Live Theatre - The Mikado (Starring Eric Idle)seeders: 3
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Live Theatre - The Mikado (Starring Eric Idle) (Size: 1.71 GB)
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The Mikado Act I
Video Codec..........: XviD ISO MPEG-4 Video Bitrate........: 1213kbps Duration.............: 1:07:43 Resolution...........: 600*452 Framerate............: 29.970 Audio Codec..........: 0x2000 (Dolby AC3) AC3 Audio Bitrate........: 224 kbps CBR Audio Channels.......: 2 The Mikado Act II Video Codec..........: XviD ISO MPEG-4 Video Bitrate........: 1327kbps Duration.............: 1:02:46 Resolution...........: 600*454 Framerate............: 29.970 Audio Codec..........: 0x2000 (Dolby AC3) AC3 Audio Bitrate........: 224 kbps CBR Audio Channels.......: 2 A Source of Innocent Merriment - The Making of the Mikado Video Codec..........: XviD ISO MPEG-4 Video Bitrate........: 1038kbps Duration.............: 38:31.232 Resolution...........: 600*456 Framerate............: 29.970 Audio Codec..........: 0x2000 (Dolby AC3) AC3 Audio Bitrate........: 224 kbps CBR Audio Channels.......: 2 http://www.imdb.com/title/tt0187283/ http://bayimg.com/OaCNJaAdd http://en.wikipedia.org/wiki/The_Mikado http://www.amazon.com/Gilbert-Sullivan-Felicity-Bonaventura-National/dp/B000BB150W Eric Idle ... Ko-Ko Lesley Garrett ... Yum-Yum Bonaventura Bottone ... Nanki-Poo Richard Van Allan ... Pooh-Bah Felicity Palmer ... Katisha Richard Angas ... The Mikado of Japan Susan Bullock ... Peep-Bo Ethna Robinson ... Pitti-Sing Mark Richardson ... Pish-Tush Findlay Wilson ... Katisha's Unrequited Lover Editorial Reviews Amazon.com Jonathan Miller set his well-known production of The Mikado, staged for the English National Opera, in a British seaside resort of the 1920s. The result, complete with a chorus of gentlemen of Japan as cartoon-like British peers, emphatically underscores the Englishness of the satire. The occasional non sequiturs, like a bunch of gentry dressed for Ascot and singing in Japanese, are loonily fun, and no more absurd than the fantasyland Japan that Gilbert andSullivan invented. The time frame, though, seems little more than an excuse for a smart black-and-white production design. The show's main calling card is Eric Idle as Ko-Ko, the Lord High Executioner. Unfortunately, his star turn of a performance, like the production as a whole, is not as funny as it should be. There are loads of comic ideas, some of them effective (bellboys parading through the hotel lobby with "No flirting" signs), some dubious (Ko-Ko delivering a 1980s-updated "little list" song at a press conference), some worked beyond their shelf life (insanely posh accents). This video recording of a 1987 performance could have been better made; the chorus, badly miked, sounds as if it is far off-stage. The actors' heavy makeup and heavy mugging are reminders that the production wasn't originally created for the camera. Such staginess may take some getting used to, but it fits in nicely with the aggressive fakery characteristic of G&S. This revisionist Mikado is probably best after you've experienced more straightforward approaches. --David Olivenbaum Product Description The irrepressible Eric Idle (Monty PythonΓΓé¼Γäós Flying Circus) teams up with the English National Opera in this hilarious performance of Gilbert and SullivanΓΓé¼Γäós beloved comic opera, THE MIKADO. This rollicking version of Gilbert and SullivanΓΓé¼Γäós most popular tale relocates the action from ancient Japan to a 1920s English seaside resort. Here the rule of the Mikado is absolute--and often prone to whimsy. Ko-Ko (Eric Idle) is sentenced to death for the crime of flirting, but in a strange turn of events is instead named "Lord High Executioner." A delightful farce ensues as Ko-Ko canΓΓé¼Γäót behead anyone without first cutting off his own head. But by the second act, the Mikado demands an execution and Ko-Ko must delicately sing and dance his way around a messy situation involving the MikadoΓΓé¼Γäós son and his secret love Yum Yum. One of the best loved gems in all of opera, this charming production of THE MIKADO adds a unique twist to the timeless music--especially with the madcap talent of Eric Idle in his opera debut! Sharing Widget |
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