Lynda - Premiere Pro Guru - Compositing and Masksseeders: 12
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Lynda - Premiere Pro Guru - Compositing and Masks (Size: 701.84 MB)
DescriptionPremiere Pro Guru: Compositing and Masks with Luisa Winters Master compositing and masks using the native effects in Adobe Premiere Pro—with no third-party plugins. Adobe Premiere Pro Master Instructor Luisa Winters shows how to make these crucial techniques part of your everyday editing workflow. She covers creating and modifying alpha channels, keying blue and green screen footage with Ultra Key, using track mattes to affect moving parts of clips, changing the look of footage with blend modes, and so much more. Getting Started Welcome Using the exercise files 1. What Are Alpha Channels? Alpha channels: How color and transparency work in video Two types of alpha channels: Straight and premultiplied Keying and matting, what's the difference? Creating and modifying alpha channels Using garbage mattes Codecs that support the alpha channel 2. Using Ultra Key to Key Green and Blue Screen Footage Isolating footage with masks An overview of the automatic settings Matte generation and keying footage Removing color casts with spill suppression Improving the image with color correction Tips for better keying 3. Using the Track Matte Key to Affect a Moving Piece of Video What's the difference between track mattes and masks? Creating a matte to fit your footage Adjusting the motion of the matte Tips for better matte keys 4. Exploring Other Keying Effects Using any color to create a composite with Color Key Creating a composite with the Difference Matte key Using Luma Key to create a composite based on brightness Understanding the Non-Red Key effect Using the Alpha Adjust effect 5. Adjusting Blending Modes to Change the Character of Your Footage What are blending modes and how to use them effectively Understanding the Normal category Darken your footage using the Subtractive category Lighten your footage using the Additive category How to use the Complex category Create colors using the Difference category Transfer luma or chroma using the HSL category 6. Using Masks to Affect a Portion of Your Footage Understanding effects that use masks Creating masks using Bezier curves Understanding mask feather, opacity, and expansion When your mask needs to move: Tracking Tips for better tracking Conclusion Goodbye Sharing Widget |
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