Cubase 401 Mastering In Cubase TUTORiAL DVDR [deepstatus]seeders: 8
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Cubase 401 Mastering In Cubase TUTORiAL DVDR [deepstatus] (Size: 946.38 MB)
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MacProVideo.com.Cubase.401.Mastering.In.Cubase.TUTORiAL.DVDR-DYNAMiCS
 SUPPLiER..: Team DYNAMiCS DiSKS...: 17 * 50MB CRACKER...: n/a DATE....: Aug 2010 PACKAGER..: Team DYNAMiCS RELEASE#: DYNAMiCS-1339 PROTECTION: n/a FORMAT..: Tut Cubase 401 Mastering in Cubase 247 minutes | by Matthew Loel T. Hepworth Just when you thought your finished song couldn't sound any better, Matthew opens up another box of goodies to take your project to the next level. If you want to get every dollars worth out of your Cubase, you need to get Mastering in Cubase. Awesome!! Make your music productions sound professional and ready for broadcast and distribution! macProVideo is excited to bring another great mastering tutorial to our growing library! We’ve explored mastering in Protools and Logic and now we’re focusing our mastering spotlight on our growing family of Cubase musicians and engineers. Mastering is equal parts art and science; It’s a crossroads where technology and creativity merge together to form an audio super highway. And who would be better to be in the driver’s seat than our favorite Cubase expert, Matthew Loel T. Hepworth! In this 4 hour mastering exploration Matt guides us through all the concepts, terminology, tools and techniques that the mastering musician/engineer must “master” no matter what software or hardware they use. On our way we learn about combating and conducting the loudness wars, utilizing the mastering plugins including compressors, mulitband compressors, EQs. limiters, maximizers and the infamous Apogee UV 22 HR, and the ways master for different musical genres. That’s the science. What about the art? Well that is where this amazing tutorial really shines. Matt shows and tells his philosophy on mastering. You will see and hear how he approaches making music sound and “feel” better. And by witnessing Matt’s thought processes, and applying what you’ve learned, you will be able to approach your music with a new understanding of how you want it to sound and how to accomplish your mastering goals. Whether you’re a Live, Logic, Protools or CUBASE user, this awesome mastering tutorial by Matthew Loel T. Hepworth will help you make your music, louder, feel better and stand apart from the pack. * Chapter 1: Understanding the Art a... * 1: The Concept of Mastering * 01:00 01. Goals of "Mastering in Cubase" * 01:39 02. What is Audio Mastering? * 02:12 03. Analog Mastering vs. Digital Mastering * 04:18 04. Peak Volume vs. Average (RMS) Volume * 05:55 05. Remastering Comparison * 04:18 06. The Loudness War: Daring to be Neutral * 08:19 07. Bit Depth: 16 Bit vs 24 Bit vs 32 Bit * 01:43 08. Don't Throw Away Your Bits (Maximizing Dynamic Rang... * 04:52 09. Sample Frequency (in KHz): 44.1 vs. 48 vs. 88.2 vs ... * 01:19 10. Mastering for Different Musical Genres * 2: The Tools of Mastering * 01:05 11. My clients say, "Make it punchy, shiny, and LOUD!" * 01:52 12. The "Top Speed" of Digital Audio is 0 (Zero) * 01:35 13. Normalizing and Why You Shouldn't Use It * 01:16 14. The Concept of Dithering * 3: The Cubase Mastering Plug-ins * 01:05 15. Mastering Limitations of Cubase Studio 5 and Lower * 00:54 16. Plug-ins for Compression * 01:26 17. Plug-ins for Tone (EQ) * 00:42 18. Plug-ins for Limiting * 00:43 19. Plug-ins for Dithering * 01:51 20. Following Proper Mastering Plug-in Order * 01:01 21. using the Cubase Plug-ins Reference Manual * 01:14 22. What the Click? Mac OS vs. Windows Mouse Commands * 4: Making a Master-ready Mix in Cubase * 02:20 23. Inserting the Mastering Plug-ins * 04:11 24. Monitoring the Mastering Plug-ins * 06:25 25. Checking the Gain Stage of the Master