Red Hot Chili Peppers - 2006 - Stadium Arcadium (2015 HDtracks) [FLAC@96khz24bit]seeders: 1
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Red Hot Chili Peppers - 2006 - Stadium Arcadium (2015 HDtracks) [FLAC@96khz24bit] (Size: 2.75 GB)
DescriptionAll tracks are Properly tagged with art embedded in tag. Red Hot Chili Peppers - 2006 - Stadium Arcadium (2015 HDtracks) [FLAC@96khz24bit]  Red Hot Chili Peppers  Wikipedia: Red Hot Chili Peppers, also sometimes shortened to "The Chili Peppers" or abbreviated as "RHCP", are an American rock band formed in Los Angeles in 1983. The group's musical style primarily consists of rock with an emphasis on funk, as well as elements from other genres such as punk rock and psychedelic rock. When played live, their music incorporates elements of jam band due to the improvised nature of much of their performances. Currently, the band consists of founding members Anthony Kiedis (vocals) and Flea (bass), longtime drummer Chad Smith; and guitarist Josh Klinghoffer, who joined in late-2009, replacing John Frusciante. Red Hot Chili Peppers are one of the best-selling bands of all time with over 80 million records sold worldwide, have been nominated for sixteen Grammy Awards, of which they have won six and are the most successful band in alternative rock radio history currently holding the records for most number one singles (12), most cumulative weeks at number one (85) and most top-ten songs (25) on the Billboard Alternative Songs chart. In 2012, they were inducted into the Rock and Roll Hall of Fame. Stadium Arcadium (2015 HDtracks)  Artist: Red Hot Chili Peppers Title: Stadium Arcadium Format: 28 × File, FLAC, Album, Remastered, 24bit 96kHz (HDtracks) Producer: Rick Rubin Release Date: May 5, 2006, (HDtracks 2015) Recorded: September 2004–December 2005, at The Mansion, Los Angeles, CA Label: Warner Bros. Records Genre: Rock, Alternative Rock, Funk Rock Duration: 122:37 Website: http://www.hdtracks.com/stadium-arcadium-239516 Wikipedia: Stadium Arcadium is the ninth studio album by American rock band Red Hot Chili Peppers. The album was released on May 9, 2006, on Warner Bros. Records. The album produced five singles: "Dani California", "Tell Me Baby", "Snow (Hey Oh)", "Desecration Smile", and "Hump de Bump" along with the first ever fan made music video for the song, "Charlie". In the U.S., Stadium Arcadium became the band's first number one selling album. According to the band's vocalist Anthony Kiedis, Stadium Arcadium was originally scheduled to be a trilogy of albums each released six months apart, but was eventually condensed into a double album. The album is also the group's last to feature guitarist John Frusciante, who confirmed his departure from the band in 2009. The album was critically praised for integrating musical styles from several aspects of the band's career. The album gained the band seven Grammy Award nominations in 2007 including an award for Best Rock Album and one for Best Boxed or Special Limited Edition Package. Winning 5 out of 7 Grammy Awards, it was the most nominations that the band had garnered in their 24-year career. Kiedis attributed the album's success to less abrasive dynamics within the band, saying that the band's "chemistry, when it comes to writing, is better than ever. There was always a struggle to dominate lyrically. But we are now confident enough in who we are, so everybody feels more comfortable contributing more and more valuable, quality stuff". AllMusic Review by Stephen Thomas Erlewine: Indulgence has long been a way of life for the Red Hot Chili Peppers, yet they resisted the siren’s call of the double album until 2006’s Stadium Arcadium. Sure, 1991’s breakthrough Blood Sugar Sex Magik was as long as a classic double LP, but such distinctions mattered little in the era when vinyl gave way to CD, and they matter less now, as the CD gradually gives way to digital-only releases. In fact, like how Blood Sugar was the tipping point when the LPs ceded ground to CDs, Stadium Arcadium could be seen as the point when albums were seen as a collection of digital playlists. Yes, it’s pressed up as a two-disc set — including an extravagant but pointless special edition housed in a clunky box that includes a make-yer-own-spinning-top — but this is an album that’s designed for you to mix and match, create your own playlist, rip and burn on your own. It’s designed for you to sequence its 28 songs in some kind of cohesive manner, since the band sure didn’t take the time to do that here; it’s the first major album by a major band that makes as much sense on random as it does in its proper sequencing. Well, that’s not entirely true: the official 28-song album does begin with “Dani California,” the clearest single here, the one thing that truly grabs attention upon first listen and worms its way into your subconscious, where it just won’t let go, as so much of Anthony Kiedis’ catchiest melodies do. After that, it’s a long, winding path of alternately spacey and sunny pop, ballads, and the occasional