Waylon Jennings, Willie Nelson Jessi & Tompall - Wanted! The Outlaws (1996) (Size: 351.07 MB)
| | 01 Waylon Jennings - My Heroes Have Always Been Cowboys.flac | 15.23 MB |
| | 02 Waylon Jennings - Honky Tonk Heroes (Like Me).flac | 20.67 MB |
| | 03 Jessi Colter - I'm Looking For Blue Eyes.flac | 12 MB |
| | 04 Jessi Colter - You Mean To Say.flac | 13.41 MB |
| | 05 Waylon Jennings & Jessi Colter - Suspicious Minds.flac | 23.8 MB |
| | 06 Waylon Jennings & Willie Nelson - A Good Hearted Woman.flac | 17.43 MB |
| | 07 Waylon Jennings & Willie Nelson - Heaven And Hell.flac | 8.47 MB |
| | 08 Willie Nelson - Me And Paul.flac | 22.14 MB |
| | 09 Willie Nelson - Yesterday's Wine.flac | 16.76 MB |
| | 10 Tompall Glaser - T For Texas.flac | 25.98 MB |
| | 11 Tompall Glaser - Put Another Log On The Fire.flac | 13.69 MB |
| | 12 Waylon Jennings - Slow Movin' Outlaws.flac | 21.28 MB |
| | 13 Waylon Jennings - (I'm A) Ramblin' Man.flac | 14.42 MB |
| | 14 Jessi Colter - If She's Where You Like Livin' (You Won't Feel At.flac | 17.39 MB |
| | 15 Jessi Colter - It's Not Easy.flac | 15.71 MB |
| | 16 Jessi Colter - Why You Been Gone So Long.flac | 18.11 MB |
| | 17 Waylon Jennings & Jessi Colter - Under Your Spell Again.flac | 17.15 MB |
| | 18 Waylon Jennings & Jessi Colter - I Ain't The One.flac | 11.4 MB |
| | 19 Willie Nelson - You Left A Long, Long Time Ago.flac | 15.6 MB |
| | 20 Willie Nelson - Healing Hands Of Time.flac | 10.8 MB |
| | 21 Waylon Jennings & Willie Nelson - Nowhere Road.flac | 19.54 MB |
| | folder.jpg | 69.31 KB |
| | REVIEW.txt | 746 bytes |
| | Want'd!.log | 7.24 KB |
| | Waylon Jennings Willie Nelson Jessi Colter Tompall Glaser - Wanted!.cuetools.flac.cue | 2.21 KB |
Description
Review by Kurt Wolff
The term "outlaw" had been bandied about after Waylon Jennings' 1972 hit "Ladies Love Outlaws," but it didn't permanently gel until the release of the album Wanted! The Outlaws in 1976. The songs in this packaged product weren't new -- the album contained previously released material by Jennings, Willie Nelson, Tompall Glaser, and Jennings' wife Jessi Colter (who had hit the charts a year earlier with "I'm Not Lisa"). But it marked the industry's recognition of the changing times, and as the center point of a campaign to publicize Nashville's new "progressive" breed, it worked like a charm. It quickly became the first country album to sell more than a million copies, and it boosted the careers of all involved.
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