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MUS - La Vida (Size: 58.31 MB)
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Mus is the sort of band that validates an indie geek's existence. Twee-loving zine printers, hopelessly snobby record store clerks, mumbling and stuttering college radio jocks?none of them would be able to resist the gorgeous ethereal siren song of Mónica Vacas and her instrumentalist partner, Fran Gayo. With an album released on a Spanish label, lyrics sung in Asturian, a dying Spanish dialect, and a sound that's simultaneously twee and Velvet Underground inspired, Mus combines the logistical absurdity with the melodic brilliance that keep us nerds salivating. With La Vida, the duo's latest album, that hopeless obsession can only intensify, as it's their best yet. La Vida has fewer electronic effects than the group's debut, and more of a gossamer sheen than El Naval, as evident in the leadoff track "Per Tierres Baxes," a sweet, Mazzy Star-like lullaby. "Cantares de Ciegu" has a bigger rock arrangement, somewhere between The Velvet Underground's "Sunday Morning" and anything from Sparklehorse'sIt's A Wonderful Life. "Una Ventana con Lluz" glides slowly and softly, despite being one of the fuller sounding tracks. No matter how dense the arrangement, Vacas always lifts Mus's songs into an ethereal and haunting stratosphere, the right amount of reverb giving her voice the effect of a ghostly apparition. With "Una Sábana al Vientu," Vacas and Gayo return to a dancier, electronic sound, albeit a sound that exists seemingly only in a dream world, soaring in and out of clouds, surreal and sublime. And it's hard not to resist the bluesy "Perdieron y La Tierra," a hand-clappy, surprisingly upbeat and grooving track that brings the duo's soaring dream pop down to earth for a soulful jam session. Sharing Widget |
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