Van Morrison - Common One (2015) Remastered MP3@320kbps Beolab1700

Van Morrison - Common One (2015) Remastered MP3@320kbps Beolab1700

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Van Morrison - Common One
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Artist...............: Van Morrison
Album................: Common One
Genre................: Rock
Year.................: 2015
Codec................: LAME 3.99
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Joint Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Information..........:


Posted by............: Beolab1700 on 25/05/2016

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Tracklisting
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1. Haunts Of Ancient Peace 7:10
2. Summertime In England 15:39
3. Satisfied 6:03
4. Wild Honey 5:50
5. Spirit 5:11
6. When Heart Is Open 15:14
7. Haunts of Ancient Peace (Alternative Take) 7:46
8. When Heart Is Open (Alternative Take) 7:42

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Van Morrison was working through one of his greatest — yet least appreciated — creative periods when he made this album, one that burrows deeply into an introspective jazz-rooted spiritual groove.
With Mark Isham’s lonely muted trumpet up front, listeners are in the jazz world immediately with “Haunts of Ancient Peace,” merging perfectly with Morrison’s idiosyncratic vocal style. A low-pressure soul-jazz organ riff lays down the base of the most easily assimilated track, “Satisfied,” as Morrison’s lyric indicates that he has reached a state of internal peace. “Wild Honey” has R&B horn riffs over Philly-style strings, while “Spirit” mostly pursues a self-fulfillment path similar to that of “Satisfied.”
Ultimately, the record stands or falls upon two remarkable, gigantic 15-minute pieces, ”Summertime in England” and “When Heart Is Open.” The propulsive opening of “Summertime” drops names of Morrison’s favorite poets and authors; the track teeters upon indulgence but you are drawn in by Morrison’s obsessions with lines and phrases like “common one” and “let your red robe go,” his voice becoming a twin brother of arranger Pee Wee Ellis’ riffing sax. Lonely horns over the hilltops open “When Heart Is Open,” and it begins to resemble a sequel to Miles Davis’ treatment of “In a Silent Way,” setting a peaceful, mesmerizing mood that carries you through its enormous length to the end of the record.

No wonder the rock critics of the time didn’t get it; this is music outside the pop mainstream, and even Morrison’s own earlier musical territory. But it retains its trancelike power to this day.

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