Tom Waits - Rain Dogs (2014) Japan SHM-SACD FLAC Beolab1700

Tom Waits – Rain Dogs (2014) SHM-SACD FLAC Beolab1700







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Tom Waits - Rain Dogs (2014 SHM-SACD)

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Artist...............: Tom Waits

Album................: Rain Dogs (2014 SHM-SACD)

Genre................: Rock

Source...............: SACD

Year.................: 1985/2014

Codec................: Free Lossless Audio Codec (FLAC)

Version..............: reference libFLAC 1.3.0 20130526

Quality..............: Lossless, (avg. compression: 58 %)

Channels.............: Stereo / 16bit

Tags.................: VorbisComment

Information..........:



Posted by............: Beolab1700 on 29/08/2014



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Tracklisting

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01 Singapore 2:46

02 Clap Hands 3:47

03 Cemetery Polka 1:51

04 Jockey Full of Bourbon 2:45

05 Tango Till They’re Sore 2:49

06 Big Black Mariah 2:44

07 Diamonds & Gold 2:31

08 Hang Down Your Head (Brennan/Waits) 2:32

09 Time 3:55

10 Rain Dogs 2:56

11 Midtown [instrumental] 1:00

12 9th & Hennepin 1:58

13 Gun Street Girl 4:37

14 Union Square 2:24

15 Blind Love 4:18

16 Walking Spanish 3:05

17 Downtown Train 3:53

18 Bride of Rain Dog [instrumental] 1:07

19 Anywhere I Lay My Head 2:48



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Rain Dogs reissue features he high-fidelity SHM-SACD format. Features a mini LP faithfully replicating the artwork of US first pressing LP. Includes an obi that replicates the one included in the Japanese first pressing LP. Comes with lyrics and a description. Uses the 2014 DSD master from the original US analog tape.

With its jarring rhythms and unusual instrumentation – marimba, accordion, various percussion – as well as its frequently surreal lyrics, Rain Dogs is very much a follow-up to Swordfishtrombones, which is to say that it sounds for the most part like The Threepenny Opera being sung by Howlin’ Wolf. The chief musical difference is the introduction of guitarist Marc Ribot, who adds his noisy leads to the general cacophony.



But Rain Dogs is sprawling where its predecessor had been focused: Tom Waits’ lyrics here sometimes are imaginative to the point of obscurity, seemingly chosen to fit the rhythms rather than for sense.

In the course of 19 tracks and 54 minutes, Waits sometimes goes back to the more conventional music of his earlier records, which seems like a retreat, though such tracks as the catchy “Hang Down Your Head,” “Time,” and especially “Downtown Train” (frequently covered and finally turned into a Top Ten hit by Rod Stewart five years later) provide some relief as well as variety. Rain Dogs can’t surprise as Swordfishtrombones had, and in his attempt to continue in the direction suggested by that album, Waits occasionally borders on the chaotic (which may only be to say that, like most of his records, this one is uneven). But much of the music matches the earlier album, and there is so much of it that that is enough to qualify Rain Dogs as one of Waits’ better albums.



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