Style, Gender, and Fantasy in Nineteenth-Century American Women's Writing - by D. Beam

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Description

Introduction. Highly wrought style

1 Florid fantasies: Fuller, Stephens, and the “other” language of flowers

2 Sensing the soul: mesmerism, feminism, and highly wrought fiction

3 Harriet Prescott Spofford’s philosophy of composition

4 Pauline Hopkins’ baroque folds: the styled form of Winona

Coda. The value of ornament: Gilman and Wharton


Dorri Beam presents an important contribution to nineteenth-century fiction by examining how and why a florid and sensuous style came to be adopted by so many authors. Discussing a diverse range of authors, including Margaret Fuller and Pauline Hopkins, Beam traces this style through a variety of literary endeavors and reconstructs the political rationale behind the writers' commitments to this form of prose. Beam provides both close readings of a number of familiar and unfamiliar works and an overarching account of the importance of this form of writing, suggesting new ways of looking at style as a medium through which gender can be signified and reshaped. Style, Gender, and Fantasy in Nineteenth Century American Women's Writing redefines our understanding of women's relation to aesthetics and their contribution to both American literary romanticism and feminist reform. This illuminating account provides valuable new insights for scholars of American literature and women's writing.

Unique account providing the reader with a discussion of whether sentimentality was the predominant or only mode for women writers
Uses archival evidence to explore and analyse arguments proposed
Analyses in detail the integrated aesthetic and philosophical investments of American romanticism



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Style, Gender, and Fantasy in Nineteenth-Century American Women's Writing - by D. Beam