Pergolesi (Direction: Diego Fasolis) - Stabat Mater (2013) FLAC (Size: 328.45 MB)
| | | 01 Stabat mater, for soprano, alto, strings & organ in F major- Stabat Mater dolorosa.flac | 17.51 MB | | | | 02 Stabat mater, for soprano, alto, strings & organ in F major- Cujus animam gementem.flac | 9.67 MB | | | | 03 Stabat mater, for soprano, alto, strings & organ in F major- O quam tristis et afflicta.flac | 8.67 MB | | | | 04 Stabat mater, for soprano, alto, strings & organ in F major- Quae moerebat et dolebat.flac | 8.86 MB | | | | 05 Stabat mater, for soprano, alto, strings & organ in F major- Quis est homo qui non... | 12.6 MB | | | | 06 Stabat mater, for soprano, alto, strings & organ in F major- Vidit suum dulcem natum.flac | 12.02 MB | | | | 07 Stabat mater, for soprano, alto, strings & organ in F major- Eja Mater, fons amoris.flac | 10.73 MB | | | | 08 Stabat mater, for soprano, alto, strings & organ in F major- Fac ut ardeat cor meum.flac | 10.82 MB | | | | 09 Stabat mater, for soprano, alto, strings & organ in F major- Sancta Mater, istud agas.flac | 22.13 MB | | | | 10 Stabat mater, for soprano, alto, strings & organ in F major- Fac ut portem Christi... | 14.42 MB | | | | 11 Stabat mater, for soprano, alto, strings & organ in F major- Inflammatus et accensus.flac | 8.95 MB | | | | 12 Laudate pueri, psalm for soprano, chorus & orchestra- Quando corpus morietur.flac | 17.17 MB | | | | 13 Laudate pueri, psalm for soprano, chorus & orchestra- Laudate pueri Dominum.flac | 16.24 MB | | | | 14 Laudate pueri, psalm for soprano, chorus & orchestra- A solis ortu usque ad occasum.flac | 16.11 MB | | | | 15 Laudate pueri, psalm for soprano, chorus & orchestra- Excelsus super omnes gentes... | 9.89 MB | | | | 16 Laudate pueri, psalm for soprano, chorus & orchestra- Quis sicut Dominus Deus noster.flac | 9.32 MB | | | | 17 Laudate pueri, psalm for soprano, chorus & orchestra- Suscitans a terra inopem.flac | 12.37 MB | | | | 18 Laudate pueri, psalm for soprano, chorus & orchestra- Gloria Patri.flac | 13.5 MB | | | | 19 Laudate pueri, psalm for soprano, chorus & orchestra- Sicut erat in principio.flac | 12.9 MB | | | | 20 Confitebor, for soloists, chorus & orchestra- Confitebor tibi Domine.flac | 11.98 MB | | | | 21 Confitebor, for soloists, chorus & orchestra- Confessio et magnificentia opus ejus.flac | 18.96 MB | | | | 22 Confitebor, for soloists, chorus & orchestra- Fidelia omnia mandata ejus.flac | 9.72 MB | | | | 23 Confitebor, for soloists, chorus & orchestra- Redemptionem misit populo suo.flac | 5.24 MB | | | | 24 Confitebor, for soloists, chorus & orchestra- Sanctum et terribile nomen ejus.flac | 16.27 MB | | | | 25 Confitebor, for soloists, chorus & orchestra- Gloria Patri.flac | 6.28 MB | | | | 26 Confitebor, for soloists, chorus & orchestra- Sicut erat in principio.flac | 15.8 MB | | | | Philippe Jaroussky - Pergolesi- Stabat Mater.jpg | 286.67 KB | | | | Philippe Jaroussky - Pergolesi- Stabat Mater.log | 26.35 KB | | | | Philippe Jaroussky - Pergolesi- Stabat Mater.m3u8 | 8.2 KB |
Description
Pergolesi / Julia Lezhneva, Philippe Jaroussky, I Barocchisti, Coro Della Radiotelevisione Svizzera, Diego Fasolis – Stabat Mater - Laudate Pueri - Confitebor
Label: Erato – 319147 2 7
Format: CD, Album
Country: Europe
Released: 2013
Genre: Classical
Style: Baroque
Gramophone's review:
"The vast Stabat mater discography offers plenty of outstanding interpretations catering for different tastes. Nevertheless, Julia Lezhneva’s bright-eyed tone and sensitive shapeliness is an ideal counterfoil to Philippe Jaroussky’s limpid sincerity. I Barocchisti’s strings balance the sympathetic phrasing of rhetorical details with the need for the slow music to flourish in an atmosphere of unaffected simplicity. Livelier movements occasionally feature some gutsy exaggerations from the band (the over-done ritornellos in ‘Inflammatus et accensus’), but there is also genteel elegance – if undermined by hurried tempi – in passages such as ‘Sancta Mater, istud agas’ (in which both soloists deliver supremely lovely singing). The conclusion, ‘Quando corpus morietur’, is judged exquisitely. Diego Fasolis masterminds a compelling paradox of tenderness and vividness that confirms why Pergolesi’s deathbed masterpiece retains its fascination.
Fasolis’s Swiss-Italian choir has recorded Laudate pueri Dominum and Confitebor tibi, Domine before under the direction of Abbado but Fasolis’s own considerably superior Baroque instincts as a conductor yield notably fresh new benchmarks of these two engagingly extrovert pieces. The choral singing that finishes the doxology in Laudate pueri and opens Confitebor tibi is technically immaculate and thrilling, and a succession of arias are performed with the perfect mingling of zesty devoutness and quasi-operatic intensity (the solemn ‘Sanctum et terribile nomen ejus’ is sung with evangelical authority by Jaroussky). Irrespective of how many good versions of the Stabat mater there are, this is transformed into essential listening by the two less well-known psalms."
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