The Beatles - TBIM Mono Masters (2014 Vinyl Remaster 2009) 24Bit FLAC Beolab1700

The Beatles - TBIM Mono Masters (2014 Vinyl Remaster 2009) 24Bit FLAC Beolab1700















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The Beatles - Mono Masters



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Artist...............: The Beatles



Album................: Mono Masters



Genre................: Rock



Source...............: Vinyl



Year.................: 2014 2009



Codec................: Free Lossless Audio Codec (FLAC)

Version..............: reference libFLAC 1.2.1 20071117

Quality..............: Lossless, (avg. compression: 63 %)

Channels.............: Mono / 96000 HZ / 24 Bit

Tags.................: VorbisComment



Information..........: 24bit version, the one you've all been waiting for.







Posted by............: Beolab1700 on 10/10/2014







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Tracklisting



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1. The Beatles - Revolution [03:24]



2. The Beatles - I Want to Hold Your Hand [02:27]



3. The Beatles - Only a Northern Song [03:26]



4. The Beatles - Don't Let Me Down (with Billy Preston) [03:32]



5. The Beatles - Slow Down [02:58]



6. The Beatles - She's a Woman [03:01]



7. The Beatles - Love Me Do (Original Single Version) [02:28]



8. The Beatles - All Together Now [02:11]



9. The Beatles - She Loves You [02:22]



10. The Beatles - We Can Work It Out [02:16]



11. The Beatles - I Feel Fine [02:26]



12. The Beatles - Long Tall Sally [02:05]



13. The Beatles - Hey Jude [07:15]



14. The Beatles - This Boy [02:16]



15. The Beatles - Thank You Girl [02:06]



16. The Beatles - Lady Madonna [02:18]



17. The Beatles - I'm Down [02:38]



18. The Beatles - I Call Your Name [02:13]



19. The Beatles - You Know My Name (Look Up the Number) [04:20]



20. The Beatles - I'll Get You [02:07]



21. The Beatles - D2 - The Inner Light [02:38]



22. The Beatles - Matchbox [02:00]



23. The Beatles - Hey Bulldog [03:14]



24. The Beatles - Across the Universe [03:48]



25. The Beatles - Rain [02:59]



26. The Beatles - Bad Boy [02:21]



27. The Beatles - Paperback Writer [02:27]



28. The Beatles - Day Tripper [02:54]



29. The Beatles - Get Back (with Billy Preston) [03:12]



30. The Beatles - From Me to You [01:59]



31. The Beatles - Komm, Gib Mir Deine Hand [02:29]



32. The Beatles - Sie Liebt Dich [02:21]



33. The Beatles - Yes It Is [02:42]



34. The Beatles - It's All Too Much [06:20]







Playing Time.........: 01:39:31





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Lineage:







Vinyl: Mint – Purchased New







Cleaning: DIY cleaning fluid, distilled water rinse, Spin Clean, second distilled water rinse (mini shop vac with a micro tool brush attachment



between steps to pull up fluids)







TT: Pro-Ject Debut Carbon



Cart: Ortofon 2M Bronze MM Cartridge



Phono Stage: Lehmann Audio Black Cube



Preamp: Schiit Asgard 2



Interconnects: Blue Jeans RCA Interconnects, Pro-Ject Connect It Phono Interconnect



Interface: ESI Juli@ XTe







Recording: Audacity (Custom ASIO build) – 192 kHz/24 Bit



Sides A and B recorded and joined



Exported to 24 bit WAV file via Audacity



Manual Cleanup and Resampling to 96 kHz: iZotope RX2



Stereo to Mono Conversion, -1.0 db Amplification/Normalization and Track Splitting: Audacity v2.0.0 (Custom ASIO build)



Converted to 24 Bit FLAC (Level 8) via dBpowerAMP







Converted from 24/192 FLAC to 24/96 FLAC via dBpowerAMP.







No silence has been removed.







Thanks to Soumac







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5 years to the day after the release of The Beatles in Mono, a box set of the group’s monaurally mixed catalog through 1968, the band is issuing a vinyl version of the box set. Although the quartet put out stereo versions of their albums concurrent with the mono ones throughout most of their career, the Beatles considered the mono versions as definitive.



The limited-edition 14-LP Beatles in Mono vinyl box set includes the group’s first nine U.K. albums – from Please Please Me to The Beatles – the American-compiled Magical Mystery Tour and a collection of Mono Masters, which consist of non- album singles and tracks, all on 180-gram vinyl.



Grammy-winning engineer Sean Magee and Grammy-winning mastering supervisor Steve Berkowitz remastered each record for vinyl in the same room at Abbey Road Studios where most of the group’s albums were recorded, using quarter-inch master tapes without the help of any digital technology. Instead, they opted for the mastering procedures used in the Sixties, even consulting notes used by the original engineers who cut the vinyl. Magee and Berkowitz spent weeks listening to the recordings, comparing the masters with first pressings of the vinyl albums from the 1960s







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