Pink Floyd-Money$$-live 2005 Reunion Dolby Pro Logic II 384kbs.mp4

"Money"
Pink Floyd Live 2005 Live 8 Show
The finished Audio lists at 687kbs.
"Money" was performed by Pink Floyd on every tour from 1972-94 (and 2005's Live 8), On 2 July 2005 Pink Floyd performed at the London Live 8 concert with Roger Waters rejoining David Gilmour, Nick Mason and Richard Wright. It was the quartet's first performance together in over 24 years — the band's last show with Waters was at Earls Court in London on 17 June 1981. Gilmour announced the Live 8 reunion on 12 June 2005:
"Like most people I want to do everything I can to persuade the G8 leaders to make huge commitments to the relief of poverty and increased aid to the third world. It's crazy that America gives such a paltry percentage of its GNP to the starving nations. Any squabbles Roger and the band have had in the past are so petty in this context, and if re-forming for this concert will help focus attention then it's got to be worthwhile.” The band's set consisted of "Speak to Me/Breathe/Breathe (Reprise)", "Money", "Wish You Were Here", *next!) and "Comfortably Numb". As on the original recordings, Gilmour sang the lead vocals on "Breathe" and "Money", and shared them with Waters on "Comfortably Numb". For "Wish You Were Here", Waters sung half of the verse's lyrics, unlike the original recording. When Waters was not singing, he was often enthusiastically mouthing the lyrics off-microphone. During the guitar introduction of "Wish You Were Here", Waters said:“It's actually quite emotional standing up here with these three guys after all these years. Standing to be counted with the rest of you. Anyway, we're doing this for everyone who's not here, but particularly, of course, for Syd." They were augmented by guitarist/bassist Tim Renwick (guitarist on Roger Waters' 1984 solo tour, who has since become Pink Floyd's backing guitarist on stage); keyboardist/lap steel guitarist/backup vocalist Jon Carin (Pink Floyd's backing keyboardist from 1987
onward who performed on the 1999–2000 North American leg of Waters' "In the Flesh" tour, his 2006–2008 "Dark Side of the Moon Live" tour, his 2010–2011 "The Wall" tour and David Gilmour's 2006 On an Island tour); saxophonist Dick Parry during "Money" (who played on the original recordings of "Money", "Us and Them", and "Shine on You Crazy Diamond"); and backing singer Carol Kenyon during "Comfortably Numb". During "Breathe", on the screen behind them, film of the iconic pig from the Animals album was shown flying over Battersea Power Station (itself visible on the horizon in television broadcasts of the performance), and during "Money", a shot of The Dark Side of the Moon record being played was shown. During "Comfortably Numb", the three giant screens showed the Pink Floyd Wall
(from the cover of The Wall), and during the final guitar solo, the words "Make Poverty History" were written on the wall. At the end, after the last song had been played, Gilmour said "thank you very much, good night" and started to walk off the stage. Waters called him back, however, and the band shared a group hug that became one of the most famous pictures of Live 8. As they proceeded to walk off, Nick Mason threw his drumsticks into the audience. With Wright's subsequent death, in September 2008, this was to be the final concert to feature all four bandmates playing together. Besides the music, arguably the most important and certainly the most elaborate part to any Pink Floyd live show is the special effects.'Yes, we did all sorts of strange things, you know, for live concerts as well, we used to make up tapes for the audience to come in by. We had one half-hour long tape, which we'd play for the half an hour the audience was coming in just before we started our show, and things like that. Just tapes of bird noises in quad--quadraphonic sound, you know, with birds singing, and pheasants taking off in the distance, and swans
taking off from water, a tractor driving down one side of the room, and an airplane going over the top, and all these things carrying on, all just from just different sound
effects records, you just stick them in and you--you create a type of mood.'— David
Gilmour, In 1973's tour to promote The Dark Side of the Moon, a large scale model plane flew over the audience and crashed onto the stage with a spectacular explosion."Money" is a track from English progressive rock band Pink Floyd's 1973 album The Dark Side of the Moon. Written by Roger Waters, it opened side two of the original vinyl LP, and is the only song on the album to enter the top 20 on the Billboard Hot 100. "Money" is noted for its unusual 7/4–4/4 time signature, and the tape loop of money-related sound effects that opens the song. Roger Waters and David Gilmour stated that the song had been composed primarily in 7/8 time; it was composed in 7/4, according to Gilmour in an interview with Guitar World magazine in 1993. The song changes to 4/4 time for an extended guitar solo. The first of three choruses which comprise the solo was recorded using real-time double tracking. Gilmour played the chorus nearly identically in two passes recorded to two different tracks of a multi-track tape machine. The second chorus is a single guitar. The doubled effect for the third chorus was created using automatic (or "artificial") double-tracking (ADT). One of Gilmour's ideas for the solo section was that, for the second chorus of the solo, all reverb and echo effects would be completely off (referred to as "dry"), creating the sense of just four musicians playing in a small
room. For this "dry" chorus, all musicians played softly and subtly, with Gilmour's solo, now one single guitar, playing very sparsely. Then, for the third chorus, the dynamics would suddenly rise, with heavy use of reverb and echo (a "wet" sound), additional rhythm-guitar parts in the background, and the drums becoming heavy and almost chaotic. The form and chord progression are based on the standard twelve-bar blues in the key of B minor, with the vocal melody and nearly all of Gilmour's soloing based on the pentatonic and blues scales. Two twelve-bar verses are followed by a twenty-bar instrumental section that features a blues-style tenor saxophone solo (played by Dick Parry) along with keyboard, bass and drums and a further two-bar intro in 4/4 leading to the guitar solo, which is structured like a twelve-bar blues, but doubled to a twenty-four-bar length. One of the most distinctive elements of "Money" is the rhythmic sequence of sound effects that begins the track and is heard throughout the first several bars. This was created by splicing together recordings Waters had made of clinking coins, a ringing cash register,
tearing paper, a clicking counting machine and other items to construct a seven-beat
effects loop. It was later adapted to four tracks in order to create a "walk around the
room" effect in the quadraphonic mix of Dark Side of the Moon The lyrics are briefly
referenced in the film Pink Floyd The Wall, when the protagonist, Pink, is caught writing poems in class by his teacher. The teacher snatches the poem from him and reads it in a very sarcastic, demeaning manner, practically encouraging Pink's classmates to laugh. The poem is a verse of lyrics to "Money".

