Kyng - Burn The Serum (2014)

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Added on April 21, 2014 by drizzt1950in Music > Mp3
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  • Artist: Kyng
  • Format: mp3 - lossy

Kyng - Burn The Serum (2014) (Size: 104.84 MB)
 07-The Ode.mp311.39 MB
 04-Sewn Shut.mp311.36 MB
 01-Burn The Serum.mp310.32 MB
 10-Big Ugly Me.mp310.17 MB
 09-Sunday Smile.mp39.57 MB
 08-In The Land Of Pigs.mp39.45 MB
 11-Paper Heart Rose.mp39.18 MB
 02-Lost One.mp39.09 MB
 03-Electric Halo.mp38.37 MB
 06-Self Medicated Man.mp38.17 MB
 05-Faraway.mp37.09 MB
 proof.jpg342.52 KB
 Cover.jpg332.66 KB


Description

Album Name: Burn The Serum

Genre: Doom Metal / Stoner Metal / Post-Grunge

Format: Mp3

Bit Rate: 320kbps

Size: 104.84MB

Year Of Release: 2014
Biography:

Kyng find grandiosity in simplicity. The Los Angeles outfit may only boast three members—Eddie Veliz [vocals/guitar], Pepe Clarke [drums], and Tony Castaneda [bass/backup vocals]—but their collective roar could easily tip the Southern California Richter Scale. On their second full-length album and first for Razor & Tie, Burn The Serum, the trio harks back to the essence of heavy rock 'n' roll, forging thunderous percussion to lightning hot riffs driven by a divine vocal howl. At the same time, they keep their eyes wide open towards the future.

Breaking out of the City of Angels in 2011, the group's debut Trampled Sun landed shining critical acclaim for its "California Heavy" sound merging the metallic meanderings of Soundgarden and Queens of the Stone Age with the timeless scope of Black Sabbath and Led Zeppelin. They hit the road with everybody from The Sword and Clutch to Trivium and Megadeth—even being picked to play at Metallica's first-ever Orion Music + More festival. However, everything was merely leading up to Burn The Serum.

"We literally started working on Burn The Serum as soon as we finished the first album," says Veliz. "We built on the foundation we had. It's a balance of heavy riffing and these big melodic vocals. It sits between metal and a rock 'n' roll. You can't put your finger on it. It's just what Kyng does."

To preserve what "Kyng does", the band joined producers Jim Rota of Fireball Ministry fame and Andrew Alekel at Grandmaster Studios in Los Angeles during early 2013. The production team encouraged the musicians to unfurl this unbridled energy further.

"Working with them was a blast," the frontman goes on. "These dudes literally know anything and everything you need to know about this kind of music. They can point out exact tones recorded on Bark At The Moon. It was a learning experience for us. They helped us refine the sound, pulling things back and keeping it as tasteful as possible. It's very musical as a result."

The first single "Electric Halo" serves as shining proof. The guitar buzzes with an ominous wall of distortion before lighting up a soaring refrain that hits impressive heights and showcases the vocalist's dynamic range.

"When we were writing it, we asked, 'What would Tony Iommi do?'," laughs Veliz. "That was the mindset. Lyrically, it's about those people you meet who will be the sweetest little things to your face, but they turn around and stab you in the back. They turn on that halo of sweetness to get what they need from you. Once they turn it off, they're no longer angels. Instead, they cut you and stab you in the name of what they can take for themselves."

With more robust riff-age and pummeling drums, "Sewn Shut" tells a harrowing true story of a friend whose eyes were literally sewed closed after a horrific accident, while "In The Land of Pigs" serves as an account of the trials and tribulations of the music industry and life on the road. Expanding in cinematic fashion, the title track decrees a plea to an addict with a vibrant visual.

"It initially came from this crazy argument I had in my family life," reveals Veliz. "It was a tough one to write because it was really personal. This is the story. Someone's blatantly addicted to something. It's breaking them in half and making them fall apart. You ask them for the truth, and they can't say it. Everything is destroyed and this person doesn't care."

That heaviness remains encoded in the group's very moniker. "In the beginning, Kyng was just a name," the singer concludes. "Now, it's about honesty in music though. We try to be honest with ourselves so people want to listen to us for a long time to come. We want to take you back to an older era when bands didn't need all of the bells and whistles. At the same time, we're taking you down our own path to that place."



Review:


Quote:
SoCal trio KYNG have the potential to emerge as one the next great things in heavy music. A lot of effort went into refining their sound from their lauded 2011 "Trampled Sun" album and "Burn the Serum" should have no problem garnishing the same accolades, if not more.

Along with RED FANG, KYNG is one of the most exciting bands on the American metal market today. Cramming the distortion worship of garage revivalists FU MANCHU, KYUSS, CLUTCH and THE SWORD with classic metal and hard rock, Eddie Veliz, Pepe Clarke and Tony Castaneda advance to the next level in their hasty evolution on "Burn the Serum". Turning to major league producer Andrew Alekel (FOO FIGHTERS, NO DOUBT, CLUTCH and QUEENS OF THE STONE AGE) and James A. Rota, II from FIREBALL MINISTRY, said professional firepower polishes "Burn the Serum" into one of 2014's early-year best albums.

The title cut may start off with a tempered roll, but expect the pace to grow more intense as KYNG heavies up the song in a jiff with thickening guitars from Eddie Veliz and whamming bass from Tony Castaneda. Before you can wipe the sweat off your brow, "Lost One" rolls out on a brisker tempo and turns up the heat courtesy of Pepe Clarke's forceful thuds and Eddie Veliz's majestic altos. Quickly coming into his own as a wholesome rock singer, Veliz's singing is outstanding all over the album and his reverberating guitar solo on "Lost One" signals an abbreviated space-out trip to match his escalating vocal pitches.

The massive riffs on the first single of the album, "Electric Halo", are subliminally SABBATH in delivery, but the trippy reverb on the bridge and the sweetened-up guitar notes Eddie Veliz delves overtop the driving melody are sublime. Thematically, the song is about two-faced backstabbers, which sets up the weighty drives of the emotional "Sewn Shut". A true-story song written for a friend of the band who suffered a literal sewn closure of the eyes following a disastrous accident, "Sewn Shut" is magnificent with every morose strum and clout, especially on its dazzling and guttural choruses. Though it's still early in the year, "Sewn Shut" should be nominated for Metal Performance of the Year, pick your forum.

The rest of "Burn the Serum" is nowhere near as beautifully haunted as "Sewn Shut", but it is loud yet sophisticated at every turn. If grunge had sounded like "Faraway" on more of a regular basis, it would've lasted longer than a few years. KYNG's mingling of dense metallic chugging and jive on "Self Medicated Man" is killer stuff, while "The Ode" keeps the burners fired up with its punchy tempos that are swept back into slow but sweltering choruses. Eddie Veliz again hits high notes of such splendor they nearly outshine his considerable guitar thrusts and Pepe Clarke's crushing snare rolls and cowbell clacks. "The Ode" transitions almost without pause to "In the Land of Pigs", which maintains the same hammering throb and sweeping riffs, only with an altered, though no less catchy melody.

Turning up the juice on "Big Ugly Me" with quasi-thrash lines and synthetic orchestration on the vast finale, KYNG shows tremendous versatility on an album that was already impressive enough through the first nine tracks. Stand by for the gorgeous closer "Paper Heart Rose" for further proof of KYNG's dynamism.

KYNG may believe in simplicity, but there's hardly anything simplistic to "Burn the Serum". As a trio, they leave no sound space unplugged and to revert to layman's terms, they kick serious ass.
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104.84 MB
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Kyng - Burn The Serum (2014)