funk workout that used to be the Chili Peppers’ signature but now functions as a way to break up the monotony. And there needs to be something to break up the monotony, not because the music is bad but because it all exists at the same level and is given a flat, colorless production that has become the signature of Rick Rubin as of late Rubin may be able to create the right atmosphere for Flea and John Frusciante to run wild creatively — an opportunity that they seize here, which is indeed a pleasure to hear — but he does nothing to encourage them to brighten the finished recording up with some different textures, or even a greater variety of guitar tones. As such, the bare-bone production combined with the relentless march of songs gives Stadium Arcadium the undeniable feel of wading through the demos for a promising project instead of a sprawling statement of purpose; there’s not enough purpose here for it to be a statement. That fault is down to the band not forming the raw material into something palatable for the listener, but there’s also the problem that as a lyricist Anthony Kiedis just isn’t that deep or clever enough to provide cohesive themes for an album of this length; he tackles no new themes here, nor does he provide new insight to familiar topics. To his credit, he does display a greater versatility as a vocalist, cutting back on the hambone rapping of this album, usually on key. That said, he still has enough goofy tics to undercut his attempts at sincerity, and he tends to be a bit of a liability to the band as a whole; with a different singer, who could help shape and deliver these songs, this album might not seem as formless and gormless. But there is a fair amount of pleasures here, all down to the interplay between Flea and Frusciante. While drummer Chad Smith does prove himself quite versatile here, gracefully following the eccentric turns and meanderings of the bassist and guitarist, the string instruments are the reason to listen to Stadium Arcadium. That’s always been the case to a certain extent with the Chili Peppers, but here it’s especially true, as they push and pull, rave and rumble, lie back and rock out — pretty much spit out anything they can do on their instruments over the course of 28 songs. As good as much of this is, there is a little bit of monotony here, since they’re working variations on their signature themes, and they haven’t found a way to make these variations either transcendent or new; they’re just very good renditions on familiar themes. These tracks rarely betray their origins as studio jams — more than ever, it’s possible to hear that the track came first, then the song — and while that can result in some good listening, it all does kind of drift together. That said, there are no bad tracks here — it’s all of a relatively high quality — but there are no standouts either, so it takes a very dedicated fan to start sorting out the subtleties between the tracks (not the wheat from the chaff, since it’s all wheat). And while those hardcore fans may certainly enjoy the make-your-own-adventure spirit of Stadium Arcadium, it’s hard not to feel that it’s the band’s responsibility to take this very good repetitive album and mold it into something sharper and more effective. So call it the rock version of Peter Jackson’s King Kong: there’s something pretty great and lean buried beneath the excess, but it’s so indulgent, it’s a work that only a fanboy could truly love.  Jupiter: 01. Dani California - 4:43 02. Snow ((Hey Oh)) - 5:34 03. Charlie - 4:37 04. Stadium Arcadium - 5:15 05. Hump De Bump - 3:33 06. She’s Only 18 - 3:25 07. Slow Cheetah - 5:20 08. Torture Me - 3:44 09. Strip My Mind - 4:19 10. Especially In Michigan - 4:01 11. Warlocks - 3:25 12. C’mon Girl - 3:48 13. Wet Sand - 5:09 14. Hey - 5:39 Mars: 15. Desecration Smile - 5:02 16. Tell Me Baby - 4:07 17. Hard To Concentrate - 4:02 18. 21st Century - 4:22 19. She Looks To Me - 4:06 20. Readymade - 4:30 21. If - 2:52 22. Make You Feel Better - 3:52 23. Animal Bar - 5:25 24. So Much I - 3:44 25. Storm In A Teacup - 3:45 26. We Believe - 3:36 27. Turn It Again - 6:06 28. Death Of A Martian - 4:24 Personnel: Red Hot Chili Peppers: Anthony Kiedis – lead vocals Flea – bass, backing vocals, trumpet* John Frusciante – guitars, backing vocals, keyboards, synthesizer Chad Smith – drums, percussion Additional Musicians: Natalie Baber, Mylissa Hoffman, Alexis Izenstark, Spencer Izenstark, Dylan Lerner, Kyle Lerner, Gabrielle Mosbe, Monique Mosbe, Sophia Mosbe, Isabella Shmelev, Landen Starman, Wyatt Starkman – background vocals on "We Believe" Michael Bulger – trombone on "Turn It Again" Lenny Castro – percussion Paulinho da Costa – percussion Richard Dodd – cello on "She Looks to Me" Emily Kokal – chorus vocals on "Desecration Smile" Billy Preston – clavinet on "Warlocks" Omar Rodríguez-López – guitar solo on "Especially in Michigan" Brad Warnaar – French horn on "Stadium Arcadium"    ♪♬♫ ENJOY! ♪♬♫ Related Torrents
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