Lynda. Foundations of Typography

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Added on April 13, 2016 by bardin Other > Tutorials
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Lynda. Foundations of Typography (Size: 1.33 GB)
 Ex_Files_FoDes_Type.zip958.37 KB
 4 The theory of typographic relativity.mp426.69 MB
 3 The power of type.mp422.57 MB
 1 Welcome.mp419.88 MB
 5 Getting the most out of this course.mp418.38 MB
 2 Why good typography matters.mp416.48 MB
 3 Type history.mp4167.91 MB
 6 Guidelines for combining typefaces.mp427.33 MB
 5 Other type categories.mp426.91 MB
 4 Type classification.mp424.91 MB
 2 Display type vs. text type.mp423.84 MB
 1 Serif vs. sans serif.mp418.19 MB
 7 Using cases.mp414.14 MB
 5 Working with color and tonal weight. Exercises.mp430.84 MB
 4 Reviewing the terminology of type, based on function.mp428.88 MB
 1 Anatomy. Parts and shapes of type.mp427.59 MB
 3 Type families. Widths, weights, and slopes.mp426.29 MB
 2 Size and measurements of type.mp417.28 MB
 2 Tracking and leading.mp429.22 MB
 4 Hyphenation and justification.mp424.06 MB
 3 Exploring variations in type alignment.mp423.28 MB
 1 Kerning and kerning pairs.mp422.19 MB
 6 Other typographic best practices.mp419.07 MB
 5 Indents, outdents, and hanging punctuation.mp418.77 MB
 1 Where type begins. The mark of the hand.mp446.99 MB
 3 Designing a typeface.mp419.44 MB
 2 Related parts and shapes. Family resemblances.mp417.18 MB
 3 Hierarchy and functionality.mp442.14 MB
 2 Examining factors affecting legibility.mp427.19 MB
 4 Systematized hierarchy.mp426.14 MB
 5 Paragraphs, drop caps, and entry points.mp423.89 MB
 1 How legibility and readability differ.mp421.47 MB
 6 Typographic abominations.mp415.65 MB
 1 Opposing forces of typography.mp453.87 MB
 3 Contrast and scale.mp445.86 MB
 2 The grid. A structure for containing type.mp421.46 MB
 2 The emotional impact of type.mp439.07 MB
 3 Three-dimensional type.mp438.03 MB
 1 Typographic expressiveness.mp429.7 MB
 4 Using typography to navigate the environment.mp463.42 MB
 3 Using typography to navigate content.mp426.42 MB
 1 Working with numbers.mp413.6 MB
 2 Expert characters and analphabetic symbols.mp410.87 MB
 2 Developing your typographic eye.mp451.08 MB
 3 Breaking the rules.mp420.43 MB
 4 What's next.mp418.13 MB
 1 Managing fonts and building your type library.mp412.38 MB


Description




Good typography can add tremendous power to your design and your message, whether it is a print- or screen-based project, a still or motion graphic, a 3D or 2D graphic. This course explains good typographic practices, so that you can develop an "eye" for type and understand how to effectively use it. Author Ina Saltz explains type classifications (serif vs. sans serif, display type vs. text type), how type is measured, sized, and organized, and how spacing and alignment affect your design. She also explains how to use kerning, tracking, leading, and line length, and covers the history and current trends in typography. The course teaches the principles of legibility, readability, and compatibility, and how they should be considered when you're selecting and designing with type.


Introduction 9m 5s
Welcome 1m 58s
Why good typography matters 1m 55s
The power of type 1m 53s
The theory of typographic relativity 1m 53s
Getting the most out of this course 1m 26s

1. Typographic Differentiation 23m 49s
Serif vs. sans serif 3m 27s
Display type vs. text type 3m 39s
Type history 2m 48s
Type classification 4m 8s
Other type categories 3m 24s
Guidelines for combining typefaces 3m 49s
Using cases 2m 34s

2. The Language of Type 18m 28s
Anatomy: Parts and shapes of type 4m 35s
Size and measurements of type 2m 18s
Type families: Widths, weights, and slopes 3m 53s
Reviewing the terminology of type, based on function 3m 27s
Working with color and tonal weight: Exercises 4m 15s

3. Spacing and Alignment 20m 27s
Kerning and kerning pairs 3m 33s
Tracking and leading 3m 49s
Exploring variations in type alignment 3m 55s
Hyphenation and justification 3m 13s
Indents, outdents, and hanging punctuation 2m 26s
Other typographic best practices 3m 31s

4. Touching on Type Design 10m 3s
Where type begins: The mark of the hand 2m 28s
Related parts and shapes: Family resemblances 4m 35s
Designing a typeface 3m 0s

5. Legibility and Readability 22m 19s
How legibility and readability differ 3m 48s
Examining factors affecting legibility 4m 46s
Hierarchy and functionality 4m 29s
Systematized hierarchy 3m 52s
Paragraphs, drop caps, and entry points 2m 41s
Typographic abominations 2m 43s

6. Typographic Composition 11m 8s
Opposing forces of typography 3m 8s
The grid: A structure for containing type 3m 6s
Contrast and scale 4m 54s

7. Thinking with Type 9m 41s
Typographic expressiveness 3m 22s
The emotional impact of type 2m 47s
Three-dimensional type 3m 32s

8. Specialized Uses 8m 55s
Working with numbers 2m 10s
Expert characters and analphabetic symbols 1m 56s
Using typography to navigate content 1m 51s
Using typography to navigate the environment 2m 58s
Final Thoughts 9m 14s
Managing fonts and building your type library 3m 14s
Developing your typographic eye 2m 31s
Breaking the rules 1m 41s
What's next 1m 48s

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Lynda. Foundations of Typography