The Constellations - Southern Gothic DTS 2

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The Constellations - Southern Gothic DTS 2
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Artist...............: The Constellations
Album................: Southern Gothic
Genre................: Rock
Source...............: Apple Lossless - Thanks DrewSwisher
Year.................: 2009
Burn test............: 10/10/2012
Channels.............: 5.1 / 44100 HZ / 16 Bit
Included.............: WAV, CUE, nfo, Cover
Posted by............: MrMalikai on 12/17/2010, 11/11/2012
Information..........: Play it LOUD
How to burn a DTS CD
How to Play a DTS-CD or DTSWav
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Tracklisting
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1. (00:05:24) The Constellations - Setback
2. (00:04:24) The Constellations - Perfect Day
3. (00:03:47) The Constellations - Love Is A Murder (Feat. Cee-Lo)
4. (00:04:11) The Constellations - December
5. (00:04:58) The Constellations - Take A Ride
6. (00:03:30) The Constellations - We're Here To Save The Day (Ft. Asher Roth)
7. (00:03:29) The Constellations - Felicia
8. (00:09:16) The Constellations - Step Right Up
9. (00:05:42) The Constellations - What I See
10. (00:03:59) The Constellations - Weighing Me Down
11. (00:05:41) The Constellations - On My Way Up

Playing Time.........: 00:54:20
Total Size...........: 548.00 MB
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It's a stereo to DTS 5.1 conversion. Burn it to a standard CD-R.
Can be played on home theater systems that have a DTS decoder
and on PC's with the software to play DTS.
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Review allmusic.com
On this dance-heavy debut, the Constellations attempt to do for Atlanta what Beck once did
for Los Angles -- that is, give voice to a city's cultural makeup by paying special
attention to its funkier side. Atlanta has already been chronicled by everyone from
Butch Walker to Big Boi, but the Constellations take their own approach, hewing close to
a brand of psychedelic hip-hop that makes room for electronica, cabaret, and pop.
Overseeing the musical melting pot is vocalist Elijah Jones, who raps with a casual,
world-weary cadence and sings in a competent baritone. Backed by Animal Collective producer
Ben Allen and multi-instrumentalist Devin Donnelly -- not to mention guest rappers like
Cee-Lo, who trades verses during “Love Is a Murder” -- Jones sketches a broad picture of
a city filled with neon, sex, late-night revelers, and last calls. At times, he loses track
of Atlanta’s identity and resorts to clichés that could describe any metropolis --
“this city is on fire!” goes the chorus to “Take a Ride” -- but he nails it during songs
like “Setback,” where space age synths underscore images of street violence, and
“Stand Right Up,” which turns a Tom Waits sample into a play-by-play beat poem of Atlanta’s
seedy nightlife. Like Atlanta itself, Southern Gothic is gorgeous in some areas and
forgettable in others, but the highlights far outweigh the missteps.