakenshield, first appearing when Thorin tries to defend Erebor's gate from the dragon Smaug, during the prologue. Smaug's theme: A menacing and discordant theme representing Smaug the Terrible. Gandalf's theme: A five-note motif that represents Gandalf the Grey; this theme is different than that of Gandalf the White's theme, from The Lord of the Rings trilogy. Bilbo's Antics: Appears as Bilbo struggles with the Dwarves' lifestyle and lives out of his comfort zone; represents his "Tookish" side. Misty Mountains theme: Represents the Dwarven Company and their Quest to recl Sharing Widget |