Ry cooder. Get Rhythm. 1987.*FLAC*

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Ry Cooder - Get Rhythm


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Artist...............: Ry Cooder


Album................: Get Rhythm


Genre................: BluesIRock


Source...............: CD


Year.................: 1987


Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520


Codec................: Free Lossless Audio Codec (FLAC)


Version..............: reference libFLAC 1.2.1 20070917


Quality..............: Lossless, (avg. compression: 57 %)


Channels.............: Stereo / 44100 HZ / 16 Bit


Tags.................: VorbisComment


Information..........: Flac Level 8.

Ripped by............: Stb on 23/05/2009


Posted by............: Stb on 23/05/2009


News Server..........: news.astraweb.com


News Group(s)........: alt.binaries.sounds.mp3.metal.full.albums

Included.............: NFO, M3U, LOG, CUE,TAU ANALYZER


Covers...............: Front Back CD

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Tracklisting


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1. (00:03:17) Ry Cooder - Get Rhythm


2. (00:03:10) Ry Cooder - Low-Commotion


3. (00:04:42) Ry Cooder - Going Back to Okinawa


4. (00:03:39) Ry Cooder - 13 Quetion Method


5. (00:05:52) Ry Cooder - Women Will Rule the World


6. (00:03:31) Ry Cooder - All Shook Up


7. (00:04:34) Ry Cooder - I Can Tell by the Way You Smell


8. (00:06:18) Ry Cooder - Across the Borderline


9. (00:05:50) Ry Cooder - Let's Have a Ball

Playing Time.........: 00:40:53


Total Size...........: 233.53 MB

NFO generated on.....: 23/05/2009 12:34:09


:: Generated by Music NFO Builder v1.20 - www.nfobuilder.com ::




Biography from Allmusic.com

Whether serving as a session musician, solo artist, or soundtrack composer, Ry Cooder's chameleon-like fretted

instrument virtuosity, songwriting, and choices of material encompass an incredibly eclectic range of North American

musical styles, including rock & roll, blues, reggae, Tex-Mex, Hawaiian, Dixieland jazz, country, folk, R&B,

gospel, and vaudeville. The 16-year-old Cooder began his career in 1963 in a blues band with Jackie DeShannon and then

formed the short-lived Rising Sons in 1965 with Taj Mahal and Spirit drummer Ed Cassidy. Cooder met producer Terry

Melcher through the Rising Sons and was invited to perform at several sessions with Paul Revere & the Raiders.

During his subsequent career as a session musician, Cooder's trademark slide guitar work graced the recordings of such

artists as Captain Beefheart (Safe as Milk), Randy Newman, Little Feat, Van Dyke Parks, the Rolling Stones (Let It

Bleed, Sticky Fingers), Taj Mahal, and Gordon Lightfoot. He also appeared on the soundtracks of Candy and

Performance.

Cooder made his debut as a solo artist in 1970 with a self-titled album featuring songs by Leadbelly, Blind Willie

Johnson, Sleepy John Estes, and Woody Guthrie. The follow-up, Into the Purple Valley, introduced longtime cohorts Jim

Keltner on drums and Jim Dickinson on bass, and it and Boomer's Story largely repeated and refined the syncopated style

and mood of the first. In 1974, Cooder produced what is generally regarded as his best album, Paradise and Lunch, and

its follow-up, Chicken Skin Music, showcased a potent blend of Tex-Mex, Hawaiian, gospel, and soul music, and featured

contributions from Flaco Jimenez and Gabby Pahinui. In 1979, Bop Till You Drop was the first major-label album to be

recorded digitally. In the early '80s, Cooder began to augment his solo output with soundtrack work on such films as

Blue Collar, The Long Riders, and The Border; he has gone on to compose music for Southern Comfort, Goin' South, Paris,

Texas, Streets of Fire, Alamo Bay, Blue City, Crossroads, Cocktail, Johnny Handsome, Steel Magnolias, and Geronimo.

Music by Ry Cooder (1995) compiled two discs' worth of highlights from Cooder's film work.

In 1992, Cooder joined Keltner, John Hiatt, and renowned British tunesmith Nick Lowe, all of whom had played on Hiatt's

Bring the Family, to form Little Village, which toured and recorded one album. Cooder next turned his attention to world

music, recording the album A Meeting by the River with Indian musician V.M. Bhatt. Cooder's next project, a duet album

with renowned African guitarist Ali Farka Touré titled Talking Timbuktu, won the 1994 Grammy for Best World Music

Recording.

His next world crossover would become one of the most popular musical rediscoveries of the 20th century. In 1997 Cooder

traveled to Cuba to produce and play with a group of son musicians who had little exposure outside of their homeland.

The resulting album, Buena Vista Social Club, was a platinum-selling international success that made stars of Compay

Segundo, Ibrahim Ferrer, and Rubén González and earned Cooder another Grammy. He continued to work on

projects with his Buena Vista bandmates, including a collaboration with Manuel Galbán in 2003 titled Mambo

Sinuendo. His other work in the 2000s included sessions with James Taylor, Aaron Neville, Warren Zevon, and Spanish diva

Luz Casal. In 2005 Cooder released Chavez Ravine, his first solo album since 1987's Get Rhythm. The intriguing My Name

Is Buddy followed in 2007

Review from Allmusic.com

"The Musician's Musician." "The Master of the Eclectic." There are probably a dozen more titles by

which this "guitar player" is known. To even refer to him as a guitar player is probably a gross mislabeling

of this musician. He defies any sort of categorization; this is his greatest strength and for some his weakness. The

theme for these nine cuts is rhythm of all different ilk. I won't even give the parameters because he seems to have

none. I wondered how many different instruments he played on this album (I thought I counted five different types of

guitar); it only says guitar and vocal for his credits. Listen to his version of "All Shook Up," more bop and

rhythm than Elvis could put into four of his songs. It seems musicians line up to play with him, and they feel he did

them a favor by letting them play on his albums. He always gives them plenty of space to do what they do. This CD will

make the dead start tapping their toes.