Page and Plant-Kashmir-Live 720p{DPLII384kbs}

Audio Encoded with Dolby Pro LogicII 384Kbs
Live 320kbs MP3 included

For Gale /;=] who taught me my Love for Music.
I attended the 1995 Page and Plant Concert (my 3rd Zeppelin Concert) and that was probably the best Concert I ever saw, every note was perfect, the entire stadium's crowd was silent during every single song then gave a standing ovation after every song, I saw (We were very very close) the City's Orchestra members looking out at the crowd with shocked looks, they could not believe Page and Plant were getting the most awesome respect and standing ovations after every single song, I will never forget seeing those Symphonic Orchestra members looking into the crowd smiling and realizing exactly how Page and Plant were completely respected and admired while they were hitting every note and lyric perfectly. Without a doubt the Best and Most Perfect Audiophile Concert I ever attended, the ironic part is the concert was sold out, and I was sitting at work the day of the show and they said on the radio that a "few" seats had opened up and the first callers would get them, I called and they said my tickets were waiting at the "will call" window!! I called my Girlfriend and she freaked out, she was scheduled to work that night but took off and it was doubly good for her as her ex-boyfriend took another girl to the previous L.Z. concert (with me) several years earlier, so this night was perfect for her (and me), I ship you not. This Video is very similar to what we saw, although they were in a much larger Coliseum and the Orchestra was more behind them and only to their right.

The Inspirations behind this particular song are quite awesome, Please read the below "synopsis" of this Zep Song, and realize everything that happened to make this one song become reality.

Thank You! Be sure to use a good VPN, Protect yourself and PLEASE seed back.
Mi Casa Su Casa
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/;=]


is from their sixth album Physical Graffiti, released in 1975. It was written by Jimmy Page and Robert Plant (with contributions from John Bonham) over a period of three years with lyrics dating to 1973. The song is almost entirely built upon an ascending chromatic ostinato over a pedal drone that Page had first recorded in his home studio, using the same guitar tuning (DADGAD) as he used for "Black Mountain Side", "White Summer" and the unreleased "Swan-song". In this, the song resembles the Indian and Middle Eastern musical styles pioneered by Davy Graham. Page explained, "I had a sitar for some time and I was interested in modal tunings and Arabic stuff. It started off with a riff and then employed Eastern lines underneath." Page recorded a demonstration version with drummer John Bonham late in 1973 when John Paul Jones was late for the recording sessions. Plant later added lyrics and a middle section and, in early 1974, Jones added orchestration. The song has an unusual meter; the drums and vocal melody mainly consist of three bars of four beats while the main guitar pattern is four bars of three beats. Bonham's drums were recorded through an Eventide Instant Phaser PS-101 supplied by engineer Ron Nevison. Plant stated that Bonham's drumming is the key to the song: "It was what he didn't do that made it work" The lyrics were written by Robert Plant in 1973 immediately after Led Zeppelin's 1973 US Tour, in an area he called "the waste lands" of Southern Morocco, while driving from Goulimine to Tantan in the Sahara Desert. This was despite the fact that the song is named after Kashmir, a region in the Indian subcontinent. As Plant explained to rock journalist Cameron Crowe:
The whole inspiration came from the fact that the road went on and on and on. It was a single-track road which neatly cut through the desert. Two miles to the East and West were ridges of sandrock. It basically looked like you were driving down a channel, this dilapidated road, and there was seemingly no end to it. 'Oh, let the sun beat down upon my face, stars to fill my dreams...' It's one of my favourites...that, 'All My Love' and 'In the Light' and two or three others really were the finest moments. But 'Kashmir' in particular. It was so positive, lyrically. Plant also commented on the challenges he faced in writing lyrics for such a complex piece of music:
"It was an amazing piece of music to write to, and an incredible challenge for me ... Because of the time signature, the whole deal of the song is… not grandiose, but powerful: it required some kind of epithet, or abstract lyrical setting about the whole idea of life being an adventure and being a series of illuminated moments. But everything is not what you see. It was quite a task, ’cause I couldn’t sing it. It was like the song was bigger than me. It’s true: I was petrified, it’s true. It was painful; I was virtually in tears". All four members of Led Zeppelin have agreed that "Kashmir" is one of their best musical achievements. John Paul Jones suggested that it showcases all of the elements that made up the Led Zeppelin sound. Plant has stated that "Kashmir" is the "definitive Led Zeppelin song", and that it "was one of my favourite [Led] Zeppelin tracks because it possessed all the latent energy and power that wasn't heavy metal. It was something else. It was the pride of Led Zeppelin." During a television interview in January 2008, he also named "Kashmir" as his first choice of all Led Zeppelin songs that he would perform, commenting "I'm most proud of that one". Page has indicated he thinks that the song is one of the band's best compositions.The song became a concert staple, performed by the band at almost every concert after its release. Page and Plant released a longer, live version, recorded with an Egyptian/Moroccan orchestra, on No Quarter: Jimmy Page and Robert Plant Unledded (1994) and continued to perform the song with an orchestra on their 1995 tour.

Lyrics


Video Encode:
Frame Width: 1280
Frame Height: 720
Total Bitrate: 3132kbps
Frame Rate: 29.97 FPS

Audio Encode:
AAC
Encode Bit Rate: 384kbps
Channels 2(stereo)
Bit Rate: 315kbs
Audio Sample Rate: 48 khz

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