Lynda - Shooting a Hyperlapse Time-Lapse Video

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Added on April 10, 2014 by moondookiein Other > Tutorials
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Lynda - Shooting a Hyperlapse Time-Lapse Video (Size: 955.06 MB)
 163611_06_04_MM30_EvaluateDay.mp476.38 MB
 163611_04_04_MM30_EvaluateShot.mp467.88 MB
 163611_03_02_MM30_CheckingShot.mp454.95 MB
 163611_06_03_MM30_ColorGradeDay.mp454.85 MB
 163611_04_02_MM30_PostProcessingNight.mp451.42 MB
 163611_04_03_MM30_AssemblePremiere.mp444.51 MB
 163611_03_04_MM30_AdjustDistanceInterval.mp441.49 MB
 163611_01_05_MM30_PowerManagement.mp440.52 MB
 163611_02_02_MM30_Smartphone.mp438.04 MB
 163611_01_04_MM30_StabilizingShots.mp436.88 MB
 163611_05_02_MM301_AssembleAfterEffects.mp436.52 MB
 163611_05_01_MM301_PostProcessLongExposure.mp435.5 MB
 163611_01_06_MM30_Storage.mp434.86 MB
 163611_03_03_MM30_CheckingGoProShot.mp433.29 MB
 163611_05_04_MM30_ColorGradeNight.mp432.48 MB
 163611_01_07_MM30_ControllingReflections.mp430.71 MB
 163611_03_01_MM30_CameraSettings.mp429.99 MB
 163611_02_01_MM30_ChoosingInterval.mp424.2 MB
 163611_06_01_MM301_PostProcessDay.mp421.38 MB
 163611_02_04_MM30_ShootingFormat.mp420.31 MB
 163611_01_02_MM30_MountingActionCamera.mp420.16 MB
 163611_01_03_MM30_MountingProfessionalCamera.mp419.59 MB
 163611_05_05_MM30_EvaluateLongExposure.mp418.41 MB
 163611_04_01_MM30_ExerciseFiles.mp417.55 MB
 163611_06_02_MM30_PreviewBatchRename.mp416.64 MB
 163611_02_03_MM30_SafetyCheck.mp416.27 MB
 163611_01_01_MM30_ChoosingCamera.mp413.04 MB
 163611_00_00_WL30_Welcome.mp411.56 MB
 163611_05_03_MM30_FrameBlending.mp48.54 MB
 163611_07_01_MM30_Outro.mp47.13 MB


Description

Link to the site preview:
http://www.lynda.com/Photography-Cameras-Gear-tutorials/Shooting-Hyperlapse-Time-Lapse-Video/163611-2.html


Video Details:
Shooting a Hyperlapse Time-Lapse Video
1h 33m Intermediate Mar 28, 2014

Hyperlapse = time lapse + camera movement. You can get the effect by moving your tripod manually or along a track, but shooting hyperlapse from a moving vehicle is the one guaranteed way to get really dramatic time-lapse footage. And it doesn't take a lot of gear. In this course, Rich Harrington introduces the equipment you need and the techniques you should use to capture great hyperlapse sequences, as he travels around the Nevada desert during the day and captures the bright lights/big city of Vegas at night. When he returns to the studio, he shares his post-processing tips in Adobe Camera Raw, Premiere Pro, and After Effects.

This course was created and produced by RHED Pixel. We're honored to host this content in our library.
Topics include:

Choosing the right camera for hyperlapse video
Mounting your camera
Stabilizing shots
Programming the camera
Capturing shots
Post-processing, assembling, and color grading footage

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Lynda - Shooting a Hyperlapse Time-Lapse Video

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Where are the 8GB plus exercise files?????