Little Feat - Representing The Mambo [Rad Gumbo] (2014) FLAC Beolab1700

Little Feat - Representing The Mambo [Rad Gumbo] (2014) FLAC Beolab1700



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Little Feat - Representing The Mambo
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Artist...............: Little Feat
Album................: Representing The Mambo
Genre................: Rock
Source...............: CD
Year.................: 2014
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.3.0 20130526
Quality..............: Lossless, (avg. compression: 68 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........:

Posted by............: Beolab1700 on 13/03/2014


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Tracklisting
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1. Little Feat - Texas Twister [04:46]
2. Little Feat - Daily Grind [05:09]
3. Little Feat - Representing The Mambo [05:56]
4. Little Feat - Women In Love [03:50]
5. Little Feat - Bad Gumbo [03:28]
6. Little Feat - Teenage Warrior [04:53]
7. Little Feat - That's Her, She's Mine [04:10]
8. Little Feat - Feeling's All Gone [05:00]
9. Little Feat - Those Feat'll Steer Ya Wrong Sometimes [05:01]
10. Little Feat - The Ingenue [04:22]
11. Little Feat - Silver Screen [04:22]

Playing Time.........: 50:59
Total Size...........: 350.03 MB


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Little Feat were on Warner Bros Records from 1971's Little Feat through 1990's Representing the Mambo, but for a full decade of those 20 years, the band was inactive.
Nevertheless, the records rounded up here – which include the eight albums Lowell George recorded with the band (the seminal 1978 live album Waiting for Columbus is present in its 2002 expansion), plus the 1981 compilation Hoy Hoy! and the two comeback albums, 1988's Let It Roll and Representing the Mambo; an edited version of the rarities disc from 2000's Hotcakes & Outtakes box is nicely included (the earliest songs have been excised) – represent the group’s core catalog. They’d continue to record into the new millennium – 2012's Rooster Rag is quite good…but these albums have the songs and sensibility that built their legacy, which does include their remarkably successful return in 1988. All the albums are presented as mini-LPs and the set is affordable, making this a very appealing bargain for all kinds of Feat fanatics.
Though they had all the trappings of a Southern-fried blues band, Little Feat were hardly conventional. Led by songwriter/guitarist Lowell George, Little Feat were a wildly eclectic band, bringing together strains of blues, R&B, country, and rock & roll. The bandmembers were exceptionally gifted technically and their polished professionalism sat well with the slick sounds coming out of Southern California during the ’70s. However, Little Feat were hardly slick — they had a surreal sensibility, as evidenced by George’s idiosyncratic songwriting, which helped the band earn a cult following among critics and musicians. Though the band earned some success on album-oriented radio, the group was derailed after George’s death in 1979. Little Feat re-formed in the late ’80s, and while they were playing as well as ever, they lacked the skewed sensibility that made them cult favorites. Nevertheless, their albums and tours were successful, especially among American blues-rock fans.
However, Little Feat weren’t conceived as a straight-ahead blues-rock group. Their founding members, Lowell George (vocals, guitar, slide guitar) and Roy Estrada (bass), were veterans of Frank Zappa’s Mothers of Invention. George had a long musical career before joining the Mothers. As a child, he and his brother Hampton performed a harmonica duet on television’s Ted Mack’s Original Amateur Hour. During high school, he learned how to play flute, which led to him appearing as an oboist and baritone saxophonist on several Frank Sinatra recording sessions. He formed the folk-rock group the Factory with drummer Richie Hayward in 1965. Before disbanding, the Factory made some recordings for Uni Records, but the tapes sat unreleased until the 1990s. Following the group’s demise, George joined the Mothers of Invention, where he met Estrada. Zappa convinced George to form his own band after hearing “Willin’,” but the guitarist was reluctant to begin a band until he participated in a brief Standells reunion.
George and Estrada formed Little Feat in 1969 with Hayward and keyboardist Billy Payne. Neither their eponymous first album in 1971 nor 1972's Sailin’ Shoes were commercial successes, despite strong reviews. As a result, the group temporarily disbanded, with Estrada leaving music to become a computer programmer. When the group reconvened later in 1972, he was replaced by New Orleans musician Kenny Gradney. In its second incarnation, Little Feat also featured guitarist Paul Barrére and percussionist Sam Clayton, who gave the music a funkier feeling, as demonstrated by 1973's Dixie Chicken. The band toured heavily behind the record, building a strong following in the South and on the East Coast. Nevertheless, the group remained centered in Los Angeles, since the members did a lot of session work on the side.
Though the band was earning a cult following, several members of the group were growing frustrated by George’s erratic behavior and increasing drug use. Following 1974's Feats Don’t Fail Me Now, Barrére and Payne became the band’s main songwriters and they were primarily responsible for the jazzy fusions of 1975's The Last Record Album. Little Feat continued in that direction on Time Loves a Hero (1977), the double-live album Waiting for Columbus (1978), and Down on the Farm (1979). Frustrated with the band’s increasingly improvisational and jazzy nature, George recorded a solo album, Thanks I’ll Eat It Here, which was released in 1979. Following its release, George announced that Little Feat had broken up, and he embarked on a solo tour. Partway through the tour, he died of an apparent heart attack. Down on the Farm was released after his death, as was the rarities collection Hoy-Hoy! (1981).
After spending seven years as sidemen, Payne, Barrére, Hayward, Gradney, and Clayton re-formed Little Feat in 1988, adding vocalist/guitarist Craig Fuller and guitarist Fred Tackett. The heavily anticipated Let It Roll was released in 1988 to mixed reviews, but it went gold. Each of the group’s subsequent reunion albums — Representing the Mambo (1989), Shake Me Up (1991), and Ain’t Had Enough Fun (1995) — sold progressively less, but the band remained a popular concert attraction. On the latter album, the band traded the strongly Lowell George-esque voice of Fuller for female singer Shaun Murphy; this lineup went on to release Under the Radar in 1998 and Chinese Work Songs in 2000. Numerous compilations and live recordings peppered the next few years, followed by 2003's Kickin’ It at the Barn, the group’s first album for its own indie label, Hot Tomato Records. Rocky Mountain Jam arrived in early 2007. Join the Band, a collection of duets with Feat friends and fans, followed in 2008 on Proper Records.
After a struggle with liver disease, founding Feat member Richie Hayward passed away from pneumonia and lung disease on August 12, 2010. Little Feat continued to tour after his death, enlisting Gabe Ford as their new drummer.

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