Robin Guthrie, Harold Budd - White Bird in a Blizzard OST (2014) FLAC

Soundtrack / Score

Support the artists you like by buying their music!
http://www.amazon.com/exec/obidos/ASIN/B00NHTRH3Y/sofa-20/ref=nosim
https://itunes.apple.com/us/album/white-bird-in-blizzard-original/id918892735



Tracklist:
01. Robin Guthrie - Visions of Eve (2:39) [481 Kb/s]
02. Robin Guthrie - Brock's Theme (2:46) [731 Kb/s]
03. Harold Budd - The Radiant Bride (3:41) [487 Kb/s]
04. Harold Budd and Robin Guthrie - Curious (3:21) [532 Kb/s]
05. Robin Guthrie - Forever Changed (4:05) [712 Kb/s]
06. Harold Budd - The Affair (3:48) [470 Kb/s]
07. Robin Guthrie - You Know the Combination (3:48) [612 Kb/s]
08. Harold Budd and Robin Guthrie - Without a Trace (3:01) [502 Kb/s]
09. Harold Budd - Lament for Eve (4:11) [415 Kb/s]
10. Harold Budd - The Drive (3:41) [367 Kb/s]
11. Robin Guthrie - I'm Here, Kat, I'm Here (3:00) [732 Kb/s]
12. Robin Guthrie - White Bird (3:11) [527 Kb/s]

About:
Audio CD (October 27, 2014)
Original Release Date: 2014
Number of Discs: 1
Format: Soundtrack
Label: Lakeshore Records
ASIN: B00NHTRH3Y


Biography
The chief sound architect of Cocteau Twins and Violet Indiana, Robin Guthrie and his reverb-drenched guitar textures have had a significant impact on alternative music since the early '80s. Numerous acts have emulated his style, and several others — including Felt, the Gun Club, the Veldt, Ian McCulloch, Lush, and Lift to Experience — have enlisted his production skills. Along with Cocteau Twins partner Simon Raymonde, Guthrie launched the Bella Union label during the '90s for splinter projects and artists they wanted to help nurture. Guthrie continued running the label during Violet Indiana's late-'90s/early-2000s run. In 2003, he released his first solo album for the label, the completely instrumental Imperial. Another instrumental album, Continental (Darla), as well as the Everlasting EP (Rocketgirl) followed in 2006. He has frequently collaborated with pianist Harold Budd, dating back to 1986's The Moon and the Melodies and Budd's 1988 album, The White Arcades. The two scored Gregg Araki's Mysterious Skin and released a pair of albums simultaneously — After the Night Falls and Before the Day Breaks — on Darla in 2007. A year later, he scored the Dany Saadia-directed film 3:19; the score was also issued on Darla. Yet another ambient album for Darla, Carousel, came in 2009, as well as the Angel Falls and Songs to Help My Children Sleep EPs and the full-length Mirrorball, a collaboration with John Foxx. Guthrie's 2010 activities were led by the Sunflower Stories EP.

The American ambient/neo-classical composer who has most closely allied himself with the increasingly sympathetic independent rock underground — through his collaborations with the Cocteau Twins' Robin Guthrie — Harold Budd is also one of the very few who can very rightly be called an ambient composer. His music, a sparse and tonal wash of keyboard treatments, was inspired by a boyhood spent listening to the buzz of telephone wires near his home in the Mojave Desert town of Victorville, CA (though he was born in nearby Los Angeles). Though interested in music from an early age, Budd was 30, already married, and with children of his own by the time he graduated from the University of Southern California with a degree in musical composition in 1966. He became a respected name in the circle of minimalist and avant-garde composers based in Southern California during the late '60s, premiering his works "The Candy-Apple Revision" and "Unspecified D-Flat Major Chord and Lirio" around the area. In 1970, he began a teaching career at the California Institute of Arts, but continued to compose while there, writing "Madrigals of the Rose Angel" in 1972.

After leaving the Institute in 1976, Budd gained a recording contract with the Brian Eno-affiliated EG Records, and released his debut album, The Pavilion of Dreams, in 1978. Two years later, he collaborated with Eno on one of the landmark albums of the ambient style, Ambient 2: The Plateaux of Mirrors. After recording two albums for Cantil in 1981 (The Serpent [In Quicksilver]) and 1984 (Abandoned Cities), Budd again worked with Eno on 1984's The Pearl. A contract with Eno's Opal Records resulted in one of Budd's most glorious albums, The White Arcades, recorded in Edinburgh with Robin Guthrie of the Cocteau Twins. Budd left Opal after 1991's By the Dawn's Early Light, and recorded two albums for Gyroscope: Music for 3 Pianos (with Ruben Garcia and Daniel Lentz) and the lauded Through the Hill, a collaboration with Andy Partridge of XTC. In the mid-'90s, he recorded albums for New Albion and All Saints before signing to Atlantic for the release of The Room in mid-2000.

In 2004, Budd decided to retire, claiming he had said all he wanted to, and that he "didn't mind disappearing." His "final" outing, Avalon Sutra/As Long as I Can See My Breath, appeared on David Sylvian's Samhadi Sound imprint as a double disc. The album featured 14 new pieces, some recorded solo, some recorded with saxophonist Jon Gibson, and some with a string quartet. Budd apparently changed his mind about retirement and his collaboration with Eraldo Bernocchi, Fragments from the Inside, issued on Sub Rosa, arrived in the spring of 2005. Back to composing and recording, Budd signed to Darla in late 2007. He began working with producer Clive Wright that same year. Song for Lost Blossoms was issued in 2008, followed by the release of Candylion in mid-2009; the pair also worked together on 2010's Little Windows.