Fader * 01:49 26. Mastering after the Mix vs. During the Mix * 04:04 27. Increasing Your Audio Interface Buffer During Maste... * 02:02 28. Can I Use Mastering Plug-ins on Individual Tracks? * 02:56 29. Using Your Ears, Monitors, Headphones and Car Stere... * Chapter 2: Understanding Compresso... * 5: The Controls of a Compressor * 05:19 30. Creating a Cubase Project for the Next Chapters * 01:02 31. Adding a Basic Compressor * 01:23 32. Compressor are like Rubber Bands * 03:31 33. Threshold * 02:51 34. Ratio * 02:44 35. Make Up Gain (Output) and Auto * 01:02 36. Soft Knee vs Hard Knee * 03:48 37. Attack, Hold, Release, and Auto * 01:10 38. Analysis (Peak and/or RMS * 01:26 39. Trying Different Compressor Presets * 6: The Cubase Multiband Compressor - Your Deadliest Mas... * 03:46 40. Full-Range Compressors vs. Multiband Compressors * 03:29 41. Multiband Compressor Controls * 03:29 42. Using the MUTE and SOLO Controls * 08:30 43. Adjusting the 4 Frequency Bands * 02:51 44. Adjusting the Output Gain * 02:44 45. Trying Different Multiband Compressor Presets * 00:48 46. Is the Multiband Compressor a Tone (EQ) Plug-in? * Chapter 3: Understanding Tone (EQ)... * 7: What is Tone? * 00:49 47. Tone, EQ, and Equalization are Synonyms * 01:09 48. Tone Controls Found on Consumer Electronics * 03:20 49. Parametric EQ vs. Graphic EQ * 8: The Cubase Channel EQ * 00:45 50. The Concepts of the Cubase Channel Parametrics * 02:51 51. Frequency and Gain * 04:57 52. Q-Factor * 01:11 53. Moving the Controls * 01:44 54. Bypassing Individual Bands and Bypassing the Entire... * 01:38 55. Trying Different EQ Presets * 01:09 56. Is the StudioEQ Plug-in Identical to the Channel EQ... * 9: The GEQ10 and GEQ30 Graphic Equalizers * 00:48 57. The Concepts of the Cubase Graphic Equalizer Plug-i... * 01:49 58. Sliders for Different Frequency Bands * 03:50 59. Outputs, Flatten, Range and Invert * 00:45 60. The Filter Mode Settings * 02:02 61. Trying Different Graphic EQ Presets * Chapter 4: Understanding Limiters * 10: What is a Limiter * 00:33 62. A Limiter is like a C-Clamp * 11: Using the Cubase Maximizer * 01:29 63. The Maximizer Plug-in is a Mastering Limiter * 02:13 64. Setting the Output Level Control * 04:44 65. Using the Optimize Control * 00:52 66. Soft Clip: On or Off? * Chapter 5: Dithering * 12: Using the Appogee UV 22 HR Dithering Plug-in * 00:55 67. Where to use the UV 22 HR * 01:10 68. Choosing an Output Bit Resolution * 01:05 69. Setting a Dither Level * Chapter 6: Mastering Your Project * 13: Using the Multiscope Plug-in * 04:17 70. The Multiscope in Frequency Spectrum Mode * 02:33 71. Using the Multiscope in Phase Correlator Mode * 14: Using all your Mastering Plug-ins on a Real Project * 05:27 72. Setting up a Cubase Project for Mastering * 11:33 73. Using the Multiband Compressor * 05:57 74. Using the GEQ-30 * 03:07 75. Using the Maximizer * 04:47 76. Adding a "Consumer Smiley Face" EQ * 04:29 77. Export > Audio Mixdown * 05:47 78. Statistical Analysis of the Mixdown * 15: Matt's "Mixdown" Philosophy * 01:46 79. Why 4 Mixdowns? * 01:49 80. Exporting to High-Resolution without Mastering * 01:02 81. Exporting to High-Resolution with Mastering * 01:02 82. Exporting to CD Resolution with Mastering * 02:03 83. Exporting to MP3 Resolution with Mastering * Chapter 7: Multi-Project Mastering * 16: The Importance of Multi-Project Mastering * 04:57 84. Multi-Project Mastering Concepts * 04:07 85. Where to Put the Plug-ins * 07:53 86. Comparing Tracks * 02:33 87. "Feeling" the Transitions * 01:54 88. Crossfading Mastered Files * 02:56 89. Exporting Multi-Project Masters * 17: Signing Off * 00:31 90. Goodby and Good Luck instalL: Burn (nero, etc.) or Mount(deamon tools,etc.) whith your favorite app start learning!!!! enjoY!!!!  p.s if you think it's useful buy the stuff Sharing Widget |
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