Spitfire Audio Producer Portfolio Analogue Foundry 1 Pylons KONTAKT-SYNTHiC4TE

Ever had that feeling that the track you're working on just sounds too
nice". Ever had an A&R man, or a director/ producer say "nice track,
good composition, it just needs to be more edgy". Herein may lie the
solution.
SPITFIRE PRESENTS PYLONS!
Back in Christian Henson's dance days working with the likes of LTJ
Bukem and the Freestylers, a term was coined to describe how to best
"f@*k up" a beautiful sonic landscape that had maybe got a bit flowery
or "intelligent". An escape route for anything sounding too "Chesney"
would often be "just sling a couple of pylons on the track and it will
be fine...". Christian has teamed up here with top production duo The
Flight (Lana Del Ray, Bjork, Orbital, Rufus Wainwright) to create a
definitive collection of phrases, squeaks, bleeps, hits and FX from
their enormous selection of classic vintage synths. With each
instrument they have discussed and defined what that synth does best.
Recorded in "Super Mono" via the most pristine Neve line amps and
Cranesong AD converters, the team has created a number of parallel
mono signals that can be switched in and out or mixed and assigned to
different outputs. These include, dry, saturated, circuit bent and a
live - and temperamental, classic spring reverb signal path. With a
selection of specially selected, in-the-box mono->stereo effects,
modulation and filters to warp the signal further.
In this release release of 3.1 GB (lossless compressed from over 6GB
of raw WAV files) from over 3800 samples - synthesisers featured
include classic Juno 60, JX3P, MS10, ProOne, SEM, and a Moog.
Spitfire is a collective of award winning composers and technologists.
We don't just record and build samples we go further than that. We
produce with great pride every single note, ushering the best out of
the musician and curate each product with a set of articulations,
sounds and performances that we know will give you the definitive take
of this wonderful anthology. We engage our specialists not only as
performers, but as technical advisers to give us a consensus based on
experience of what most composers want out of them, what DEFINES the
instrument.


Requires a full version of Kontakt 4 or 5 to run.