Steve Coleman and the Council of Balance - Synovial Joints (2015)seeders: 2
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Steve Coleman and the Council of Balance - Synovial Joints (2015) (Size: 376.19 MB)
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Pi Recordings: Pi57
http://www.pirecordings.com/album/pi57  * Steve Coleman: alto saxophone * Jonathan Finlayson: trumpet * Maria Grand: tenor saxophone, cowbell (tracks 2-6, 8-10) * Barry Crawford: piccolo, flute * Rane Moore: clarinet, bass clarinet * Jeff Missal: piccolo trumpet, trumpet (except track 9) * Tim Albright: trombone (tracks 1, 2, 7-10) * David Nelson: bass trombone (tracks 3-6) * Kristin Lee: violin * Chris Otto: viola * Jay Campbell: cello * Greg Chudzik: contrabass (except track 9) * David Bryant: piano * Miles Okazaki: guitar (except track 7) * Anthony Tidd: bass (tracks 8, 9) * Alex Lipowski: timpani, xylophone, triangle, gongs * Nei Sacramento: congas, talking drum, berimbau (tracks 1, 2, 8, 9) * Ramón García Pérez: congas (tracks 8, 9) * Mauricio Hererra: bongos (tracks 7, 8 9) * Jen Shyu: vocals (tracks 1, 2) * Marcus Gilmore: drums http://www.m-base.com/ http://www.m-base.net/ http://mbase.wordpress.com/ http://twitter.com/mbase http://www.stevecoleman.bandcamp.com/ http://en.wikipedia.org/wiki/Steve_Coleman Recorded by Joe Marciano and Max Ross at Systems Two Recording Studios, Brooklyn, NY, on October 11-13, 2014. Reviews By John Fordham http://www.theguardian.com/m...lance-synovial-joints-review American saxophonist and composer Steve Coleman’s Functional Arrhythmias album had an untypical mellowness for this uncompromising artist, and this one takes that musical cordiality even further. Coleman’s decades-long mission has been to integrate mathematical regularities found in nature, astronomy and philosophy into improv music, and this expansion of his Five Elements band to a 21-piece – adding jazz, Latin and contemporary-classical musicians – is his most ambitious yet open-handed tilt at it. Lean, pithy themes still snap and swerve in Coleman’s signature manner, but the blend of elegant cello undertows and cool alto-sax melody on Acupuncture Openings, the warm trombone and string sounds on Celtic Cells, and the title suite’s tuba hooks and Afro-Cuban percussion are unexpectedly and consistently entrancing. Sometimes it sounds like an early New Orleans jazz band playing a film noir soundtrack with dashes of free-improv and salsa; in any case, Coleman’s rigour as a composer and improviser governs all of it. -- By Karl Ackermann http://www.allaboutjazz.com/...review-by-karl-ackermann.php By Hrayr Attarian http://www.allaboutjazz.com/...review-by-hrayr-attarian.php By Tim Niland http://www.jazzandblues.blog...-and-council-of-balance.html By Doug Simpson http://audaud.com/2015/05/st...klist-follows-pi-recordings/ By Will Layman http://www.popmatters.com/co...analogies-in-various-places/ By Richard B. Kamins http://www.steptempest.blogs.../05/connected-by-rhythm.html By Tomáš S. Polívka (cz) http://www.rozhlas.cz/jazz/a...nce-synovial-joints--1504239 By Jan Granlie (no) http://salt-peanuts.eu/recor...-and-the-council-of-balance/ Da Luca Canini (it) http://www.allaboutjazz.com/...gs-review-by-luca-canini.php Da Roberto Dell'Ava (it) http://www.traccedijazz.it/i...teve-coleman-synovial-joints Por João Santos (pt) http://www.cuicadodecafonica...-and-council-of-balance.html Par Pierre Dulieu et Albert Maurice Drion (fr) http://www.dragonjazz.com/news/news18.htm Por Sergio Piccirilli (es) http://elintruso.com/2015/05...-of-balance-synovial-joints/ Sharing Widget |