Jazz - Coleman Hawkins 30s&40s (1st&BestJazzSax)

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  • Artist: Jazz
  • Format: mp3 - lossy

Jazz - Coleman Hawkins 30s&40s (1st&BestJazzSax) (Size: 695.89 MB)
 1.02 - One Hour (New York, November 14, 1929).mp35.55 MB
 2.01 - On The Sunny Side Of The Street (New York, March 8, 1934).mp35.29 MB
 2.02 - Lullaby (London, November 18, 1934).mp34.9 MB
 2.03 - Lady Be Good (London, November 18, 1934).mp34.56 MB
 2.04 - Lost In A Fog (London, November 18, 1934).mp34.96 MB
 2.05 - Honeysuckle Rose (London, November 18, 1934).mp34.95 MB
 2.06 - Some Of These Days (The Hague, February 4, 1935).mp34.57 MB
 2.07 - After You've Gone (The Hague, February 4, 1935).mp34.44 MB
 2.08 - I Only Have Eyes For You (The Hague, February 4, 1935).mp34.67 MB
 2.09 - I Wish I Were Twins (The Hague, February 4, 1935).mp34.54 MB
 3.09 - Honeysuckle Rose (Paris, April 28, 1937).mp34.65 MB
 3.10 - Crazy Rhythm (Paris, April 28, 1937).mp35.16 MB
 3.11 - Out Of Nowhere (Paris, April 28, 1937).mp35.58 MB
 3.12 - Sweet Georgia Brown (Paris, April 28, 1937).mp35.34 MB
 3.13 - Lamentation (Hilversum, May 26, 1937).mp34.75 MB
 3.14 - Devotion (Hilversum, May 26, 1937).mp34.49 MB
 3.15 - Star Dust (Hilversum, August 18, 1937).mp34.07 MB
 3.16 - Well, All Right Then (Hilversum, August 18, 1937).mp34.15 MB
 3.17 - Blues Evermore (Hilversum, June 14, 1938).mp34.32 MB
 3.18 - Dear Old Southland (Hilversum, June 14, 1938).mp34.3 MB
 4.06 - Body And Soul (New York, October 11, 1939).mp34.61 MB
 4.07 - Fine Dinner (New York, October 11, 1939).mp34.39 MB
 4.08 - Meet Doctor Foo (New York, October 11, 1939).mp34.35 MB
 4.10 - It's Tight Like That (New York, December 14, 1939).mp34.43 MB
 4.11 - Easy Rider (New York, December 14, 1939).mp35.37 MB
 4.13 - Save It, Pretty Mama (New York, December 14, 1939).mp34.93 MB
 4.14 - When Day Is Done (New York, January 3, 1940).mp35.46 MB
 4.15 - The Sheik Of Araby (New York, January 3, 1940).mp35 MB
 4.16 - My Blue Heaven (New York, January 3, 1940).mp34.77 MB
 4.17 - Bouncing With Bean (New York, January 3, 1940).mp35.16 MB
 6.02 - Bean At the Met (New York, January 31, 1944).mp35.14 MB
 6.03 - 'S Wonderful (New York, January 31, 1944).mp34.59 MB
 6.04 - I'm In the Mood For Love (New York, January 31, 1944).mp35.27 MB
 6.05 - I Only Have Eyes For You (New York, January 31, 1944).mp35.03 MB
 6.06 - Woodyn' You (New York, February 16, 1944).mp35.7 MB
 6.07 - Bu-Dee-Daht (New York, February 16, 1944).mp35.46 MB
 6.11 - Flame Thrower (New York, February 17, 1944).mp35.09 MB
 6.12 - Imagination (New York, February 17, 1944).mp34.56 MB
 6.13 - Night And Day (New York, February 17, 1944).mp35.48 MB
 6.14 - Cattin' At Keynote (New York, February 17, 1944).mp34.58 MB
 7.09 - Step On It (New York, July 27, 1944).mp35.36 MB
 7.10 - Riding On 52nd Street (New York, July 27, 1944).mp34.89 MB
 7.12 - Out To Lunch (New York, October 11, 1944).mp35.25 MB
 7.13 - In The Hush Of The Night (New York, October 11, 1944).mp35.22 MB
 7.14 - Look Out Jack! (New York, October 11, 1944).mp34.75 MB
 7.16 - I'm Yours (New York, October 12, 1944).mp35.84 MB
 7.17 - Under A Blanket Of Blue (New York, October 12, 1944).mp35.02 MB
 7.18 - Beyond The Blue Horizon (New York, October 12, 1944).mp35.15 MB
 8.01 - A Shanty In Old Shanty Town (New York, October 12, 1944).mp34.83 MB
 8.03 - El Salon De Gutbucket (New York, October 18, 1944).mp34.61 MB
 8.17 - April In Paris (Los Angeles, February 23, 1945).mp34.72 MB
 8.18 - Rifftide (Los Angeles, February 23, 1945).mp35.02 MB
 8.19 - Stardust (Los Angeles, February 23, 1945).mp35.42 MB
 8.20 - Stuffy (Los Angeles, February 23, 1945).mp35.24 MB
 9.01 - Hollywood Stampede (Los Angeles, February 23, 1945).mp35.17 MB
 9.02 - I'm Through With Love (Los Angeles, February 23, 1945).mp35.4 MB
 9.04 - Wrap Your Troubles In Dreams (Los Angeles, February 23, 1945).mp35.22 MB
 9.05 - Too Much Of A Good Thing (Los Angeles, March 9, 1945).mp35.01 MB
 9.06 - Bean Soup (Los Angeles, March 9, 1945).mp35.43 MB
 9.07 - Someone To Watch Over Me (Los Angeles, March 9, 1945).mp34.48 MB
 9.08 - It's The Talk Of The Town (Los Angeles, March 9, 1945).mp35.03 MB
 10.1 - It's Only A Paper Moon (Paris, December 21, 1949).mp35.06 MB
 10.2 - Sih - Sah (Paris, December 21, 1949).mp35.42 MB
 10.3 - Bean's Talking Again (Paris, December 21, 1949).mp35.4 MB
 10.4 - Bah - U - Bah (Paris, December 21, 1949).mp35.51 MB
 10.5 - I Surrender Dear (Paris, December 21, 1949).mp35.44 MB
 10.6 - Sophisticated Lady (Paris, December 21, 1949).mp35.58 MB
 10.7 - If I Could Be With You (New York, July 30, 1952).mp35.08 MB
 10.8 - I Can't Get Started (New York, July 30, 1952).mp34.81 MB
 10.9 - My Blue Heaven (New York, mid 1950).mp34.65 MB
 11.1 - Perdido (New York, mid 1950).mp37.86 MB
 01-TheManILove.mp36.14 MB
 06-Recollections.mp32.81 MB
 09-IMeanYou.mp33.09 MB
 10-BeanAndTheBoys.mp32.55 MB
 12-CocktailsForTwo.mp33.15 MB
 13-YouGoToMyHead.mp33.06 MB
 14-Stasch.mp39.17 MB
 16-RollEmPete.mp39.55 MB
 Coleman Hawkins was the first important tenor saxophonist and he remains one of the greatest of...59 KB


