Milton Nascimento - Sentinela [Eac Flac Cue](TntVillage)

Artist...............: Milton Nascimento
Album................: Sentinela
Genre................: MPB
Source...............: CD
Year.................: 1980
Ripper...............: Exact Audio Copy (Secure mode) & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 60 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: TntVillage

Ripped by............: leonenero on 13/10/2012
Posted by............: leonenero on 16/10/2012
News Server..........: news.astraweb.com
News Group(s)........: alt.binaries.sounds.flac.full_albums

Included.............: NFO, M3U, LOG, CUE
Covers...............: Front Back CD

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Tracklisting
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1. O Velho [00.36]
2. Peixinhos do Mar [03.05]
3. Tudo [03.54]
4. Cancao da America [03.51]
5. Sueno con Serpientes [04.42]
6. Roupa Nova [02.54]
7. Povo do Raca Brasil [00.27]
8. Sentinela [07.36]
9. Cantiga (Caico) [02.56]
10. Bicho Homem [01.16]
11. Itamarandiba [03.24]
12. Um Cafune, na cabeca malandro, Eu quero ate de macaco [03.39]
13. Peixinhos do Mar [00.25]

Playing Time.........: 38.50
Total Size...........: 239,86 MB

This 1980 recording proved to be one of Milton Nascimento's most durable. Here was his incredible voice, growling one minute, soaring into falsetto the next, laidback yet aggressive. The record opens with an amazing dirge to a dying brother, sung by Nascimento and Nana Caymmi, backed by a group of Christian monks. On other, more uptempo tunes he is also joined by the great Mercedes Sosa (on Cuban poet Silvio Rodriquez' "Dram with Serpents"), the vocal ensemble Boca Livre, and on three tracks by the experimental percussion ensemble Uakti. The songs are imbued with Nascimento's worldly sensibility, mixing the music of Minas Gerais with a broad collection of sounds from Latin America and the jazz world, tinged with classical and medieval themes. Not as wildly experimental as his "Clube da Esquina" recordings of previous years, this is a mature, thoughtful album.