Trojan Dancehall boxset trg release (Size: 317.32 MB)
| | Barry Brown Your Love Is Real.mp3 | 5.48 MB |
| | Don Carlos My Brethren Party.mp3 | 5.74 MB |
| | Fathead Donkey Want Water.mp3 | 6.45 MB |
| | General Lucky Island in the Sun.mp3 | 6.48 MB |
| | Johnny Slaughter Confusion.mp3 | 6.71 MB |
| | Johnny Slaughter Poor Man.mp3 | 6.11 MB |
| | Michael Prophet World of Confusion.mp3 | 6.03 MB |
| | Mike Brooks A Man Is King.mp3 | 6.07 MB |
| | Mike Brooks One Heart.mp3 | 5.11 MB |
| | Mike Brooks Sensie Man.mp3 | 6.03 MB |
| | Cornell Campbell Got to Tell the People.mp3 | 5.46 MB |
| | Dean Fraser Heavenless.mp3 | 6.68 MB |
| | Dean Fraser Shank I Sheck.mp3 | 6.87 MB |
| | Don Carlos Ababa John I.mp3 | 5.96 MB |
| | General Lucky Ram-A-Jam.mp3 | 5.94 MB |
| | Ital Vibes Shank I Sheck.mp3 | 6.62 MB |
| | Jah Thomas Friday Night Jamboree.mp3 | 6.12 MB |
| | King Tubby Shank I Sheck.mp3 | 6.53 MB |
| | Neville Brown Trod Along Natty Dreadlocks.mp3 | 5.88 MB |
| | Purpleman Sandra Lee Buy Big House for Me.mp3 | 6.64 MB |
| | Anthony Johnson Baby Your Loving.mp3 | 6.54 MB |
| | Barrington Levy Collie Weed.mp3 | 4.5 MB |
| | Barrington Levy Sweet Reggae Music.mp3 | 6.2 MB |
| | Barry Brown Let's Go to the Blues.mp3 | 6.26 MB |
| | Derrick Pitter The World and It's People.mp3 | 4.82 MB |
| | Don Carlos Lazer Beam.mp3 | 6.17 MB |
| | Earl Sixteen Bad Company.mp3 | 5.05 MB |
| | Lloyd Robinson Cuss Cuss.mp3 | 4.84 MB |
| | Michael Palmer Angela.mp3 | 5.55 MB |
| | Neville Brown The Right Time.mp3 | 6.08 MB |
| | sharego.nfo.txt | 2.11 KB |
| | tRg_nfo.txt | 2.38 KB |
Description
TROJAN DANCEHALL BOX SET - In 1979, when the late producer Henry 'Junjo' Lawes took Barrington Levy into the studio, he probably had no idea he was launching a whole new style of Jamaican music. But the rhythms he created, along with the musicians who would go on to become the Roots Radics, inspired the Dancehall craze. Between then and 1985, when Digital rhythms arrived, Dancehall reigned supreme. A whole new generation of mainly young singers launched their careers, and several new producers rose to prominence. Channel One continued as the studio of choice for recording rhythm tracks, with King Tubby's being used for voicing and mixing. This box set presents fifty examples of the genre, giving a varied overview of the music.
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