Description

Just fits a 700mb CD.

1934-39 Europe; 1939-45 NewYork; 1945 LosAngeles ; 1949 Paris.



Coleman Hawkins was the first important tenor saxophonist and he remains one of the greatest of all time. A consistently modern improviser whose knowledge of chords and harmonies was encyclopedic, Hawkins had a 40-year prime (1925-1965) during which he could hold his own with any competitor.



By 1934, Coleman Hawkins had tired of the struggling Fletcher Henderson Orchestra and he moved to Europe, spending five years (1934-1939) overseas. He played at first with Jack Hylton's Orchestra in England, and then freelanced throughout the continent. With World War II coming close, Hawkins returned to the U.S. in 1939. Although Lester Young had emerged with a new style on tenor, Hawkins showed that he was still a dominant force by winning a few heated jam sessions. His recording of "Body and Soul" that year became his most famous record.



Hawkins kept on working and occasionally recording, and by the mid-'50s was experiencing a renaissance. The up-and-coming Sonny Rollins considered Hawkins his main influence.



Some of his finest recordings were cut during the first half of the 1940s, including a stunning quartet version of "The Man I Love." Although he was already a 20-year veteran, Hawkins encouraged the younger bop-oriented musicians and did not need to adjust his harmonically advanced style in order to play with them. He used Thelonious Monk in his 1944 quartet; led the first official bop record session (which included Dizzy Gillespie and Don Byas); had Oscar Pettiford, Miles Davis, and Max Roach as sidemen early in their careers; toured in California with a sextet featuring Howard McGhee; and in 1946, utilized J.J. Johnson and Fats Navarro on record dates. AMG

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Jazz - Coleman Hawkins 30s&40s (1st&BestJazzSax)