Lynda - Premiere Pro Guru Transcoding Workflows [XTREME]

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Added on February 27, 2016 by XTREME_MAGICin Other > Tutorials
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Lynda - Premiere Pro Guru Transcoding Workflows [XTREME] (Size: 2.61 GB)
 22. Sequence settings-464396.mp415.86 MB
 23. Subclip transcoding-464397.mp417.61 MB
 21. Examining your sequence at full quality-464395.mp419.53 MB
 20. Benefits and possibilities of transcoding while you edit-464394.mp420.57 MB
 18. Working with uncompressed sources-464391.mp421.8 MB
 19. Applying first-pass color correction with a LUT-464392.mp428.51 MB
 24. Exchanging managed sequence or media with other video professionals-464398.mp427.51 MB
 25. Render and replace-464399.mp416.49 MB
 30. Learn more-464406.mp45.46 MB
 Ex_Files_PP_Guru_Transcoding.zip2.11 GB
 29. Archiving projects-464404.mp418.52 MB
 28. Implementing watched folders for output-464403.mp422.43 MB
 26. Benefits and possibilities of transcoding at the end of your edit-464401.mp419.84 MB
 27. Adjusting pixels and frame sizes-464402.mp418.72 MB
 17. Working with highly compressed sources-464390.mp421.93 MB
 16. Creating a preset for transcoding-464389.mp420.06 MB
 06. Log-464378.mp412.45 MB
 07. Raw-464379.mp412.4 MB
 05. Codecs and formats for shooting-464377.mp416.44 MB
 04. Native vs. transcoded editing in Premiere Pro-464376.mp412.44 MB
 02. How to get the most from this course-464373.mp49.61 MB
 03. Using the exercise files-464374.mp44.12 MB
 08. Codecs and formats for editing-464380.mp411.79 MB
 09. Limitations of native workflows-464381.mp413.89 MB
 14. Understanding Adobe Media Encoder in the transcoding process-464387.mp425.34 MB
 15. Essential transcoding settings-464388.mp420.99 MB
 13. Using Prelude to transcode footage before you edit-464386.mp415.21 MB
 12. Doing a basic transcoded workflow-464384.mp417.34 MB
 10. Pros and cons of transcoded workflows-464382.mp415.52 MB
 11. Factors that go into choosing a workflow-464383.mp48.09 MB
 01. Welcome-464372.mp415.16 MB


Description



Adobe Premiere Pro made waves when it started supporting native editing of compressed and raw file formats. It's usually the best decision to edit natively. However, there are still advantages of transcoding or changing the format of the video to facilitate the editing process. Do you know your choices if you do choose a transcoded workflow? Premiere Pro Guru: Transcoding Workflows explores all the relevant tools and techniques to help you decide when and how to transcode. Post-production pro Jason Osder helps you understand the pros and cons of transcoding, and introduces different transcoding workflows for Premiere Pro, Adobe Media Encoder, and Prelude: transcoding at the very beginning, in the middle while you're working, or at the end during output.

Topics include:
*Different kinds of transcoded workflows
*Codecs and formats for shooting
*Important definitions: log, raw, and more
*Using Premiere, Media Encoder, and Prelude for transcoding
*Creating transcoded presets
*Transcoding subclips
*Rendering and replacing clips
*Transcoding at the end of an edit

Website: http://www.lynda.com/Premier...ding-Workflows/384743-2.html


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Lynda - Premiere Pro Guru Transcoding Workflows [XTREME]