Lyrics - 2005

"Money"

Money, get away
Get a good job with more pay and your O.K.
Money it's a gas
Grab that cash with both hands and make a stash
New car, caviar, four star daydream,
Think I'll buy me a football team
Money get back
I'm all right Jack keep your hands off my stack.
Money it's a hit
Don't give me that do goody good bullshit
I'm in the hi-fidelity first class traveling set
And I think I need a Lear jet
Money it's a crime
Share it fairly but don't take a slice of my pie
Money so they say
Is the root of all evil today
But if you ask for a rise it's no surprise that they're
giving none away

"HuHuh! I was in the right!"
"Yes, absolutely in the right!"
"I certainly was in the right!"
"You was definitely in the right. That geezer was cruising for a bruising!"
"Yeah!"
"Why does anyone do anything?"
"I don't know, I was really drunk at the time!"
"I was just telling him, he couldn't get into number 2. He was asking
why he wasn't coming up on freely, after I was yelling and
screaming and telling him why he wasn't coming up on freely.
It came as a heavy blow, but we sorted the matter out"


Video:
Frame Width: 1280
Frame Height: 720
Data Rate: 3000kbps
Total Bitrate: 3688kbps
Frame Rate: 29 FPS

Audio:
Track I
Dolby Pro Logic II
Bit Rate: 384kbps
Channels 2(stereo)
Audio Sample Rate: 48khz

Track 2
7.1 ch mix
Bit Rate: 1536kbps
Audio Sample Rate: 48khz