Nazareth - Greatest Hits - 1975, Vinyl Rip

Nazareth - Greatest Hits - 1975

VERTIGO, STEMRA, 6370 411, Original UK Pressing

LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by PBTHAL VINYL RIPS

01 - Razamanaz (03:50)
02 - Holy Roller (03:24)
03 - Shanghai'd In Shanghai (03:44)
04 - Love Hurts (03:53)
05 - Turn On Your Reciever (03:20)
06 - Bad Bad Boy (03:57)

Side 2

07 - This Flight Tonight (03:23)
08 - Broken Down Angel (03:42)
09 - Hair Of The Dog (03:19)
10 - Sunshine (03:48)
11 - My White Bicycle (03:32)
12 - Woke Up This Morning (03:51)

Credits

Bass ΓÇô Pete Agnew
Drums ΓÇô Darrell Sweet
Guitar ΓÇô Manny Charlton
Vocals ΓÇô Dan McCafferty

Mastered By ΓÇô John Punter
Photography By ΓÇô Chuck Pulin, Colin Mac Donald*
Producer ΓÇô Manny Charlton (tracks: A2, A4, B3, B5), Roger Glover (tracks: A1, A3, A5 to B2, B4, B6)
Sleeve, Design, Illustration ΓÇô Petagno III*

Written-By ΓÇô Nazareth (2) (tracks: A1 to A3, A5, A6, B2 to B4, B6)

Notes

Information on backcover:
(P) 1972: B6
(P) 1973: A1, A5 to B2
(P) 1974: A3, A4, B4
(P) 1975: A2, B3, B5 Mountain Records Ltd.

Information on labels:
Side A: (P) 1973 (1,5,6,) 1974 (3,4) 1975 (2) Mountain Records Ltd.
Side B: (P) 1973 (1,2,6) 1974 (4) 1975 (3,5) Mountain Records Ltd.
A1, A3, A5, A6, B2 to B4, B6: Mountain Music Ltd./Carlin Music Corp.
A2: Naz Songs/Panache Music Ltd.
A4: Acuff-Rose Music Ltd.
B1: Warner Bros. Music Ltd.
B5: Getaway Music (Carlin Music Corp.)

Vinyl Ripping Process/Equipment

VPI 16.5 RCM
Turntable: VPI Scoutmaster
Tonearm: Trans-Fi Termninator
Cartridge: Audio-Technica AT33PTG/II
Phone Stage: Cinemag SUT feeding a Marantz 2220B
Digital Interface: E-MU 1212
Recording Software: Adobe Audition 3.01
Recording Bitrate/Sample Rate: 192/24

Post Processing
Run thru ClickRepair at level 10 with
Pitch Protection | off
Reverse | on
Simple
Resample to 96khz in Izotope Rx2 using the default preset
Manually listen to album in Adobe Audition cleaning any clicks/anomalies
Flac with Xrecode II

What Exactly Is An "Ultimate Master"

It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be
a lot "similarly" named rips now I guess I should explain.
I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the
source material, it has always been about finding the best source. Now my opinion of the best source is subject to
change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just
try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or
japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent
the best source 95% of the time.