Joe R. Lansdale 10 books

Act of Love by Joe R. Lansdale
Telling the tautly plotted story of a modern Jack the Ripper's spree in Houston, Lansdale creates a powerful combination of crime, police work, and social commentary--all with an eye for graphic detail. Act of Love, his first novel, is a collector's item for Lansdale's old fans and essential reading for his new ones.

Cold in July by Joe R. Lansdale
Despite the trappings -- guns, stakeouts, an ex-con, a private eye, a porn ring, a shootout -- this isn't an ordinary suspense novel. It's a lean, effective character study about a man who risks his comfortable life to pursue something half-glimpsed within his psyche. He feels guilty about his father's suicide, he doubts his ability to raise his own son, and now he's mixed up with another father, whose son has gone into a place of great darkness. A stirring tale in which actions have consequences, and no one is left unchanged by the things that they see and do.(

The Nightrunners by Joe R. Lansdale
In the field of country noir--the dark side of rural and small-town America--Lansdale staked his claim to East Texas with The Nightrunners. A '66 Chevy bears down on the countryside, with a carful of vicious teenagers and evil of Biblical proportions, in this terrifying morality tale of sex and violence.

Sunset and Sawdust by Joe R. Lansdale
In the middle of a cyclone, beautiful, red-haired Sunset Jones shoots her husband Pete dead when he tries to beat and rape her. To Camp Rapture’s general consternation, Sunset’s mother-in-law arranges for her to take over from Pete as town constable. As if that weren’t hard enough to swallow in depression era east Texas, Sunset actually takes the job seriously, and her investigation into a brutal double murder pulls her into a maelstrom of greed, corruption, and unspeakable malice. It is a case that will require a well of inner strength she never knew she had. Spirited and electrifying, Sunset and Sawdust is a mystery and a tale like nothing you’ve read before.

The Ape Man's Brother by Joe R. Lansdale
Orphaned by a plane crash, raised in the wilds of a lost world hidden somewhere beneath a constant mist, The Big Guy and his ape-man brother from another mother are living a life of danger amongst rampaging dinosaurs, giant birds, warring ape tribes, and all manner of deadly beasts. It’s a wonderful existence for someone like The Big Guy and his furry brother, except for the flea problem. Then an expedition of explorers from the outside turn his world inside out. Or rather a very blonde beauty called The Woman does. It leads to his and his ape brother being convinced to fly to New York by zeppelin, where they become the toast of the town. They even make Hollywood movies. It seems perfect. At least until The Big Guy does something that comes quite naturally to him in the wild, but leads to public humiliation in this new found world. To make matters worse, his ape brother has grown to not only love the pampered life, meals he doesn’t have to chase down, good cigars, fine wines and statuesque women, he’s come to like the Wrong Woman.
Changes are afoot. They lead to a return to the world beneath the mist, and a deadly and unexpected encounter with a foe that is in many ways far worse than any dinosaur. Envy, jealousy, greed, fleas, and pyramids under the mist, are all part of this rollicking novella of the sort only Joe R. Lansdale could write. And don’t forget dinosaurs.

The Boar by Joe R. Lansdale
It's the Great Depression in East Texas, and a fifteen year-old boy has to face down a wild boar that threatens his family. But if his Dad, a tough carnie wrestler, can't stop the beast, what hope does a kid who wants to be a writer have?

The Bottoms by Joe R. Lansdale
Much of The Bottoms -- winner of the 2001 Edgar Award for Best Novel -- will probably seem familiar to Lansdale's longtime readers. It is based directly on his Stoker Award-winning novella, "Mad Dog Summer," and it revisits the territory covered in his young adult novel, The Boar , which was likewise set in the hardscrabble world of Depression-era Texas. This time out, though, the scope of the narrative is considerably more expansive, and the story itself is more suspenseful and acutely observed. The result is a novel that functions successfully on a number of levels: as a detailed, authentic portrait of the Great Depression; as a moving but unsentimental coming-of-age story; and as a graphic, nontraditional example of the serial killer novel.

The Magic Wagon by Joe R. Lansdale
This entertaining episodic novel is set in turn-of-the-20th-century eastern Texas, where crooked traveling medicine shows and aging gunslingers define the closing frontier.
Narrator Buster Fogg's family is wiped out by a twister in an early sequence described with surreal verve. Buster hitches on with Billy Bob Daniels, a patent-medicine pusher and trick shooter who claims to be the illegitimate son of Wild Bill Hickock, joining an entourage consisting of a kindly ex-slave named Albert, and Rot Toe, the wrestling ape.
Adventures on the road, which include swiping the mummified remains of Billy Bob's "pa" and swindling settlers with their concoction of watered-down whiskey, stoke personal tensions that only aggravate troubles when their wagon rolls into Mud Creek and Billy Bob is called out by Texas Jack, a dime-novel desperado who, legend says, intimidated even Wild Bill.
Lansdale's affection for the classic western is never in doubt, although he spends much of the novel skillfully deflating the romance of heroic reputations made as much by luck and exaggeration as by skill with a gun. The true charm of the story, though, is iin its telling, which melds laconic humor, colorful colloquialisms and outrageous figures of speech into a Twainesque tall tale. This novel endures as a modern western classic.

The Shadows, Kith and Kin by Joe R. Lansdale
The Major new short story collection by Joe R. Lansdale.

Waltz of Shadows by Joe R. Lansdale, Mark A. Nelson
Bill, who's 24, hooks up with the Disaster Club, four hedonistic youths obsessed with sex and death who plan to throw a scare into a philandering doctor. While they stake out the doctor, they stumble into a hit on his wife. The hired assassins are Fat Boy and Cobra Man, both major-league psycho killers. The wife is butchered, as are Bill's companions; he escapes and turns to his Uncle Hank for help. Reluctantly, Hank gets involved, recruiting his long-estranged brother Arnold and going up against the gruesome twosome. This launches The Lost Lansdale, Subterranean's issue of older, unpublished work from the much-admired noir crime writer (Bad Chili, Freezer Burn, etc.). The author's longtime readers will note his trademark deluge of salty profanity, stark East Texas settings, casual violence and graphic excess. They will also encounter an uncharacteristic lack of humor and a tedious predictability: the characters that wise readers expect to survive generally do, the remainder are far less fortunate. Of the many violent scenes, only one featuring a rape manages to truly shock. While not without raw power and some stylistic flourishes, this novel, written in 1991, is inferior to Lansdale's more recent work and will appeal mostly to collectors and the most dedicated fans.