Ray Charles - The Genius After Hours (2014) MFSL FLAC Beolab1700

Ray Charles - The Genius After Hours (2014) MFSL FLAC Beolab1700



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Ray Charles - The Genius After Hours
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Artist...............: Ray Charles
Album................: The Genius After Hours
Genre................: Jazz
Source...............: CD
Year.................: 2014
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 31 %)
Channels.............: Mono / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: TRACKS - CUE - LOG - SCANS

Posted by............: Beolab1700 on 09/06/2014

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Tracklisting
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1. Ray Charles - The Genius After Hours [05:26]
2. Ray Charles - Ain't Misbehavin' [05:42]
3. Ray Charles - Dawn Ray [05:04]
4. Ray Charles - Joy Ride [04:42]
5. Ray Charles - Hornful Soul [05:31]
6. Ray Charles - The Man I Love [04:29]
7. Ray Charles - Charlesville [04:58]
8. Ray Charles - Music, Music, Music [02:53]

Playing Time.........: 38:48
Total Size...........: 121.01 MB

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There’s no doubting Ray Charles became a legend only after moving to Atlantic Records where, in the mid and late 1950s, he rung up a string of hits that redefined popular music and gave birth to R&B. Yet the label refused to shoehorn Charles into strictly sticking with vocal fare. Recognizing his jazz and blues roots, Atlantic both permitted and encouraged him to record instrumental sides with jazz combos and pursue piano-based material with which he was originally associated.
Mastered from the original master tapes, and restored to a quality that hasn’t been realized since the initial pressings more than 50 years ago, Mobile Fidelity’s hybrid SACD version of The Genius After Hours takes its place as one of the most unsurpassed-sounding examples of…
Charles’ first love affair: jazz and blues. Opening up the veil onto these early 1960s sessions, the collector’s disc functions as a tableside-seat at a smoky jazz club where, for sheer fun and amusement, Charles gathers with a handful of cohorts and lets loose with hard-bop standards and swinging rhythms. The cavity of Charles’ instrument, acoustic signatures of the stand-up bass lines, and swish of the percussion are all presented with unfettered realism.

Taken from the same three studio gatherings that yielded The Great Ray Charles, the eight tunes here feature the icon pairing with both a trio and a septet. Longtime collaborator David “Fathead” Newman plays tenor and alto sax, while trumpeter Joseph Bridgewater and bassist Oscar Pettiford also contribute memorable performances. Hall of Fame producer Quincy Jones handles the arrangements on the bigger-band tracks. Yet the star of the program remains Charles, and the carefree, charming manner in which he causes the music to move in any direction he wills.

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