[HK]投奔怒海/Boat people(1982)導演：許鞍華/Director:Ann Hui On-Wah,,粵俄語雙音頻/audio：Cantonese OR Rus,688x384,Subtitle: Russian, Chinese, English[政治片] 劉德華拍的第一部電影

《投奔怒海》（Boat People）

電影拍攝日期：1982年，
導演：許鞍華，
主演：林子祥、繆騫人、馬斯晨、劉德華。

電影簡介：美麗，殘酷，令人震憾的政治題材影片，TIFF是香港新浪潮電影中不可忽視的一部，也經常被觀眾和影評人作為香港史上最佳電影而提及。但同樣這部電影，因為在兩岸三地關係微妙的大時代背景之下製作，加上題材敏感，因而至今充滿爭議。《投奔怒海》的名稱是由金庸所起，是許鞍華「越南三部曲」的最後一部。之前兩部為《來客》（1978年）及《胡越的故事》（1980年）。

中國禁止上映

該片涉及南越滅亡後難民投奔怒海逃離共產統治的歷史場景。影片因部分場景在大陸海南島製作而在台灣被禁。時值97香港回歸問題初現，電影對共產黨統治下政治逼害、人性扭曲的描寫，對港人產生很大震撼。電影拍攝時正值中越交惡，片中亦有出現描述越南排華的場面。但由於影片對共產主義深刻的批判，始終亦不能在中國大陸上映。
影片於1982年上映。在第二屆的香港電影金像獎中得到最佳影片、最佳導演、最佳編劇（戴安平）、最佳美術指導（區丁平）及最佳新人（馬斯晨）共5項大獎。香港在2005年舉行的中國電影100年最佳100部華語電影選舉中，《投奔怒海》被選為第8。

http://www.ccue.ca/tor/tiff-century/mobile/?p=486


Ann Hui’s brutal, beautiful and impossibly moving political drama about the dire straits of postwar Vietnam was a key work of the Hong Kong New Wave and is frequently named as the best Hong Kong film of all time by both critics and audiences.

“Unquestionably one of the most important films in Hong Kong cinema” (Edmund Lee, Time Out Hong Kong). Ann Hui, the great humanist of the Hong Kong New Wave, first began mixing elements of documentary and fiction in her work for television, and after some milestone achievements in genre cinema (including The Spooky Bunch, screening on July 30) she received great acclaim both at home and abroad for this superlative political drama, which is frequently named as the best Hong Kong film of all time by both critics and audiences. Returning to Vietnam three years after documenting its liberation by Ho Chi Minh’s Communist forces, a Japanese photojournalist now encounters a country in a state of perpetual fear and paranoia, living under the omnipresent threat of state brutality and horrific forced-labour camps. Though the film is charged by pressing contemporary concerns — namely providing some context for the scores of emaciated Vietnamese refugees washing up on Hong Kong shores at the time — it has also been interpreted as an allegory about the then-heated debate about the handover of Hong Kong to the Mainland. Brutal, beautiful and impossibly moving, Boat People has both the immediacy of a news broadcast and a poetry paradoxically born of fear and despair.

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AKA: Tau ban no hoi (Cantonese) || Tou ben nu hai (Mandarin)
Year: 1982
Directed: Ann Hui
Genre: Drama
Runtime: 1:44:39
Country: Hong Kong
IMDb: Boat People

Cast:
George Lam Chi-Cheung || Season Ma Si-San || Cora Miao || Andy Lau Tak-Wah || Kei Mung-Sek

Synopsis / Plot:
Plot: Director Ann Hui weaves a moving tale of a photojournalist on assignment in Vietnam during the war, who witnesses the lengths to which people will go to escape their country.
Overview: Danang, city of South Vietnam, was being liberated in 1975.
With the release of a new photo album, Akutagawa (Lam), a Japanese photojournalist, revisits Danang for shooting more pictures three years later. At that time, he meets Cam Nuong (Season Ma) – a girl of 14 – in the streets. He follows her home and makes friends with her and her family.
Akutagawa always drinks in a bar which is run by a Mamasan (Cora Miao). Mamasan is in love with Minh (Andy Lau), who is desperate to raise money in order to leave Vietnam. Minh attempts to rob Akutagawa for his camera and is arrested. However, they later become friends.
In the end, Akutagawa decides to help Cam Nuong and her younger brother to leave Vietnam; Minh also decides to get on the boat with them. Putting out to sea for the voyage to another country, what will be the fates of Cam Nuong and Minh?